We have another “two-sided” episode this week, as we offer two different kinds of interviews, with two different kinds of artists.
In the first leg of their West Coast Tour, Cecyl Ruehlen calls in to talk about their practice as an artist, playing shows in DIY or temporary spaces, their path as an artist, and then offers a sneak preview of their new album, which is not yet out yet, but is coming soon.
Then, Thomas Dimuzio calls into the show, to talk about how they got into music, the search for the right balance of listening, gear and improvisation, and even offers a little insight into their approach to long-form pieces, and mastering final recordings. Thomas’ approach to sound itself, and how to present it, is something I’ve appreciated for a while, and it was delightful to talk to him about his work.
We’ve got a live split LP of a show for you this week, as we bring you post punk and experimental music – and interviews – with artists here in the Mid-Valley, that I think you are going to love.
We start off with a live performance and interview with Ghosts of Ghosts, a trio who bring you instrumental tunes that are as danceable as they are otherworldly. After a brief intermission in hour two, flip the show over, and go on an otherworldly journey, with a live set by Scot Jenerik, who returns to the show to talk about his new live boxed set, Street of Crocodiles, and also gets into a lot of the process and motivation behind creating new work.
It’s a live double-header and you don’t want to miss it!
Join us for a casual conversation with legendary Science Fiction author, Melinda Snodgrass. We get a nice overview of her career, stories about how she got involved in Hollywood, and lots of tips on writing, and what makes a dedicated writer. Melinda has two series of books available to read now, which you can learn a lot more about (and find links to buy them) on her website: .
Four Dimensional Nightmare has been a friend to the show, and a guest, for well over 10 years now, and the news of their (possibly last?) show in December has been very exciting to hear. We present a live performance and interview with both Four Dimensional Nightmare, but another good friend to both this show and The Nightmare as well, Brad Anderson. It’s two live sets! It’s two interviews! It ‘s radio the way it was meant to be, and you can enjoy it all, here, now.
Miss Rikki joins me for a trip through nostalgia and great mixes, as we replay some choice selections from a few of our finest radio moments together. We also catch up with Miss Rikki, to talk about all the things that she is involved in now.
It’s a live, double-feature, with music by Four Dimensional Nightmare and Brad Anderson, live on the show, in the Lava Lamp Lounge! We also have an interview with both gents, and a performance where they are collaborating. It’s a ton of excellent radio, all for you!
Below you’ll find links for video, in the event you’d like to watch those while you listen
This combines two live performance broadcasts from my KPSU years, both from 2006. The first is when Dr. Frank hung out on May 24th, to read and play a couple songs. The other is from June 6th, when Jesse Ransom played a few tunes live, and the we DJed his favorite cuts the rest of the time. Both of these were very fun shows.
This combines two live performance broadcasts from my KPSU years hosting Live Friday, from 2005 and 2006. The first is Book of Maps, performing on 11 November 2005. The other is The Prids, performing on 7 July 2006. Both bands were / are Portland legends, but The Prids are the only of the two who are still together.
This combines two live performance broadcasts from my KPSU years, from 2005 and 2006. The first is Krandroid The Friendly Robot, performing on Live Friday on 1 July 2005. The other is a show where I engineered the sound for George & Caplin, perfoming on “What’s This Called?” on 5 August 2006.) Both excellent electronic / sequenced hybrid performers.
This combines two live punk performance broadcasts from my KPSU years, from 2005 and 2006. The first is Straitjacket (from 14 October 2005), and the second is The-Front (from 21 March 2006). I’m a sucker for DIY punk nonsense, and both of these bands deliver in spades.
This combines two broadcasts from my KPSU years, in 2005 and 2006, both from my stint on Live Friday, and both “best of” shows, where I featured Live Performances from either of my shows. The dates are: 24 June 2005 and 3 March 2006. Here’s a rough idea of what the “songs” were.
Hour 1.
01.) What Have You Done * The Mayonnaise vs. Venn Demonstrational
02.) I Never Said * Bugs Of Lightning
03.) Girls On Bikes * Miraflores
04.) It’s Snowling On TV Again * The Pink Snowflakes
05.) 51 / 7 * Camper Van Beethoven
06.) Ballad Of The Space Chimp * Tijuana Homers
07.) Straight Out Of Clackamas * Courage
08.) One Hand * Dance Card
09.) Kitty * The Human Genome Project
10.) Apocalyptic Girl * Empty Room
11.) The Oblivion * Devotchka
12.) Gut Feeling / Slap Your Mammy Down * Radicchio & Tet Soy
Hour 2.
01.) Sleeper (Rise Over Run recorded on 07/22/05)
02.) A New Disaster (Straitjacket recorded on 10/14/05)
03.) Hot Lava (Courage recorded on 12/10/04)
04.) Stooge (Dance Card recorded on 12/16/05)
05.) Dangerous Degree (The Mayonaise vs. Venn recorded on 04/26/05)
06.) [untitled] (If If, Was Was… recorded on 12/20/05)
07.) I’m On Nine (The Bugs Of Lightning recorded on 08/05/05)
08.) Doorway (Empty Room recorded on 07/15/05)
09.) Triforce Of Boom (Krandroid The Friendly Robot recorded on 07/01/05)
10.) Robot Affliction (The Human Genome Project recorded on 09/17/04)
11.) Lose The Noose While It’s Loose (The Undoing of David Wright recorded on 08/16/05)
12.) [untitled] (Avery Bell recorded on 02/25/05)
13.) Exhibit A Burns A Hole In The Sky With Her Death Stare (Book Of Maps recorded on 11/11/05)
14.) Let’s Get Drunk And Watch TV (The Juanita Family & Friends recorded on 06/10/05)
15.) With A One (The Headliners recorded on 11/18/05)
16.) I Was Bowling Through The End Of The World (Tijuana Homers recorded on 11/30/04)
17.) Summer’s End (Gordon Taylor recorded on 12/17/05)
This combines two broadcasts from my KPSU years, in 2005. The first is a live performance by The Juanita Family & Friends (from 10 June 2005). The second is a live performance by Thee Headliners (from 18 November 2005). Both performances have a sort of country vibe to them, but of course, with their own particular perspectives. I really enjoy both of these shows.
This combines two broadcasts from my KPSU years, in 2005. The Mayonnaise Vs. Venn performed live on my show on 26 April 2005, and Rise Over Run performed on Live Friday on 22 July 2005.
This combines two broadcasts from my KPSU years, in 2005. Roxy Epoxy joined me for a DJ Show, to discuss an upcoming Album Release party for The Epoxies (10 May 2005). The Lana Rebel joined me, for another DJ show, and to talk about her career making music.
This combines two broadcasts from my KPSU years, in 2005, from the Live Friday program. John Rambo (28 January 2005) was a local instru-metal band, where The Pink Snowflakes (3 June 2005) are a heavy psyche-rock group a la The Flaming Lips.
This combines two broadcasts from my KPSU years, in 2005. In one case, we arranged for Murph of Dinosaur Jr. help promote the reunion show / reissues that had just come out. In another, the band The Minibosses dropped into the studio, to talk about touring, and to debut a new recording that had not been heard yet… at that time.
Murph / Dinosaur Jr. tribute was on 23 August 2005
This combines two broadcasts from my KPSU years, in 2005. In one case, we arranged for Camper Van Beethoven to play in the studio, and I helped host. In the second case, Devotchka came to play on my show, and our music director joined me for the interview.
This combines two episodes of “Live Friday,” a show I started hosting in 2004. This was a weekly, live radio show that featured local and touring bands.
The Human Genome Project played on 17 September 2004
It’s always nice to visit with friends when you’re having a party like this, at to wrap up our Holiday broadcasts this month, we have the incomparable DJ Victrola, joining us to help clean up the studio, and catch up regrading all things spooky.
We play lots of music and stories relating to ghosts and All Soul’s Day, and we check in with her about her program, and how you can hear it now. I love spending time with DJ Victrola, and this is an excellent and casual show that was a ton of fun.
We close with the timely, “Nov. 1st,” by Crackerbash, a song I listen to every year on Nov. 1st, for as long as I’ve known about this song.
We’re getting ready for that OTHER holiday season, so stay tuned.
Join us for a very cool and rare treat: a re-creation of an electronic music radio program from the late ’80s and early ’90s, which was infamous for their Halloween Shows! Brian Magill is no stranger to our show, and has been making electronic music since the early ’80’s. As part of this work, Brian eventually hosted a radio program at KLCC, Another Green World, as part of their attempt to cater to the interests of electronic music fans and artists, that was on the rise.
However, once a year – on or near Halloween – Another Green World would get… weird. Long sound collages and other forms of musique concrete would take over their broadcasts, often the last things that would air on the station before it would go off the air for the night. The show quickly became infamous, and casual listeners would think something was wrong with the radio. Instead, they were merely catching a glimpse into the musical work that Brian and his co-host, Nathan Griffith, would create, in the moment, on the air.
Tonight’s show is an effort to recreate Another Green World as best as we can, just in time for the show to offer a typical Halloween show, as you might have heard almost 30 years ago. Brian brought in records from his collection, stuff that he would have played on the show then. I actually took a step back, and let him run the board; aside from an interview setting up the concept at the beginning, this is all Brian, and you get to hear something that no one else has heard in three decades.
In Hour 1, settle in for hearing what a typical episode of Another Green World might have been like 30 years ago. Then, strap in for Hour 2, where Brian takes us on a sound collage journey through his favorite artists, and what radio used to sound like.
Along the way, we get heavy doses of Fervent Torpor, AND a number of unreleased, unavailable, and previously unheard recordings by Brian from over the years. If you ever thought to yourself, “I bet that artist has a ton of other recordings I haven’t heard yet,” This is just the tip of the iceberg. Brian could have done two hours of his own unreleased material, which would have been as good as the stuff on his record, “1000 Years of Solitude.” Instead, you get to hear it in this show, tonight.
Shows like this are something special, and you cannot (and will not) hear stuff like this anywhere else. This is a very unique Halloween Performance / Broadcast, and it’s this kind of show that makes me excited to keep bringing you radio like this.
Marc and I have done a few shows like this, and it’s always a lot of fun to join him. But this time, it was just the two of us, and we decided to zero in on something that is near and dear to both of our hearts: synthesizer music! We play some records, talk about our favorite acts, and then we jam out in the second hour to an ELP song!
All that, and more, in this two-hour block of radio that must be heard to be believed.
Enjoy!
Playlist:
10:01 AM Suicide Ghost Rider Suicide Mute, a BMG Company
10:07 AM Pere Ubu Non-Alignment Pact The Modern Dance Fire Records
10:10 AM Silver Apples You and I Contact 2011 Start Entertainments Limited
10:14 AM Devo Snowball (backing track) Freedom of Choice
10:17 AM Devo Uncontrollable Urge Q: Are We Not Men? A: We Are Devo!
10:17 AM Kraftwerk Spacelab Die Mensch-Maschine
10:22 AM Neil Young Computer Age Trans 1983 Geffen
10:26 AM The Stranglers Waltzinblack (The Gospel According To) The Meninblack
10:29 AM Space Ponch Barefoot In Baltimore World Shopping With Space Ponch Flavour of Sound
10:34 AM A Flock of Seagulls Iran Best
10:36 AM Gary Numan Cars The Pleasure Principle 1979 Beggars Banquet
10:46 AM George Harrison Under the Mersey Wall Electronic Sound UMC
10:47 AM Röyksopp Eple Melody A.M. 2006 PIAS/Wall Of Sound Electronic
10:50 AM Roger Powell Ictus: The Primordial Pulse Cosmic Furnace 1973 Warner Music Group – X5 Music Group Electronic
10:53 AM Tonto’s Expanding Head Band Cybernaut Zero Time 2012 ODL
10:56 AM Dick Hyman The Minotaur What is a Synthesizer?
11:03 AM Belle and Sebastian Electronic Renaissance Tigermilk MatadorUS
11:10 AM The Moog Cookbook Black Hole Sun The Moog Cookbook
11:19 AM Emerson Lake and Palmer Lucky Man Marc Time Mix
11:19 AM Pilot 55 Degrees North 3 Degrees West Second Flight Parlophone
11:19 AM Cluster Rote Riki Zuckerzeit 1974 Vertigo Berlin
11:21 AM Ralph Lundsten Robbie Is Dancing the Waltz – Heaven By Night In Ralph Lundsten’s Universe Andromeda Music
11:25 AM Morton Subotnick The Wild Bull, Pt. B Morton Subotnick: Silver Apples of the Moon – The Wild Bull 2011 wergo Electronic
11:31 AM Terry Riley A Rainbow in Curved Air, Riley: A Rainbow in Curved Air 1969 Sony Classical
11:31 AM Bruce Haack and Miss Nelson Abracadabra Listen Compute
11:33 AM Grimes Genesis Visions 2012 Electronic
11:39 AM Imogen Heap Between Sheets Ellipse 2009 RCA Records Label
11:42 AM Lucifer Rite of Aida Black Mass
11:47 AM Bonzo Dog Band Noises for the Leg A Dog’s Life – The Albums 1967- 1972 EMI UKUK
11:47 AM Walter Carlos Timesteps Clockwork Orange OST
11:54 AM Robert Fripp & Brian Eno Evening Star 2019 Discipline Global
11:56AM Gong Master Bulder You 1974 Virgin Records Electronic
This week on the program, we become both very Eugene-centric and Ellen-centric, as we feature a number of cool people and projects all born out of Eugene, OR, as well as connected to Ellen Klowden, the mastermind behind this particular broadcast. In many ways, I just came in and watched. She arranged everything, and I could certainly use more of that in my life.
We kick things off with a fantastic Set by DJ Refugium, the primary force behind the Ghost House events that happen in Eugene. Refugium provides a bit of the phenomenal decade of history of nurturing the Ghost House community, and embodies its sweet and welcoming flavor. Be sure to hop by Old Nick’s Sept 13-14 for Goth Weekend, which Refugium curates. Fri: Live performances by Xploding Boys (Cure cover band) and Devoured by Flowers. Sat: Dark Arts Market & Ghost House.
We follow that up with a full live performance by Dryad Drone, the brain-child of DJ Refugium & Ellen. Dryad Drone, as a musical entity and as a concept album, is entirely devoted to protection of forest ecosystems, which has also been lifework for both its members, Ellen via direct action and radical media, and Refugium via academic research and field work.
Then, in hour two, we offer the very first live performance by Bast Awakening, the combination of Ellen & I Died, also making his first visit to the KMUZ studios. Then, we close things out with the newly-named DEATH MUTATIONS, which, if I Died agrees, might be an entirely capitalized band name. We’re still deciding.
We conclude the program with a live set by Pavlovian Response, the combination of Ellen and Patrick Haenelt (of Ganesha Column, Electrosect, and Tubbs & Oates), recorded last week at the memorial for our fallen friend and centerpoint of experimentalia at Icky’s, the Merkin, and 7th & Washington House, Monty Ray Davis (of Neteru, Uncle Pinkeye, and Ventriloquist).
In many ways, this is a sequel to two previous episodes: our program with nOiZepHyZiX earlier in the year, with whom Ellen is in Psithurism, who will debut at a house party 9/21/19; and our program with I Died & Esperik Glare from even earlier. Sequels often make sense, as there are so many things that are not yet said; so, it was our hope that we were able to get to a little more than we did last time. Hopefully, with a little substance.
This one comes from the heart, and I wouldn’t have it any other way.
For additional information on various events and non-profits:
Sat., 9/14, show at Wandering Goat: Lidless Eye (homemade electronics vs. composted tapes by Knox Mitchell of Port Huron, MI); The Fearing Crumpet (musique drone concrit; first show in 17 years); Don; Heart Therapy (debut collab of Ellen and Arlan); Mini-Mutations.
Sat., 9/21, private house show: Debut of Psithurism (nOiZepHyZiX + Ellen); Don; Elijah; [view]; Bast Awakening.
Tues., 9/24, show at Wandering Goat: Icky’s/Merkin/7th & Wash family reunion for Ellen’s birthday: Intended line-up, awaiting confirmation: Pavlovian Response; Blood Red; Ramen Blood Clot; solo vocal / electronic set by Patrick Haenelt; Arlan (possibly with Steamshovel Monkey, possibly Heart Therapy).
Sat., 9/28, show by Corvallis Experiments in Noise at Interzone will feature Dryad Drone.
I first met Hugo a couple years ago, when he played a show at The Space to a fairly packed crowd, offering dance jams and soundscapes that really felt personal, and unique. But it’s been a while, and where he used to perform under a pseudonym – Lavender – Hugo had grown and matured with time, and as such, has embraced his own name. It only made sense that when he wanted to debut some new songs, in preparation for his upcoming tour, that we would try to get him back in at The Space, and on Mid-Valley Mutations, to show off what he’s done.
Joining him was his friend and labelmate, Derek Hunter Wilson, a pianist, composer, and performer who is often aligned with the experimental while playing some of the most beautiful pieces I’ve ever heard. He ALSO has a new album out, and both of these new albums were released TODAY, so we let Derek run wild, playing his pieces in hour two.
There’s a little of this and that filling in the spaces, and I gab away with my guests about their projects and the current state of music. But stick around until the very end, because all three of us jam together, improvising a little something new about the storm of comets that was plaguing Salem and KMUZ last night.
Three Live Performances! Interviews! Two In-Person Guests! This show has everything, and I’m very excited to bring it to you now.
Enjoy!
Hugo R. A. Paris & Derek Hunter Wilson, LIVE!
HOUR 1:
Part I: Beyond Pluto’s Orbit
01.) Sagan’s Comets * Mini-Mutations * 2 August 2019 * Mid-Valley Mutations (2019)
02.) Springtime Linn * Clark * Flame Rave * Warp Records (2015)
03.) Blood Moon * Choir Boy * Passive With Desire * Dias Records (2016)
Part II: Paris
04.) LIVE * Hugo R. A. Paris * 2 August 2019 * Mid-Valley Mutations (2019)
Part III: Majesty
04.) Interview * Hugo R. A. Paris * 2 August 2019 * Mid-Valley Mutations (2019)
05.) Dolls In The Dark * Drab Majesty * [Mutations Mix]
HOUR 2:
Part IV: Hunter
05.) Sagan’s Comets 2 * Mini-Mutations * 2 August 2019 * Mid-Valley Mutations (2019)
06.) LIVE * Derek Hunter Wilson * 2 August 2019 * Mid-Valley Mutations (2019)
Part V: Hunt
07.) Interview * Derek Hunter Wilson * 2 August 2019 * Mid-Valley Mutations (2019)
Part VI: Jam
08.) LIVE * Hugo R. A. Paris, Derek Hunter Wilson & Austin Rich * 2 August 2019 * Mid-Valley Mutations (2019)
I first saw the Dead Air Fresheners in 2006, and since then have maintained a loose association with them, as they played on KPSU a number of times, and usually, on one of my shows, or with my engineering their sound somehow. Not only did I get to understand their particular brand of chance-determinist music, but as I got to know them better, it was only a matter of time before I started playing with them, too. (In April of 2013, to be exact, first as a featured vocalist, and then as one of those “behind the masks.”
While I was an “unofficial” member of the group for a few years (if one – even one who isn’t anonymous – can even be an official member), as time (and distance) has grown between us, I only get to meet them when we play a show together. Which, fortunately, has been more often, recently. While we had long-discussed the idea of getting them on the I-5 and on the radio here in Salem, the stars finally aligned, and it all worked out for this fantastic performance .
This show has it all. I jam away with some Mini-Mutations throughout the show, occasionally including samples of previous Dead Air releases, and other recordings, throughout. Then, the Dead Air Fresheners unleash a live jam, and a rare interview, talking about what they do, how they do it, and other bits and bobs here and there. Then, we close things out with a Mini-Dead-Air-Mutation, which was unlike almost all the other jams we’ve done before.
This was was a lot of fun, and it’s always good to see these guys in action. Now, it’s available for you, too.
Enjoy!
Dead Air Fresheners, LIVE!
HOUR 1
Part I: Living Stereo
01.) Stereophonic Tape * Mini-Mutations * 17 May 2019 * Mid-Valley Mutations (2019)
02.) More Data * Negativland * More Data * Seeland Records (2019)
03.) Abyss [slooooo rmx] * Don Haugen / Mini-Mutations * 17 May 2019 * Mid-Valley Mutations (2019)
04.) Evidence of Superstructures II [Class Bully rmx] * Dead Air Fresheners / Mini-Mutations * 17 May 2019 * Mid-Valley Mutations (2019)
Part II: Live
05.) LIVE * Dead Air Fresheners * 17 May 2019 * Mid-Valley Mutations (2019)
Part III: The Commodification of Play
06.) The Weather Computer * Mini-Mutations * 17 May 2019 * Mid-Valley Mutations (2019)
07.) Apogey [mshp] * Chopstick / Mini-Mutations * 17 May 2019 * Mid-Valley Mutations (2019)
08.) The Commodification of Play * Dead Air Fresheners * The Commodification of Play * Dead Air Music (2019)
HOUR 2
Part IV: The Set Behind The Set
09.) Interview * Dead Air Fresheners * 17 May 2019 * Mid-Valley Mutations (2019)
New and old albums, Bob Bucko Jr. & Personal Archives, masks & lineups, chance determinism, noise vs. improv labels, instrumentation, release formats, having a sense of humor and, inevitably, Jandek.
Part V: The New Tape Cartridge Is At All Times Ready For Play.
10.) Brother Wind * Dead Air Fresheners * Brother Wind * Dead Air Music (2019)
11.) Side B [wthr rmx] * Le Petit Sac / Mini-Mutations * 17 May 2019 * Mid-Valley Mutations (2019)
Part VI: This Is What To Do / Not To Do
12.) LIVE * Dead Air Fresheners w/ Mini-Mutations * 17 May 2019 * Mid-Valley Mutations (2019)
13.) Wrap-Up * Dead Air Fresheners / Mini-Mutations * 17 May 2019 * Mid-Valley Mutations (2019)
14.) Han Valen [Hgh Fdlty rmx] * Ryan A. Ray / Mini-Mutations * 17 May 2019 * Mid-Valley Mutations (2019)
15.) Soul Finger * The Bar-Kays * Soul Finger * Volt Records (1967)
Tune in for a live appearance on Rich Lindsay’s “Radio Lost & Found.” There’s a live Mini-Mutations performance, some interspersed interview bits, and both The Ramen City Kid & Rich Lindsay perform with me throughout the show. This was a ton of fun, and now you can enjoy it, too!
Tune in for a script that I wrote at the beginning and end of this episode, and for an interview by phone after the half-way mark, where we talk about ‘zines, mail art… and music!
During a recent trip to Eugene, I had the pleasure of joining I Died & Esperik Glare in the I Died Batcave to record some live jams We all tried to approach this as if it were a radio session, but there were some obvious limitations. Still, we managed to create a make-shift radio studio rather quickly, and pretty soon we were all three able to perform and jam, just like at KMUZ.
Which is fortunate, because this week I’m actually in Corvallis. So, please adjust your signal to this wonderful performance by I Died, Esperik Glare and… Mini-Mutations, from… the past?
Enjoy!
I Died vs. Esperik Glare
HOUR 1:
Part I:
01.) Live * I Died * 16 February 2019 * Mid-Valley Mutations (2019)
HOUR 2:
Part II:
02.) Live * Esperik Glare * 16 February 2019 * Mid-Valley Mutations (2019)
It is often difficult to explain to those who are not actively seeking out all of the various musical corner of our fair state, but the current experimental scene in Oregon is probably better now than it has ever been, and that is in part due to the efforts of a few key folks in the area who are constantly working to book shows, give new acts a chance, and in the end, who are willing to carve out places for this kind of art for those of us who really crave it.
Chris Durnin has been a tireless supporter of the Corvallis scene, something that if you haven’t been there, you really should check it out. The “Corvallis Experiments in Noise” group – which he organizes – has been assembling DIY shows and events where money is not a factor, people are not on their phones, and the incredible work that people do is finally on display. A two-day celebration of this is happening on March 29th at The Majestic Theater & March 30th at Whiteside Theater, where an ABSURD number of performers are gathering to put on a show the likes of which you have NEVER seen.
And we really need to emphasize the “seen” part of this event. While radio is a purely audio world, experimental music often takes the form of costumes, dances, and visual elements that cannot be captured in just one dimension. That is why there is streaming live video of the performers for this event, which you can watch over on the Mid-Valley Mutations MyFacester+ Twinstgramblr Page, or in our A/V Gallery of stuff shot during the show. (This may expand as more material comes my way… most everyone had a camera running at one point.)
So sit back as we feature six of the performers that will be doing their thing at the What Is Noise Fest? event at the end of March. (Six if you include Mini-Mutations.) And, stick around for a bonus performance at the end, where most of us get together for a while noise jam that is out of this world!
With politics as it is, artists passing away, and the entertainment world completely flipped on its head, sometimes there is nothing left to do but hop a train with a new friend, and play music well into the night, jamming along with the sound of the clack of the tracks.
Fortunately, A Moment’s Sound — Scott Eave to his just-met friends — is always game for a musical adventure. He’s been playing guitar for ages, exploring sounds in an improvised manner, and searching for ways to connect with other artists, and we immediately clicked when we met.
Strangely, this is the only time we’ve played together, which speaks to the free-and-easy sound that we both enjoy exploring. There’s something about hopping trains with someone where all of the stresses of the everyday world are no longer weighing upon us. Strangely, we approached this one quite differently than when I normally have a guest. We just jumped right into this one. We go live just after the top of the hour, A Moment’s Sound kicks in by the end of the first quarter of an hour, and we go all the way to Midnight. We do sort of stop around 11 to chat for a while, but it fit the mood of where we were going, and I think you’ll enjoy the way this all turns out.
So gather round the Hobo Jungle, and let me and Scott tell you a story about what it really is like to live in the world today… which begs the questions, why aren’t we all Riding The Rails?
Hither & Yon w/ A Moment’s Sound
HOUR 1:
Part I:
01.) Hither * A Moment’s Sound & Mini-Mutations * 18 January 2019 * Mid-Valley Mutations (2019)
HOUR 2:
Part II:
02.) Yon * A Moment’s Sound & Mini-Mutations * 18 January 2019 * Mid-Valley Mutations (2019)
It’s funny how traditions get started. I caught Sadgasm at an Open Mic they showed up at, and they had instantly catchy hooks that not only betrayed the normal fare on this program, but immediately spoke to me. (Their tunes just got stuck in my head.) So we circled a few dates on the calendar, bounced a few ideas around, and 2017’s “New Year’s / New Tears Special” was born.
Well, a year has come and gone, and now were are here at the end of another year, trying and difficult as it has been, with even more questions about our relationships and romantic entanglements, the exact kind of problems that Sadgasm feature in their songs. Sort of like the ones in their new EP – I Don’t Like To Cry – which you can enjoy on Bandcamp or on this program, where we play tracks and they play LIVE! It’s pretty exciting.
On top of all of that, the majority of this show is dedicated to your calls. We do our best to get to the heart of the matter, and make genuine suggestions to help you in your romantic woes. And that is the majority of the show; the entire first hour, and the last 40 minutes or so, are dedicated to helping you in the relationship department, and we hope that it shows. Special thanks to Kylie Burbank, who kept the band hydrated and helped behind the scenes so we could pull off a show with a number of engineering challenges. You are incredible.
This is our last show of the year, and what a year it has been. I don’t have much else to say that I haven’t been for the last year, so I’ll end by saying: thank you. Doing this show means everything to me, and I can’t believe how lucky I am that I get to do it every week.
Enjoy.
Spinitron Playlist
A Sadgasm New Year’s / New Tears Special! (2018 Edition) (TBD)
HOUR 1
Part I: “Try To Cure Insomnia.”
The Software Are Fighting Again / Introduction & Setup / Where’s Austin?
Caller #1: Anonymous 1. “What are some good techniques to date the members of Sadgasm?”
Caller #2: Austin Antrican. “A lonely kind of sad.”
01.) Surf Rock America * Sadgasm * I Don’t Like To Cry * Self-Released (2018)
Part II: “I Take ’em Crabbing.”
Caller #3: Donald. “Update: Less than a month later, Donald found himself a Honey. What should we do for our 1 Year Anniversary?” KBVR
Caller #4: Anonymous 2. “What if your partner hasn’t ‘taken you crabbing’ after a year and a half?”
Caller #5: Anonymous 3. “What if my cat likes my partner more than me?”
Part III: The Mullet is The Bullet… To Love
Caller #6: Alec. “I cut my hair into a mullet. How can I utilize that to enhance my love life?”
Caller #7: Anonymous 4. “My husband and my roommate’s partner spend a lot of time together. (They host a podcast together, etc.) How do I take all of this in?”
Caller #8: Anonymous 5. “I feel strong emotions toward someone. How do I spark up a conversation?”
HOUR 2
Part IV: LIVE
02.) Eating Ash * Sadgasm * I Don’t Like To Cry * Self-Released (2018)
03.) It’s Better With Johnny Around (Live) * Sadgasm * 28 December 2018 * Mid-Valley Mutations (2018)
03.) Interview Snippet 1 * Austin & Sadgasm * 28 December 2018 * Mid-Valley Mutations (2018)
Topics Include: Home recorded, a more mature release, mono recording & one mic recording techniques.
04.) XX PainWarrior XX (Live) * Sadgasm * 28 December 2018 * Mid-Valley Mutations (2018)
Topics Include: Physical spaces in songs, the Sadgasm fun energy, making each other laugh.
Part V: Friend with a Capital F
Caller #9: Maddi. “I’m stuck in a love triangle. One is attractive and mean. One likes me and is nice but is a human red flag. What should I do?”
Caller #10: Anonymous 6. “My love life has run dry. Should I join ChristianMingle.com?”
Caller #11: Hubert. “I asked my partner, ‘Who had the ‘Greatest Hands’ (would win in a fight): Einstein or Da Vinci?’ and we didn’t agree. Now they haven’t responded to my messages in a few days. What should I do?”
Part VI: “I’m Gonna Tell You Something Right Now”
Caller #12: Anonymous 7. “After a year and a half of a relationship, I haven’t said ‘I love you.’ I feel comfortable with this, but my partner wants to take it to the next level. What should I do?”
Upcoming Sadgasm Shows: Jan 5th At The Speakeasy. Jan 23rd at Nearly Normal’s. Feb. 8th at The Space.
In The Studio: Austin. “I’ve blown through all my good date ideas after many years of marriage. Any suggestions for new date ideas?”
No home is complete without a full complement of modern appliances that will aid you as you navigate the holiday season. It is likely you’ll have to prepare a number of last-minute meals for 17 guests, or be required to suddenly prepare six dozen batches of cookies for a “required” office party.
That is why we are offering you a new Juice Machine, and just in time for the holiday season. This Juice Machine comes with everything you see here, and includes three different settings: “LIVE,” “INTERVIEW,” and the newest setting, only available on this program: “MUTATED.” One of these settings comes complete with A/V one-way interface, and with an item like this, each lovingly sculpted glitch is as much a part of the appliance as it is THE appliance itself.
You will not want to fill your future mind with thoughts of the holiday season where you turned down this incredibly rare (and essential) kitchen item, and even worse, with new realizations with each successive year that you can only find it on eBay at very costly prices. That is why we are offering this LIVE Juice Machine performance… for free.
“FREE?!” you scream at your device, and yes, the answer is, “Yes.” FREE. But I think you must act now. This Juice Machine is something that only helps you when you have it in your home today, and that is why this incredible deal will, probably, as far as you know, go away… SOON, unless you take advantage of this incredible offer within the hour! (Or the next one… just make it SOON.)
So, to recap: you get the full two-hour show. You get the LIVE Juice Machine Performance. You get an interview with both Roger and Heather, PLUS selections from various recordings that are chopped and screwed in a fashion you cannot find anywhere else! And then, a collaborative Juice Machine product featuring a Mini-Mutations EXCLUSIVE to this free purchase.
It’s the way we like to celebrate the holiday season on the Mid-Valley Mutations Home Shopping Network.
Enjoy!
How Much Is That Juice Machine In The Window? (Playlist TBD)
HOUR 1:
Part I: Soundcheck
01.) Introduction (Live) * Mini-Mutations * 14 December 2018 * Mid-Valley Mutations (2018)
02.) Recorded in Jan 2018 * Juice Machine * Some Things * Self-Released (2018)
03.) 1 * Hoodie Battle * FU * Hoodie Battle (2018)
Part II: Live Performance
04.) Live * Juice Machine * 14 December 2018 * Mid-Valley Mutations (2018)
05.) 3 * Chefkirk * Big Disk * Self-Released (2018)
Part III: Interview
06.) Juice Machine Interview 1 * Mini-Mutations * 14 December 2018 * Mid-Valley Mutations (2018)
Topics Include: Gear Talk, finding sounds, started in 2012, relocated from the East Coast, Heather joins the noise scene, the creative freedom of Noise music, 17 years as Chefkirk, started in metal bands in Virginia, the scene in Florida, Squelch TV, (their Squelch TV Performance), Rat Bastard & Andrew Chadwick, the secret origin of Chefkirk.
HOUR 2:
Part IV: CQ CQ
07.) Mutation (Part I & II) * Aume * GQ CQ * Mobilization Records (2018)
Part V: JAAAAAAAAMMMMMMMM
07.) Mutation (Part I & II) * Aume * GQ CQ * Mobilization Records (2018)
Part VI: Interview 2
08.) Juice Machine Interview 2 * Mini-Mutations * 14 December 2018 * Mid-Valley Mutations (2018)
Here is Mini-Mutations appearing on “Analog Love Letter,” a program on KDVS. This program includes an interview, some musical selections, as well as a live, holiday performance to close out the show.
As the Halloween Season comes to a close, join us as we bust on vintage LPs and scary stories, told by guests to our very program!
Karen Holman (Hot Sheets, Cool Sheets & City of Pieces) and Denise Chelini (Holiday Special) each share their own incredible stories! This is one show you do not what to miss!
Enjoy!
Ghost Stories 2018
HOUR 1
01.) Halloween Horror * J. Robert Elliot * Halloween Horrors * A&M Records (1977)
02.) The Ghostly Hand of Spital House * Vincent Price * A Graveyard of Ghost Tales * Caedmon Records (1974)
03.) The Jogger * Karen Holman & Austin Rich * The Jogger * Live Broadcast (2018)
HOUR 2
Part IV:
04.) Intro / The Empty House on Haunted Hill * Ball Records Staff * Ghost Stories * Ball Records (1963)
Tune in for a live Mini-Mutations performance on KPSU’s Live Friday.
There are three performances, and an interview mixed in. The sound is a little distorted here and there, and there may be a better recording floating around. But until then, you can enjoy the full show.
Started in 2005 by Don Haugen, the Eugene Noise Fest has been the place where the local experimental artists can get together and show off their stuff. In some ways modeled after the NorCal NoiseFest in Sacramento, the Eugene Noise Fest has made an effort to feature artists of every kind, sonically and culturally, keeping the event all ages, and out of bars. This year, it is being held at The WOW Hall for the first time ever, bringing this event to a bigger audience, and featuring an incredible line-up of amazing artists.
For more information about the show, I recommend checking out:
Advance Tickets ($8 in advance, or $10 on the day at the door)
In this show, I feature a number of performances by artists that will be playing at this show tomorrow, and in the second hour, stick around for a conversation with Don Haugen, as he calls in via Skype, to tells us about the event history, what to expect, and a little about the incredible artists, too.
And, if you like what you hear, meet us at The WOW Hall tomorrow. I’m actually playing as part of the line-up, too.
04.) It’s Not All That Bad (Live on KFJC Radio) [Excerpt] * Microwave Windows * It’s Not All That Bad * Self-Released (2016)
05.) World * Chefkirk * Make Post * Self-Released (2018)
History Lesson, started in 2005, on-again-off-again status, the venue dance, wanting it All Ages and not at a bar, The WOW Hall & Joshua Finch, The Line Up and assembling the groups, the age range and the sonic pallet, Eugene is an “older” scene with a lot of outsiders, putting the experiment in experimental music, and the benefits of limitations of DIY.
07.) FOUR FEET [Excerpt] * Deadly Discs * Bury Me Deep, For I Am Cursed * Self-Released (2017)
08.) Sangre-Katadesmos-No! (Live rehearsal) [Excerpt] * Sleeping With The Earth * Sangre * Self-Released (2008)
09.) Phalanx * Acre * New EP * Self-Released (2004)
Part V: Don & John
10.) Live Performance * Don Haugen & Klowd * Live Performance * Mid-Valley Mutations (2018)
Part VI: Depleted Your Live-ium
11.) Tarnish * Entresol * Tender Need(s) Tour Split * Self-Released (2018)
12.) Live Performance * Depleted Your Cranium * Live Performance * Mid-Valley Mutations (2017)
Closing off what has become an incredible year is my in-studio session with the sad boys of Sadgasm, a local Salem combo that has only been together a few months, and has already established themselves as the Sad Sac for the 21st Century.
In this show, we celebrate the new year, open the loveline, and take calls from people who are having actual relationship woes, and need advice. We also get to hear some of the songs on their upcoming record, Ramen, which is coming out soon, and in general, have an excellent time. You can find more information out about Sadgasm by visiting their websites: Instagram & Bandcamp, or by pestering them on their social media accounts: Gravy Brink, Andy Alvarez, Austin Antrican and Jon Garcia.
Special thanks is in order, to Kylie Burbank and Emma Douglas, who helped behind the scenes for this show, and are stand up folks in their own right.
Thanks for the incredible year. While it blew everywhere else, 2017 was great for Mid-Valley Mutations, and I thank all of you for being a part of it, and keeping this show going. You all are amazing.
01.) Austin FM Theme * Paco Jones * Austin FM Theme * Self-Released (2016)
02.) Barnyard Fun * Sadgasm * Ramen * Unreleased (2018)
Part II: Couples Massage
Caller #1: Donald. “How do you find someone to smooch on New Year’s Eve? How can I ask to get a couples massage?”
Caller #2: Prince. “What’s a nice, chill activity to do on a date instead of something insane?”
Caller #3: Anonymous. “What do you do when your partner calls you buddy after being intimate?”
Part III: “It makes me feel less alone.”
03.) Cum On (Live) * Sadgasm * 29 December 2017 * Mid-Valley Mutations (2017)
04.) Interview Part 1 * Sadgasm * 29 December 2017 * Mid-Valley Mutations (2017)
Forming in May, Adieu Caribou, Cape Disappointment, songwriting, Escape Disgrace, working on a new record, recording it yourself, friends having fun.
Part IV: “So many things I wanna say to you.”
05.) Makin’ Love in Three Four (Live) * Sadgasm * 29 December 2017 * Mid-Valley Mutations (2017)
06.) Interview Part 2 * Sadgasm * 29 December 2017 * Mid-Valley Mutations (2017)
In my continuing effort to fully flesh out the local Salem Music Scene (and document some of these stories that are very quickly receding from memory), we offer this timely, holiday treat: The Kelly Taylor Show.
Kelly has played in almost 16 bands in his life, and is currently singing and playing in Years For Months, and decidedly rock and roll kind of combo. But there’s another side to his music, and a side that you will not get to enjoy on this program. Electronic might not be the right word to describe it, and already that should telegraph to you what kind of music Klaxun happens to be. I should mention here that there is a lot of Klaxun music in this show, and much of it is not credited. (It’s in the background.) But all of it is easy enough to find, and is well worth the effort.
This is our “Christmas” broadcast this year, part of my cooky idea to speak with a number of folks that I find interesting, something you might see on an old Variety Show, or hear on some other holiday broadcast. While we don’t exactly get very “holiday” centric on the other two shows (or even this one, for that matter), I offer smatterings of holiday fare, and we hope that with will yule-tide you over until you can get some real Christmas Music.
As has been the tradition on this show, we close things out with a broadcast from exactly 57 years ago, tonight! It’s Dimestore Radio Theater, with a Nero Wolfe story that is perfect for this time of year.
Thanks again, from all of us here at Mid-Valley Mutations. Happy Holidays.
Enjoy!
Spinitron Playlist
The Kelly Taylor Show (#82)
HOUR 1
Part I: The Door
01.) Austin FM Theme * Paco Jones * Austin FM Theme * Self-Released (2016)
02.) The Christmas Song (Chestnuts) * Corporal Blossom * A Mutated Christmas * Illeagal Art (2001)
Part II: “It’s never left the hard drive.”
03.) Interview Part 1 * Kelly Taylor * 7 November 2017 * Mid-Valley Mutations (2017)
04.) Jupiter * Klaxun * Close Without Saving * Apple Music (2014)
Recording with new technology, Haywire Studios, recording with old technology, taking advantage of the digital world, technology & control freaks, the development of arrangements (solo vs. full band).
Part III: “How many different haikus are there?”
05.) Interview Part 2 * Kelly Taylor * 7 November 2017 * Mid-Valley Mutations (2017)
06.) Ripplets * Klaxun * Inside The Box * Apple Music (2014)
s07.) Hypertension * Klaxun * Hypertension * Soundcloud.com (2014)
08.) For * Klaxun * For * Soundcloud.com (2016)
Starting on a new song, finding the door, Some Chords by deadmau5, frustrations with EDM, dumb genre nonsense, the formula for predictable music, “cozies,” the freedom of boundaries, finding a voice within rules, the phone as a compositional tool, broken and expensive gear vs. what’s at hand, Caustic.
Part IV: “I’m sort of like Dr. Frankenstein with creative works.”
09.) Interview Part 3 * Kelly Taylor * 7 November 2017 * Mid-Valley Mutations (2017)
10.) Demolution [Excerpt] * Klaxun * Demolution * Soundcloud.com (2016)
11.) AMBI3NT * Klaxun * AMBI3NT * Soundcloud.com (2017)
Not performance music, drummer stories, Years For Months, Mick of Northwest Notes, Stan & Andy of Easterly, resurrecting old songs, Come Back Maggie, writing a lot of songs, growing up in rural Oregon and discovering the guitar.
Trying to cover the work that People Like Us in a single show is really a disservice to the incredible breadth and scope of the work she does. Music, radio, television, film and even a book are some of the elements of her career, but even those labels do not fully embrace what her version of radio is (Do or DIY), or what her film might look like. (In this case, Gone Gone Beyond, a 360 degree experience for Cinechamber.) Suffice it to say, People Like Us – or Vicki Bennett, as it were – works in new media and mediums to force us to reflect on enjoying the work we’re experiencing, and rejecting the boring “intellectual” parts of our brains while we do it.
Join me for a two-hour presentation of the work and thinking of People Like Us, artist and creator who is constantly pushing boundaries, and finding new places where her ideas can grow and flourish. We also feature examples of her work, discuss her newest release (Optimized!, a split release with Porest), her newest film, and get into the nitty gritty of art, who we are when we engage in it, and why having a sense of humor is crucial if we want to be honest with ourselves.
There’s no Audience Participation this week, as this is the Holiday Season and we’re a little time constrained, to be honest. But in the background you’ll hear a mix of People Like Us jams backing the interview, and I do my best to keep the tone in line with the conversation. There’s a ton of music in the background that I do not credit or cite below, but all of it is People Like Us, and her music is easy enough to find. It will cause you to re-think the way you consider pop music, and maybe stop thinking entirely, from time to time.
Enjoy!
Spinitron Playlist
The People Like Us Special! (#81)
HOUR 1
Part I: “It just makes the most sense.”
01.) Austin FM Theme * Paco Jones * Austin FM Theme * Self-Released (2016)
Part II: “Mindset wihout the headset.”
02.) Interview Part 1 * People Like Us * 8 November 2017 * Mid-Valley Mutations (2017)
03.) Old Cow Whoopee * People Like Us * A Fistful Of Knuckles * Caciocavallo Records (2000)
Recombinant Media Labs & Cinechamber, Gone Gone Beyond, the labor of editing and creating art, collaborating with pre-existing material, not mediating experiences, letting your intellectual parts surrender to the world of wonder.
Part III: “Do you fancy thinking about it a bit more?”
04.) Interview Part 2 * People Like Us * 8 November 2017 * Mid-Valley Mutations (2017)
05.) What’s Love? * People Like Us * Love Is This * Previously Unreleased? (2001)
Radio Boredcast, the artistic quality of boredom, art that is not meant to be entirely consumed, Andy Whorhol, James Benning‘s Nightfall, meditation and your commitment to the art as an audience, drawing connections to adjacent things.
Part IV: “I’ve been flailing wildly for many, many years, actually.”
06.) Interview Part 3 * People Like Us * 8 November 2017 * Mid-Valley Mutations (2017)
07.) All On A Beautiful Day [Excerpt] * People Like Us * Optimized! * Discrepant Records (2017)
Do or DIY & large audience broadcasting, someone mansplaining your art to you, starting out doing radio in Brighton, making tapes, starting to gig in 1996, living with Genesis P-Orridge in Brighton in 1989, Mark Hosler “dropping by” and leaving Escape from Noise behind, Nurse With Wound, Psychic TV, meeting Don Joyce, the small world of experimental music, sending tapes and faxes back and forth, Universe Part 92, phoning Over The Edge in the old days, putting out the first record in 91/92, new split Optimized! with Porest, topsy turvey music, not being serious and connecting with humor, intellectuals ruining everything.
HOUR 2
Part V: “I like the idea of The Variety Show.”
Part VI: “Who is this band?”
08.) Interview Part 4 * People Like Us * 8 November 2017 * Mid-Valley Mutations (2017)
09.) Sound Escape Part 3 * People Like Us * Lassie House / Jumble Massive * Caciocavallo Records (1995)
Muppet Christ Superstar, earworms and getting Rick Rolled, exposure to the 21st century through mash-ups, lawsuits and fading sampling controversies, a celebration of folk culture, Ubu.com and Kenny Goldsmith, downloading, gender and identity expectations in art, releasing films on a VR headset, gaining access to art.
Part VI: “Happy now?”
10.) Interview Part 5 * People Like Us * 8 November 2017 * Mid-Valley Mutations (2017)
11.) Baby Makes Three 2 * Don Joyce, People Like Us & Wobbly * 10 October 2002 * KPFA Radio (2002)
The apparatus exists before the content, the world of wonder, access and costs preventing art from growing, the creative mind, anarchy and creativity rejuvenating artists, the importance of Dada, thinking about Don Joyce, Over The Edge as Don’s mind in audio form, Mark’s dream, Vicki’s dream, the person that creates the art you make, we don’t own anything, The archive.org OTE collection, honoring our creative impulses.
Part VII: “I don’t remember what questions you’ve asked me anyway.”
12.) Interview Part 6 * People Like Us * 8 November 2017 * Mid-Valley Mutations (2017)
When Lob Instagon begins to tell stories, listening becomes essential. A poet, an artist, a musician and an instigator, Lob has worn so many hats that it is sometimes difficult to remember the mystical origins of what he does. In this show, we do our best to uncover those origins and pay tribute to the man himself, his career, his connection to the NorCal NoiseFest, and just exactly how big his ear actually his.
I had an incredible time at NorCal NoiseFest this year, and my idea was to, initially, try and capture my favorite acts in a rambling, mutated form, but the chance to talk to Lob about his new album (Black Cactus) the evolution of Instagon (in all of it’s various forms), was just too excellent, and very soon this show morphed into being all about him.
And with good reason. To fully do Lob justice probably can’t be done is just one program, so we did our best to recreate a mini NoiseFest of our own in-studio. MKUltramegaphone gave Lob a radio tribute fitting of the man himself by jamming along with his music and his words, in a very holiday-centric style.
As mentioned during the program, Eden Mononym was scheduled to appear, but a combination of car and phone troubles threw a wrench into this plan. As of the end of the show, we were not sure what had happened, but I am happy to report that he is safe, and made it home okay in spite of below-freezing temperatures. Sorry we couldn’t have him on the program this week, but we are very glad that we can try and schedule something again for the future.
Regardless, here’s two hours of Lob, holiday style, all from Mid-Valley Mutations.
A NorCal NoiseFest Christmas! w/ Lob Instagon (#80)
HOUR 1
Part I: The spirit of the season.
01.) Austin FM Theme * Paco Jones * Austin FM Theme * Self-Released (2016)
02.) Interview Part 1 * Lob Instagon * 30 October 2017 * Mid-Valley Mutations (2017)
Part II: “Recorded music is three generations in of people who think it’s free.”
03.) Interview Part 2 * Lob Instagon * 30 October 2017 * Mid-Valley Mutations (2017)
Black Cactus, reclaiming physical media, the changing music industry, music as a forum of thought, playing collaboratively, the evolution of Instagon, starting out noise and becoming a jazz-jam hybrid, playing with Greg Ginn.
[horridus joins in at 19:30.]
Part III: “You’re missing what’s going on right now.”
04.) Interview Part 3 * Lob Instagon * 30 October 2017 * Mid-Valley Mutations (2017)
An evolving line-up, creating a live happening, how venues respond to noise, Luna’s Cafe & Juice Bar, noise as the new punk rock, the supportive NorCal NoiseFest scene, starting to organize the event in 2005, “it’s more like a convention,” the early NoiseFests in the mid-90’s, the tape trading scene of the ‘80’s feeding the ‘90’s noise scene, the Japanese noise scene, Masonna & Merzbow, Nurse With Wound, the school of punk rock, the Green Day wave (the post-Stiff Little Fingers wave), the Epitaph Sound, the vastness of noise as a genre.
Part IV: “…and he came at us again, with a samurai sword!”
05.) Interview Part 4 * Lob Instagon * 30 October 2017 * Mid-Valley Mutations (2017)
06.) Interview Part 5 * Lob Instagon * 30 October 2017 * Mid-Valley Mutations (2017)
Lob’s poetry & poetry readings, how Instagon got started, the metal band version of the group, The Temple of Psychic Youth, Instagon’s four initial faces, running out of places to play, the various phases of the group, discovering bass, becoming a band leader, Lost High Desert Tortoise, avoiding band drama.
Part VI: “I have a big ear.”
07.) Interview Part 6 * Lob Instagon * 30 October 2017 * Mid-Valley Mutations (2017)
It is really hard to have it sink in that December is here, and that this year is winding down. And since we were having such a good time last month, we decided to annex a day so that Negativland November could continue for one more week.
And this week, we interview another incredible artist who also happens to be in the band: Wobbly. (Jon Leidecker.) In this frank and wide-ranging conversation, we discuss his new work (and work yet to come), his role in Negativland and Over The Edge Radio, and pretty much everything else that came to mind as we bantered. As a long-time fan, it was a pleasure to chat, and I think anyone who is a fan of this show will enjoy this conversation, which gets at some of the philosophical impulses behind why we do what we do, and how there is always still a fight to be fought, somewhere.
For this program, MKUltramegaphone are in studio, and we had a blast stretching our audio legs again. horridus joins the show at around the 24 minute mark, and we jam it out all the way to the bitter end. There’s about six minutes of us “unwinding” that was podcast-only this week, and while it’s not essential to the interview part of the show, it does sort of put a cap on the show, for us, and is a fun “come down” period, too.
It has been so much fun to get to talk with all these artists who have left such a big mark on me, personally and creatively. Hopefully some of that excitement – when it does come through – is not not too distracting from the subjects of these chats.
And, more importantly, I hope you like them. I’m quite fond of how it all tuned out.
This show is most certainly to be part of the larger arc happening with my interviews with The Weatherman and Mark Hosler. But don’t let that fool you! We have more Negativ-fun on the program coming next year. Tim Maloney is going to talk about his role as a video artist for the group, and we will also have part two of my conversation with Mark. For those who want to follow all of my Negativland shows, this link may be incredibly useful to you: midvalleymutations.com/category/negativland/
The fun’s not over, and the holiday season is underway! Stay tuned for more excitement in the weeks to come.
04.) Interview Part 3 * Wobbly * 9 November 2017 * Mid-Valley Mutations (2017)
More solo vs collaborations, playing recordings of other people as art, expressing a culture’s voice in the art we make, joining Negativland and working with them, honing your own creative voice.
Part IV: “15 year olds are growing up with the understanding that you don’t own your own self expression.”
05.) Interview Part 4 * Wobbly * 9 November 2017 * Mid-Valley Mutations (2017)
Going to Negativland camp, Variations Radio Program and the culture wars, Kenny G (ubu.com), artist’s rights and the ownership of culture, the concept of the author, self expression through social media and the evaporation of owning our own expressions and data, the changing politics of culture jamming, post-vaporwave data profiles dictating our reality, artistic merit slipping away as time moves on, generational sea-changes, culture tacking to the libertarian center, It’s All In Your Head.
HOUR 2
Part V: “They’re inherently unpredictable!”
06.) Interview Part 5 * Wobbly * 9 November 2017 * Mid-Valley Mutations (2017)
The changing technology and gear, 100% iPad album, his residency at the S1 Synth Library in Portland, the ergonomics of devices (for the audience), a Don way of doing things, more history about the original booper from 1974, The Booper Symphony, the live Negativland Experience.
Part VI: “Keep discovering mistakes.”
07.) Interview Part 6 * Wobbly * 9 November 2017 * Mid-Valley Mutations (2017)
Over The Edge with Wobbly & KROB, Puzzling Evidence, Don as teacher, doing radio with him, making art and remaining open, how to stay confused, listening as a creative tool, a live performance every time you press play, making a “mix” show on live radio and why that’s difficult, radio and music reporting killing the mix show, KPFA supporting mix radio, approaches to sampling, discovering sample sources, natural record shopping habits.
Part VII: “Continuity.”
08.) Interview Part 7 * Wobbly * 9 November 2017 * Mid-Valley Mutations (2017)
Finding music under your own power, our varying radio styles, Over The Edge stories, archive.org’s collection, more episodes being uncovered, Tim Maloney’s role behind the scenes, Don’s vision for the show, KROB’s role behind the scenes, Wobbly’s new record Monitress, the surveillance state, a Zeena Parkins record of duos, Sagan’s second album in 2018, Cosmos, Who Speaks For Earth?, pseudo-obscurity, the impulse behind these interviews, working on the new Negativland Record this month.
It’s Negativland November! Join me for a frank and in-depth conversation with Mark Hosler.
Mark was a wonderful, and friendly gentleman who spoke with me at length about music and art, and we are featuring that conversation, with callers and Audience Participation, as part of this show.
Stay tuned. Next week we have Wobbly (also from Negativland), and the rest of Mark’s conversation in January.
01.) Austin FM Theme * Paco Jones * Austin FM Theme * Self-Released (2016)
Part II: “I guess it’s more of a soundscape thing.”
03.) Interview Part 1 * Mark Hosler * 25 October 2017 * Mid-Valley Mutations (2017)
04.) Live Performance * Mark Hosler * 17 February 2016 * Self-Released (2016)
05.) Interview Part 2 * Mark Hosler * 25 October 2017 * Mid-Valley Mutations (2017)
Part III: “A golden age for crazy sound and noise-making.”
[horridus of devilsclub calls in between 24:50 and 39:30 to play along with the show.]
06.) Interview Part 3 * Mark Hosler * 25 October 2017 * Mid-Valley Mutations (2017)
Gear talk, the Booper, learning how to play live, the change in technology, Mark taking on the ashes of past members Ian Allen, Don Joyce & Richard Lyons (plus his brother & parents), coping with and processing death, Richard’s sense of humor, Dayle Embree photo.
Part IV: “It’s existentially weird.”
[Pat of Uneasy Chairs calls in between 56:45 and 1:07:50 to play along with the show.]
07.) Interview Part 4 * Mark Hosler * 25 October 2017 * Mid-Valley Mutations (2017)
08.) I Still Haven’t Found What I’m Looking For (Edited Special Edit Radio Mix) * Negativland * These Guys Are From England And Who Gives A Shit * Seelard Records (2001)
09.) Interview Part 4 * Mark Hosler * 25 October 2017 * Mid-Valley Mutations (2017)
Grieving and finding ways to come to terms with loss, the process of selection, The U2 Record, comedy, Firesign Theater, & Monty Python.
HOUR 2
Part V: Breaking The Fourth Wall
10.) Interview Part 5 * Mark Hosler * 25 October 2017 * Mid-Valley Mutations (2017)
11.) Freedom’s Waiting * Negativland * Free * Seeland Records (1993)
12.) Interview Part 6 * Mark Hosler * 25 October 2017 * Mid-Valley Mutations (2017)
16.) Interview Part 9 * Mark Hosler * 25 October 2017 * Mid-Valley Mutations (2017)
17.) Aluminum or Glass: The Memo * Negativland * Dispepsi * Seeland Records (1997)
18.) Interview Part 10 * Mark Hosler * 25 October 2017 * Mid-Valley Mutations (2017)
More about Deathsentences, more about the Booper, The Weatherman’s Interview, listening to records as an activity, Negativland’s Audience, shuffle play listening, their website, Pastor Dick’s Jukebox, making music in the CD era vs. the vinyl era, sequencing and arrangements.
With a two hour show, the extra time is often needed to help accommodate bands, either when they need to set up, call in, or what-have-you. But in cases like this, the extra hour works out great when you have two guests you’d like to fit in. On those days when you want to double-your-pleasure, so to speak, two hours works out just fine when you want to cover two incredible acts in one show.
Then, in Hour 2, join us for an interview with, and performance by, Eden Mononym, an electronic musician and artist who blew the doors off the show with a fantastic set that you will not ant to miss.
01.) Austin FM Theme * Paco Jones * Austin FM Theme * Self-Released (2016)
Part II: “The dream life of the music.”
02.) Interview * King Black Acid * 17 November 2017 * Mid-Valley Mutations (2017)
The show, the band & the new album, the changing line-up over time, religious and occult influences, changing recording technology, songwriting goals, making art over the years, genre splicing, music that demands attention vs. music without nutrition, Hitting Birth and their influence on King Black Acid’s path, The Mothman Prophecies soundtrack and relative ‘success,’ who King Black Acid really is, plugging the show and making radio mix tapes. kingblackacid.com. King Black Acid on MyFacester+. Mazinga Records.
Part III: Alice’s Playlist
03.) Welcome Home Down The Rabbit Hole * King Black Acid And The Crystal Unicorn * Super Beautiful Magic * Mazinga Records (2017)
04.) Radiation Baby * Orchards * To Lose Completely * Self-Released (2017)
HOUR 2: Eden Mononym
Part IV: All The Way From Oregon
05.) Live Performance [Excerpt] * Eden Mononym * 2017 NorCalNoiseFest Day One * Bandcamp.com (2017)
Part IV: “Endless laughs.”
06.) Interview * Eden Mononym & Austin Rich * 17 November 2017 * Mid-Valley Mutations (2017)
Gear talk, getting started with programming and building modular systems, tape loops and video game music, the early internet, starting to record, One Infinite Loop, electronic composers, starting Eden Mononym, the ever changing record, the inner irony of organic sounding electronic music, evolving gear and technologies, a new record and new synthesizers on the way for 2018.
Part V: Hypnotic
07.) Live Performance * Eden Mononym * 17 November 2017 * Mid-Valley Mutations (2017)
It is with no small amount of fanfare and excitement that I am able to bring none other than The Weatherman of Negativland fame to Mid-Valley Mutations. If you have been a long-time listener, or know anything about the kind of radio and music that I do, you’ll probably be saying something like, “Don’t you just try to imitate them with your work anyway?” And to that I would say: yes, poorly!
To say that Negativland has influenced me is a bit of an understatement, but their impact on this show is only one reason why it is interesting that I have The Weatherman on. This year, he has taken to social media, and for the reclusive (and often counter-cultural) artist that he is, this action took the Inter-Web-A-Tron by storm. His live feeds (full of Booper jams, mixes of radio and TV with whatever is on his VCR, and other odds and sods) are incredible, fascinating, and according to various, “terms and service agreements,” entirely illegal in the same way that sampling and collage art was deemed so in the first place. So, in many ways, he has not changed a bit.
The Weatherman and I talked for quite some time, about his current performances online, his history with Negativland, CBs and Jamming Culture, the legendary U2 single and how he found himself singing those well-known copywritten words, his relationship with Richard Lyons and Don Joyce (two band members who have both passed recently), and as if that weren’t enough, he performs The Booper, LIVE and reads The Weather!
Personally, this was a dream come true. This band and their radio show have been a focal point for the kind of work I want to create, and has guided my attitudes toward culture and art for my entire adult life. To find out that, not only are the members of this group extremely friendly and approachable, but game to go along with my nonsense too, is a very cool experience, for sure.
If you listened to the live broadcast, this podcast version has about seven minutes of bonus material, available only to the podcast listeners of the show. Scan to the end; we pick up the conversation exactly where you feel like we stopped. I would also urge you to tune in on 24 November for an interview with Mark Hosler, and on 1 December for an interview with Wobbly, completing Negativland November! It’s been a pleasure to talk to them all; now, hear what they had to say.
So, open up a fresh Club Soda, tune in KMUZ with your home-brewed radio console, and enjoy this frank and enlightening conversation with one of my favorite artists: The Weatherman.
01.) Austin FM Theme * Paco Jones * Austin FM Theme * Self-Released (2016)
02.) Interview Part 1 * The Weatherman * 2 October 2017 * Mid-Valley Mutations (2017)
03.) Theme From ‘A Big 10-8 Place’ * Negativland * A Big 10-8 Place * Seeland Records (1983)
Part II: “You’re scholarly!”
04.) Interview Part 2 * The Weatherman * 2 October 2017 * Mid-Valley Mutations (2017)
07.) Pure Full Stereo Rototiller * Negativland * Over the Edge Vol. 1½: The Starting Line with Dick Goodbody * Seeland Records (1995)
HOUR 2
Part IV: “How dare you call it a band.”
08.) Interview Part 5 * The Weatherman * 2 October 2017 * Mid-Valley Mutations (2017)
09.) Live Performance * The Weatherman * 2 October 2017 * Mid-Valley Mutations (2017)
Part V: “I’m not a musician, I just experiment with sound.”
10.) Interview Part 6 * The Weatherman * 2 October 2017 * Mid-Valley Mutations (2017)
Don gets added to the group, Night Sky Music, digitizing analog work properly, The Weatherman’s creative process, nonsense words and phrases, image 1image 2 & image 3, the act of selection, Night Flight‘s influence.
11.) Happy The Harmonica * Negativland * Free * Seeland Records (1993)
Part VI: “This Is The Weatherman.”
12.) Interview Part 7 * The Weatherman * 2 October 2017 * Mid-Valley Mutations (2017)
Media memories, strange noises from the sky, voice to skull transmissions andother conspiracies, performing live online, Over The Edge, and more Firesign Theater,
Part VII: “I never leave this house, pretty much.”
13.) Interview Part 8 * The Weatherman * 2 October 2017 * Mid-Valley Mutations (2017)
When Anna and I got to talking about comics and Parallel Worlds, we very quickly lost track of time. (These things happen, especially after you’ve been suddenly transported to her store without intending to. See Prime Episode.) Consequently, we have 30 minutes of bonus material, which includes more of our conversations, and some songs that we had to trim for time.
There’s not repeated content between these two shows, and you could listen to them separately, I guess. But this is really like a supplemental audio treat, or really, an appendix to the primary show. It’s not any less good, by any stretch. but there is a pecking order, certainly.
Enjoy.
Bonus Batter
01.) Providence * Poor Man’s Poison * Providence * Poor Man’s Poison (2014)
02.) Interview Part 7 * Anna Davis * 3 November 2017 * Mid-Valley Mutations (2017)
Where we talk about Subscriptions, Digital Subscriptions & Collecting and habits
03.) Brass Goggles * Steam Powered Giraffe * Album One * Steam Powered Giraffe (2009)
04.) Interview Part 8 * Anna Davis * 3 November 2017 * Mid-Valley Mutations (2017)
Where we talk about the way the comic industry works (comic book pre-orders and getting a book on the shelf), Feminist Voices In Comics Culture, Gamergate fallout, white privilege and the responsibility of middle aged white guys.
05.) Breathe * Alexi Murdoch * Time Without Consequence * Zero Summer (2006)
Much like an indie-rock band just trying to start out, Anna Davis of Parallel Worlds Comics is going through first year growing pains, trying to find a space that fits, trying to connect with customers that “get it,” and trying to remain true to the ideals that she set out with, while still striking a balance with work and life. None of this is easy, for anyone, but Anna is a dream chaser, and in the two hours we spend together talking and playing music at her shop, you really to know Anna, and what makes Parallel Worlds tick.
Our conversation ranges everywhere, and covers a number of issues connected to comics, and relevant to anyone who has had a crazy, crackpot notion of what they wanted to achieve, and went for it against all reason and logic. The story of Anna and Parallel Worlds is story about someone getting what they want, and doing their best to get it, no matter what. The rest of the story is spelling out over two hour. Please, tune in, and get to know Anna, and Parallel Worlds Comics.
Enjoy.
Spinitron Playlist
Parallel Worlds Radio (w/ Anna Davis)
HOUR 1
Part I: I Sell Comics
01.) Austin FM Theme * Paco Jones * Austin FM Theme * Self-Released (2016)
02.) I Sell Comics * Courage My Love and Walt Flanagan * I Sell Comics * Bandcamp.com (2011)
03.) Interview Part 1 * Anna Davis * 3 November 2017 * Mid-Valley Mutations (2017)
Part II: Black Sheep
04.) Batman Theme * Neil Hefti * “Batman Theme” b/w “Batman Chase” * RCA Victor (1966)
05.) Interview Part 2 * Anna Davis * 3 November 2017 * Mid-Valley Mutations (2017)
06.) You Won’t Know * Brand New * The Devil and God Are Raging Inside Of Me * Interscope Records (2006)
07.) Black Sheep * Metric * Scott Pilgrim Vs. The World * Universal Records (2010)
Part III: The Comic Book Store
08.) Interview Part 3 * Anna Davis * 3 November 2017 * Mid-Valley Mutations (2017)
09.) The Comic Book Store * Amy Dallen and Jason Charles Miller * The Comics Book Store * Geek & Sundry (2014)
HOUR 2
Part IV: Burn Your House Down
10.) Interview Part 4 * Anna Davis * 3 November 2017 * Mid-Valley Mutations (2017)
11.) Burn Your House Down * The Peculiar Pretzelmen * Innumerable Seeds of Calamity * Bandcamp.com (2010)
12.) Useless * Insomniac Folklore * A Place Where Runaways Are Not Alone * BD Recs (2011)
Part V: Mr. Punch
13.) Interview Part 5 * Anna Davis * 3 November 2017 * Mid-Valley Mutations (2017)
14.) Dance While The Sky Crashes Down * Jason Webley * Against The Night * 11 Records (1999)
15.) Mr. Punch * Future Bible Heroes * Where’s Neil When You Need Him? * Dancing Ferret Discs (2006)
Part VI: Nerd Anthem
16.) Only If You Run * Julian Plenti * is… Skyscraper * Matador Records (2009)
17.) In My Mind * Amanda Palmer * Goes Down Under * Liberator Records (2011)
18.) Dusty Cartridges & Long Boxes * Kirby Krackle * Geekiest Hits Vol. 1 * Bandcamp.com (2014)
19.) Interview Part 6 * Anna Davis * 3 November 2017 * Mid-Valley Mutations (2017)
20.) Nerd Anthem * Marian Call * Got To Fly * Bandcamp.com (2008)
21.) Wonder * The Doubleclicks * Weekly Song Wednesday * Bandcamp.com (2013)
I am such a lucky radio host, in that there are a ton of groups coming through the area, and experimental music – in almost every form – is really beginning to get some notice in a way that is impressive, and very fun to watch. And, some weeks, I have a wealth of material at my fingertips to play, and it feels like there is just too much for even a two-hour show.
So, this week, in an unprecedented move, I’m including a nearly two-hour bonus episode as a companion piece to our regular show this week. Podcast only, of course, as we only get the two hours of broadcast time, but in this show, you get to hear so much incredible stuff, it is well worth your digestion.
In our regular program, we heard short performances by Lavender and Marc Kate, with a truncated interview between them. But this was only 30 minutes of the 90 minutes we recorded, included to full set performances by each group, and a 30 minute interview, too. While it was great to get such a wealth of material, I just couldn’t fit it all into a show with Kylie Burbank and friends, too. So the 90 minutes of material was winnowed down to a slim 30 on the FM.
Which is a shame, because the full performances (and interview) are a real treat, and we get into some nitty-gritty about making art, using machines, and other bits and bobs that are only available in this extended episode. If you heard the primary show this week, then there is an hour of Lavender and Marc Kate that you have not yet heard.
And, as a bonus, I’m including a Halloween installment of Dimestore Radio Theater, too. This time from Richard Diamond, giving us a spooky treat that is just perfect for this kind of broadcast.
Both Lavender and Marc Kate are consummate performers, and you owe it to yourself to dig into what they can do when they are at their best. And, even better, this stuff can only be heard here. How cool is that?
Enjoy.
Lavender & Marc Kate, LIVE!
Part I: Introduction
01.) Austin FM Theme * Paco Jones * Austin FM Theme * Self-Released (2016)
02.)
Part II: All The Way From France
03.) Live * Lavender * Live * Mid-Valley Mutations (2017)
Part III: Getting Down To It
04.) Interview * Lavender & Marc Kate * 19 October 2017 * Mid-Valley Mutations (2017)
Part IV: Today Never Knows
04.) Live * Marc Kate * Live * Mid-Valley Mutations (2017)
Part V: Outro
Part VI: Dimestore Radio Theater Presents!
04.) The House of Mystery Case * Richard Diamond, Private Detective * 10 December 1949 * NBC Radio (1949)
There are things you can talk about with old friends, and even more-so when you used to be in a band with that person. But kiisu is not just the sum of the band he’s currently in, and to try and distill the music he makes into just one representation is to omit so much stuff that is a joy for weirdo’s like me. Our friendship goes back 20 years, and to a band we both shared together, but you may know him best now as the guitar player for The Secret Light, who just put out their first LP, and have been playing around extensively as an up-and-coming new wave group. And while we do play songs from that release, and in that vein, this show is a whole lot more.
In many ways, this is a companion piece to the show I did with Semi-Colin of /root_DIR back in May, as we were all in that same band together way back when, but we’ve ally maintained a kind of weird friendship over the years that has a lot to do with shared ideals and experiences, and a rural Oregon Background, that sent all of us out looking for more. Colin found hardcore, I found radio, and kiisu… well, you’ll have to tune in and find out for yourself.
Shows like this are always a pleasure, as I get to hang out with a friend, listen to great music, and share it with you.
And, if you’re lucky, you’ll have remembered your potato, too.
Topics Include: The Secret Light, semi Colin, rural Oregon, learning to record and play music, making tapes, Cathead, Neutered Prunes, the years of experience applied to making new music, Empty Room (Kelly, Troy Mercy & Maile, theXplodingboys), The Oblik (Marshall, Jess & Joe), trying to impress girls, Necrotome, Johnathan Christ, /root_DIR, and more The Secret Light.
HOUR 1
Part I: Like Clockwork
01.) Austin FM Theme * Paco Jones * Austin FM Theme * Self-Released (2016)
02.) Interview 1 * kiisu d’salyss * 22 September 2017 * Mid-Valley Mutations (2017)
03.) Clockwork * The Secret Light * Mirror Mirror * Knife Camp (2017)
Part II: Vestigial
04.) Interview 2 * kiisu d’salyss * 22 September 2017 * Mid-Valley Mutations (2017)
05.) Vestigial Organ * kiisu d’salyss * Vestigial Organ * Previously Unreleased (198?)
06.) Interview 3 * kiisu d’salyss * 22 September 2017 * Mid-Valley Mutations (2017)
07.) A Second Try * Cathead * 0 * WANC Records (1994)
Part III: Noise For Nixon
08.) Interview 4 * kiisu d’salyss * 22 September 2017 * Mid-Valley Mutations (2017)
09.) Noise For Nixon * kiisu d’salyss * Noise For Nixon * Previously Unreleased (1993)
10.) Interview 5 * kiisu d’salyss * 22 September 2017 * Mid-Valley Mutations (2017)
11.) Welcome to Apocalypse (Radio Edit) * Cathead * April 2013 Practice Tape * Previously Unreleased (2013)
12.) Interview 6 * kiisu d’salyss * 22 September 2017 * Mid-Valley Mutations (2017)
13.) Truck Nuts and Man Boobs * Neutered Prunes * Truck Nuts and Man Boobs * Previously Unreleased (2013)
It’s weird to think what a single year can bring. When I first started this program, I didn’t know Uneasy Chairs or devilsclub much at all, and in that year they have become a regular feature of the program.
For that I am grateful. In these trying times, it is nice to have a few things that you can rely on, even if they are musical. But the subject we are approaching tonight is anything put uplifting, as we contemplate live during The War Years. A reality that seems, unfortunately, very very real, again, for some insane reason that escapes us all. It’s eerie how relevant these conversations about WWII seem in the here and now, but as we try to understand that, we offer over an hour of live jams by MKUneasyChairPhone… or something like that.
Kick-starting the show is a sort of DJ set by horridus to help promote his new record, and offer a rundown of some of his favorite selections from his collection. And as if that weren’t enough, I flip the tables as if it were a year ago (again), and drill him about making music, collaborations, and what 2017 has brought for him, even in these trying times.
It’s an action-packed show that came out quite lovely, and after the chaos and insanity of the last few weeks, it was good to return to some old-fashioned experimental music.
The War Years Part II (A History Lesson w/ Uneasy Chairs & MKUltramegaphone, LIVE! (#67)
HOUR 1
Part I: Sew Room Dummies
01.) Austin FM Theme * Paco Jones * Austin FM Theme * Self-Released (2016)
02.) Yottamorph * Shrugs of Eternity (devilsclub & David M. Paganin) * Sew Room Dummies * Cian Orbe Netlabel (2017)
03.) Part II * Morton Subotnick * Silver Apples of The Moon * Nonesuch Records (1967)
04.) the river side a * noisepoetnobody * the river * Lens Records (2010)
05.) Peruvian Dance Song / Plaint Against The Fog / A Song By Nezahualcoyotl * Karlheinz Stockhausen * In The Sky I Am Walking… (1977)
06.) Yugamorph * Shrugs of Eternity (devilsclub & David M. Paganin) * Sew Room Dummies * Cian Orbe Netlabel (2017)
Part II: A History Lesson 1
03.) Live 1 * Uneasy Chairs & MKUltramegaphone * 8 September 2017 * Mid-Valley Mutations (2017)
HOUR 2
Part III: A History Lesson 2
04.) Live 2 * Uneasy Chairs & MKUltramegaphone * 8 September 2017 * Mid-Valley Mutations (2017)
Being isolated out in the Pacific Northwest, we do our best to enjoy music from everywhere. But our location causes us to have complications with local scenes from elsewhere. It is hard enough to stay on top of what’s happening here, let alone everywhere else. But I’m usually trying my hardest to be on the lookout for anything that might float my so-called boat, and one such example was when Attic Ted reached out about visiting our fair part of the world.
Attic Ted – known as Grady Roper off stage – is a performer from Texas, the mastermind behind Pecan Crazy Records, and like many of us, is a traveler and artist who is chronicling the art that often falls between the cracks. In this episode, we chat about making music, traveling the world, releasing records, and supporting art that is important to both Attic Ted and Grady Roper. During the show we feature music, including a few demo recordings that are only a month or so old, and have not appeared on any of his records.
There are often scenes that become famous, but even near them, there is a whole other microcosm of artists who would love to find a way to carve out their own niche. Attic Ted is not only at the center of an incredible microcosm, but has been touring around, finding these microcosms, all across the world. We are happy that he found ours, and this is merely a small sampling of what his corner of Texas is like.
This episode is a little different, in that the podcast version contains explicit language, while the broadcast version was censored. (Attic Ted and his friends are very passionate in their use of language.) Furthermore, there are two bonus tracks on the podcast version. More than anything, it was an attempt to fit in more of this incredible music that you will not find anywhere else.
Closing out the show is another installment of Dimestore Radio Theater, with The Adventures of Rocky Jordan.
Enjoy.
Spinitron Playlist
The Attic Ted Interview
HOUR 1
Part I: Here We Are
01.) Austin FM Theme * Paco Jones * Austin FM Theme * Self-Released (2016)
02.) Daddy’s Medication * Attic Ted * Marginalized * Pecan Crazy Records (2012)
03.) Interview Part 1 * Attic Ted & Austin Rich * 9 August 2017 * Mid-Valley Mutations (2017)
04.) Here We Are * Attic Ted * The Attic Tedland suite * Pecan Crazy Records (2015)
05.) Interview Part 2 * Attic Ted & Austin Rich * 9 August 2017 * Mid-Valley Mutations (2017)
06.) Nitemare * The Carnys * Stranger In The Ringer * Pecan Crazy Records (2010)
Part II: Hyperbole
07.) Interview Part 3 * Attic Ted & Austin Rich * 9 August 2017 * Mid-Valley Mutations (2017)
08.) 14 Hours (demo) * Attic Ted * 14 Hours (demo) * Soundcloud.com (2017)
09.) Interview Part 4 * Attic Ted & Austin Rich * 9 August 2017 * Mid-Valley Mutations (2017)
10.) Hyperbole (demo) * Attic Ted * Hyperbole (demo) * Soundcloud.com (2017)
11.) Interview Part 5 * Attic Ted & Austin Rich * 9 August 2017 * Mid-Valley Mutations (2017)
12.) Melted Ice * Pataphysics * My Phones About To Die * Pecan Crazy Records (2015)
Part III: Pecan Crazy Records
13.) Interview Part 6 * Attic Ted & Austin Rich * 9 August 2017 * Mid-Valley Mutations (2017)
14.) RUDA * How I Quit Crack * Transitional Herbs * Pecan Crazy Records (2015)
15.) Interview Part 7 * Attic Ted & Austin Rich * 9 August 2017 * Mid-Valley Mutations (2017)
16.) The Plague * Gardenella * Gardenella * Pecan Crazy Records (2016)
17.) St. Anne * Toxic Water * Toxic Water * Pecan Crazy Records (2015)
18.) Putrid Person * Oozer * The Songs of Music * Pecan Crazy Records (2017)
HOUR 2
Part IV: Gummo Style
19.) demo tape * The Rebel * The Rocket Breaks Down * Pecan Crazy Records (2005)
20.) Traditional Fish Sex * Critical Dad * New Parents * Pecan Crazy Records (2015)
21.) Gummo * Mom Jeans * Chub Rub * Pecan Crazy Records (2016)
22.) Interview Part 8 * Attic Ted & Austin Rich * 9 August 2017 * Mid-Valley Mutations (2017)
23.) On Your Phone (demo) * Attic Ted * On Your Phone (demo) * Soundcloud.com (2017)
24.) Interview Part 9 * Attic Ted & Austin Rich * 9 August 2017 * Mid-Valley Mutations (2017)
Part V: Climbing Up
25.) Climbing Up * Attic Ted * The Attic Tedland suite * Pecan Crazy Records (2015)
26.) Interview Part 10 * Attic Ted & Austin Rich * 9 August 2017 * Mid-Valley Mutations (2017)
27.) UFC * Attic Ted * 3rd 7″ * Pecan Crazy Records (2010)
Part VI: Dimestore Radio Theater
30.) Journey To Nashier * Rocky Jordan * 26 June 1949 * CBS Radio (1949)
There are so many people in Oregon who have been woodshedding for years that I could spend the rest of my days just inviting them on the show to hang out and play their music. But in Xeres’ case, he has been at it for nearly 40 years, producing music that is clearly from the planet Xeron, and this show is just the tip of the ice-planet-berg.
Join us, for this two hour exploration of Xeres’ career. We barely scratch the surface of his career with The Giant Worm, where he is the junior member at only having been involved with them for 30 of their 40 year career. But we do get to present a new Giant Worm track, and play nearly two hours of previously unreleased work created by Xeres himself. Essentially, only a couple of tracks have seen the light of day before – and even then, largely on self-distributed cassettes – but we play it all on this show, and explore what life is like on planet Xeron.
Xeres has been an archivist of music for decades, and a huge supporter of Mid-Valley Mutations almost before we were on the air, and The Giant Worm’s appearance on the program in November was a great example of who they are and what they’re up to.
But in this show, we get to rummage through four track tapes and CD-Rs of music that has not been heard anywhere else.
The Eclipse of Planet Xeron w/ Xeres Furd of The Giant Worm!
HOUR 1
Part I: The Larch
01.) Austin FM Theme * Paco Jones * Austin FM Theme * Self-Released (2016)
02.) Interview Part 1 * Xeres & Austin Rich * 18 August 2017 * Mid-Valley Mutations (2017)
03.) First Eclipse * anon. * Mixed Voices 28 December 2009 * KLCC Radio (2009)
04.) Dwinc * Xeres * Early Experiments * Previously Unreleased (1979)
05.) Interview Part 2 * Xeres & Austin Rich * 18 August 2017 * Mid-Valley Mutations (2017)
06.) Symphony in Uh * Xeres * Early Experiments * Previously Unreleased (1979)
07.) Interview Part 3 * Xeres & Austin Rich * 18 August 2017 * Mid-Valley Mutations (2017)
08.) Larch * Matt Griffin & Xeres * Larch * Previously Unreleased (1981)
Part II: I Want to Do Your Laundry
09.) Interview Part 4 * Xeres & Austin Rich * 18 August 2017 * Mid-Valley Mutations (2017)
10.) Rhetoric * Stick Against Stone * Stick Against Stone cassette EP * Self-Released (1985)
11.) Interview Part 5 * Xeres & Austin Rich * 18 August 2017 * Mid-Valley Mutations (2017)
12.) I Want to Do Your Laundry * Fate vs. Free Will Turn Signals * Wolf in a Pulpit * Self-Released (1987)
If you just listen hard enough, you can find the forefathers of our scene in your own backyard. And when I started listening to Luthor Maggot at the Corvallis Experiments In Noise shows, I realized that this was exactly the kind of person that I’m always on the lookout for. Luthor – or Jim Whittemore, as he is also known – is a musician, engineer, producer, and artist that has been working in music since the early ’70’s, and was a member of the punk outfit The Scientific Americans from Northampton, MA, and helped run / produce records for their Tekno Tunes label. And yet, that barely scratches the surface of his amazing (and fascinating) career, which involves no less that inventing his own job as a fraud investigator.
In fact, Jim is so full of stories that this show is dedicated to his reminisces, and in that regard, we have a show full of great moments from the east coast scene, as well as an overview of this overlooked record label. Between platters we shuck and we jive, but we mostly enjoy great punk stories of a time that feels long since past. And we get to hear incredible music, too, as he brought in rare recordings, records that have probably never been heard on this coast, and in two cases, we played the original masters for one of their records (mastered by Bob Ludwig, no less)!
And that’s not all. Jim is such and incredible personality that we couldn’t possibly cram everything into just one show, and if you need evidence, check out his previous appearance on the program, where he tells other stories that were not on this program, discusses his career selling synths, and plays a vintage Synthi (among other things) on the air. It was an incredible show, and I knew I had to get him back, if for no other reason than to tell stories.
And that we did.
From here on out I’ll let the Maggot do the talking.
01.) Austin FM Theme * Paco Jones * Austin FM Theme * Self-Released (2016)
02.) Interview Part 1 * Luthor Maggot & Austin Rich * 4 August 2017 * Mid-Valley Mutations (2017)
03.) Kids Today Know Where It’s At * WKGB * Kids Today Know Where It’s At * Previously Unreleased (????)
04.) Eep, Oop, Ork, Ah-Ha * The Scientific Americans * Beyond Rational Thought EP * Tekno Tunes (1979)
05.) G-Stalt * The Scientific Americans * Beyond Rational Thought EP * Tekno Tunes (1979)
06.) Empty Hole * The Scientific Americans * Beyond Rational Thought EP * Tekno Tunes (1979)
Part II: Beyond Rational Thought
07.) Interview Part 2 * Luthor Maggot & Austin Rich * 4 August 2017 * Mid-Valley Mutations (2017)
Part III: Taking In The Summer
08.) Interview Part 3 * Luthor Maggot & Austin Rich * 4 August 2017 * Mid-Valley Mutations (2017)
09.) Taking In the Summer * The Higher Primates * Taking In the Summer * Tekno Tunes (1980)
10.) I Thought You Knew * Paper Dolls * I Shouldn’t Do This To Me * Tekno Tunes (1980)
11.) I Don’t Want To Be Like Elvis, Anymore * No Strings * I Don’t Want To Be Like Elvis, Anymore * Tekno Tunes (1981)
Part IV: I Don’t Want To Be Like Elvis, Anymore
12.) Interview Part 4 * Luthor Maggot & Austin Rich * 4 August 2017 * Mid-Valley Mutations (2017)
HOUR 2
Part V: For What It’s Worth
13.) Interview Part 5 * Luthor Maggot & Austin Rich * 4 August 2017 * Mid-Valley Mutations (2017)
14.) Taking Time * The Scientific Americans * Beyond Fiscal Distress EP * Tekno Tunes (1980)
15.) U235 * WKGB * U235 * Previously Unreleased (????)
16.) Non-Stop * WKGB * Non-Stop * Fetish Records (1980)
17.) New York, New York * DeeKay Jones * Jones Comin’ Down * Shaddock Records (2013)
18.) For What It’s Worth * TV Toy * For What It’s Worth * Permanent Records (1979)
19.) WKGB * The Scientific Americans * Load & Go * ROiR (1982)
Part VI: Non-Stop
20.) Interview Part 6 * Luthor Maggot & Austin Rich * 4 August 2017 * Mid-Valley Mutations (2017)
21.) U235 * The Scientific Americans * Load & Go * ROiR (1982)
Part VII: The Payback
22.) Interview Part 7 * Luthor Maggot & Austin Rich * 4 August 2017 * Mid-Valley Mutations (2017)
23.) The Payback * James Brown * The Payback * Polydor Records (1973)
It’s been a few years since the last time I worked with Fischkopf Sinfoniker, and while some time had elapsed, it was great to get back into the swing of things with such a great performer. Just a few years ago, he was using individual boxes linked together to great his scoundscapes, but these days he’s a eurorack performer, and it was incredible to see him roll up, put one case on the table, and proceed to coax the most beautiful sounds out of them.
While Fischkopf is entirely electronic, there is an organic nature to his performances that evoke doom bands with guitars, or some of the ethereal sounds of Cocteau Twins. Watching him weave this and other sounds into his performances is an often a subtle visual experience, but the powerful mix of audio that he produces is extreme, brutal, and fantastic.
For this show, I perform nearly an hour of improvised cuts-ups to start things off, and then stick around to two performances (and two interviews) in hour two. As if that weren’t enough, conclude with another installment of Dimestore Radio Theater, this time with The Adventures of Philip Marlowe.
I will admit: the timing on this one is all off. The second interview and performance were not heard by “live” listeners, and are only available as part of this podcast. There’s a few other bits I had to re-arrange for the live vs. pod version, but hopefully for you, you won’t even notice. From you vantage, you get two interviews, and two live performances. Not too shabby for a free radio program.
01.) Austin FM Theme * Paco Jones * Austin FM Theme * Self-Released (2016)
02.) Fool’s Errand * Attic Ted * Parade Dust Mischief * Bandcamp.com (2016)
Part II:
05.) Deconstruction I * Austin Rich * 28 July 2017 * Mid-Valley Mutations (2017)
Part III:
07.) Deconstruction II * Austin Rich * 28 July 2017 * Mid-Valley Mutations (2017)
HOUR 2
Part IV:
08.) Live Part I * Fischkopf Sinfoniker * 28 July 2017 * Mid-Valley Mutations (2017)
09.) Interview Part I * Fischkopf Sinfoniker * 28 July 2017 * Mid-Valley Mutations (2017)
Part V:
09.) Interview Part II * Fischkopf Sinfoniker * 28 July 2017 * Mid-Valley Mutations (2017)
10.) Live Part II * Fischkopf Sinfoniker * 28 July 2017 * Mid-Valley Mutations (2017)
Part VI: Dimestore Radio Theater!
11.) The Head Wave * The Adventures of Phillip Marlowe * 16 April 1949 * CBS Radio (1949)
This broadcast felt so much like a “back to basics” broadcast – for so many reasons – that I absolutely loved hosting Hobo Maker. A consummate professional and accomplished guitar player, he produces walls of sound, and those of you who caught one of his two performances on Make Music Day know what I’m talking about.
More than anything, this was a return to form in that: Hobo Maker is, thankfully, local. While I love hosting acts that are from anywhere, anywhen, it was so cool to find out that this kind of thing is available right here in Salem. My hope with Mid-Valley Mutations is that I could create a home for artists like this in the area, and when stuff like this happens, I’m always happy. It also happens that this gent is a stand up fella, too.
So, tune in for a cross section of the work he’s done, a live solo performance, an interview, AND an extended jam with MKUltraHobophoneMaker, which was a lot of fun. MKU has been slightly absent from the show lately, only because my bandmate has been out of town. Having the back together really felt good. Sometimes, I can’t believe I get to do this every week.
Each show we make is completely unique, and in many ways, I’m not even sure what each new show will bring. I prepare and plan for sure, and it isn’t that I wander in each week tabula rasa and discover what “radio” might be, this time. But like jazz and improvisational music, there is a point A and a point Z, and between those two there are a million different possibilities each week.
Herd William‘s hit-and-run assault on our program was not only unpredictable, but incredibly short. He managed to load in, perform twice, interview for about 20 minutes total, then pack out in less than an hour. It was certainly something to behold, and a lesson for those who need lots of set-up time when they want to play. Fortunately for us, he did not skimp on the performance. Both sets are a high-octane blast of experimental noise all his own, and this is probably one of the best ways to get to know his particular kind of music.
But that’s not all! In addition to my own 20 minutes of live mixing and mashing, we also kick-start the show with a world premier track by Aldo Calrissian, friend of the show and soon to have a new record that you can hear very soon. In the meantime, this show starts off with a sample, and you heard it here first. As if that weren’t enough, we top things off with another installment of Dimestore Radio Theater, this time presenting a Rocky Jordan story that is about as Noir as they get.
In a lot of ways, this one is a variety show, and I couldn’t be more pleased with this kind of thing. This is certainly a good way to prepare for the show that we’re putting on at the end of July, featuring some doom and drone metal combos that you will not want to miss. (Including Herd William and Don Haugen.) But more than anything, this has the feel of a show that I wish I had tuned in at home, scanning the dial, looking for something new to hear.
And that, alone, is an accomplishment in and of itself.
01.) Austin FM Theme * Paco Jones * Austin FM Theme * Self-Released (2016)
02.) Destroy All Bring New (preview) * Aldo Calrissian * Destroy All Bring New (preview) * Unreleased (2017)
Part II: PDQ Playlist
02.) Music Is (Part I) * Austin Rich * 30 June 2017 * Mid-Valley Mutations (2017)
Part III: Swing Into Things
03.) Music Is (Part II) * Austin Rich * 30 June 2017 * Mid-Valley Mutations (2017)
Part IV: Herd of Mouth
04.) Live Performance I * Herd William * 30 June 2017 * Mid-Valley Mutations (2017)
05.) Interview Part I * Herd William * 30 June 2017 * Mid-Valley Mutations (2017)
06.) Word of Mouth * Herd William * Black Metal Herd * Self-Released (2012)
HOUR 2
Part V: Herd’s Remains
07.) Live Performance II * Herd William * 30 June 2017 * Mid-Valley Mutations (2017)
08.) Interview Part II * Herd William * 30 June 2017 * Mid-Valley Mutations (2017)
09.) Our Remains * Herd William * Herd William * Self-Released (2012)
Part VI: Dimestore Radio Theater
10.) The Big Heist * The Adventures of Rocky Jordan * 20 November 1949 * CBS Radio (1949)
I’m constantly impressed with the Corvallis music scene, and there is a very impressive collection of artists right now who are all working in very specific, and very cool, areas of experimental music. So it has been a lot of fun to get to know these folks, and feature their music on the show. And just in time, too. This weekend there are a million excellent shows happening, and all three of these groups are playing a few times this weekend. All in all this show featured four live performances by three artists you will see playing live 25 June 2017 at The Space Concert Club, as part of our Sunday Service series, and I urge you to come and see this stuff in action. It is unlike anything you’ve seen or heard before.
This is the second time Chemotroph has been on the show, and his stuff is consistently impressive, and tells an almost ambitious story of humanizing synths finding their voice. This was my first time meeting Grease Beast, but watching music evolve from incredible beats was quite a lot of fun. Then there’s Luthor Maggot, bringing new and old modular pieces together to create one of the most elegant audio presentations I’ve heard in quite some time, and yet it very clearly fell under the experimental label in every possible way.
These are just half of the artists that are playing this weekend at The Space. You should check it out, and see some locally grown electronic music.
Some people want to help make shows in their community come together. Other’s want to write some songs. Mustin Douch – Justin, as he’s locally known – not only books shows in both Portland & Salem, but plays in an incredible number of local groups, all of whom have their own stories and interesting anecdotes.
But this show is largely about the man, and not those bands, though we do play some samples of the music he performs, as well as tunes he just happens to enjoy. Taking up nearly all of the two hours with just chatting, we cover the entire spectrum of topics, from composition, performance, the scene itself, new technology, and everything in-between. Really, this is more like a friendly chat, and as we cover all the bases, we offer a glimpse into the like of a working artist and musician.
Justin is probably as humble as he is funny, and an excellent example of someone who is trying very hard to make art and music happen in his area, even if he has to make it happen himself. And while we do get into the nitty gritty of art and music, we also just goof around and have a good time, too. Sometimes, there’s someone behind a lot of the shows that you hear about in the area. This is a chance to get to know one of the people who doesn’t usually get the spotlight.
Here are some links to his groups: Summer Eyes, Child PM, MARC & The Horsejerks, and Nasalrod.
Enjoy.
Spinitron Playlist
The Mustin Douch Interview (TBD)
HOUR 1
Part I: “I’ve been accused of being a musician.”
01.) Austin FM Theme * Paco Jones * Austin FM Theme * Self-Released (2016)
02.) Search & Destroy * The Stooges * Raw Power * Columbia Records (1973)
03.) Interview Part I * Mustin Douch * 16 June 2017 * Mid-Valley Mutations (2017)
Part II: “I don’t play any real instruments.”
04.) Interview Part II * Mustin Douch * 16 June 2017 * Mid-Valley Mutations (2017)
05.) In Your Body, A Riot * Summer Eyes * Raise The Alarm EP * Bandcamp.com (2017)
06.) Interview Part III * Mustin Douch * 16 June 2017 * Mid-Valley Mutations (2017)
07.) Alcoholics Anonymous * Child PM * Alcoholics Anonymous * Self-Released (2017)
Part III: “Just looking off into the distance sometimes and just thinking.”
08.) Interview Part IV * Mustin Douch * 16 June 2017 * Mid-Valley Mutations (2017)
Part IV: The Local Weather
09.) Kid Cops * Americas * Hard Data * Bandcamp.com (2014)
HOUR 2
Part V: “How do other people cope with life?”
10.) Interview Part V * Mustin Douch * 16 June 2017 * Mid-Valley Mutations (2017)
11.) Pleasure * The Other Band On Earth * OIM: Vol. II Compilation * OIM Records (2016)
12.) System * Bullets Or Balloons * Binary Minds * Bandcamp.com (2017)
13.) Dog Cookie Sandwich * Bullets Or Balloons * Binary Minds * Bandcamp.com (2017)
14.) Billy Boy * Bullets Or Balloons * Binary Minds * Bandcamp.com (2017)
Part VI: “This cool thing just started happening.”
15.) Interview Part VI * Mustin Douch * 16 June 2017 * Mid-Valley Mutations (2017)
16.) Gentlemen’s Lament * Thinking Fellers Union Local 282 * Mother of All Saints * Matador Records (1992)
In this episode I decided to break format slightly, and feature a band that is only somewhat experimental, if only in attitude and approach. Bitches In The Beehive are a folk / pop combo that veers into psychedelic from time to time, and jumped at the chance to perform two sets of live music for our Summer Pledge Drive show. While this isn’t a strictly “experimental” show, don’t let that fool you.
The Bitches get down and dirty, kicking out the jams and getting pretty weird, too, all in the name of helping us raise money for KMUZ.
While Mid-Valley Mutations is (and will always be) built on a foundation of experimentalism, for the Summer Pledge Drive, I wanted to meet the usual KMUZ audiences half-way, while still maintaining the weird roots that my listeners have come to enjoy. That is why this episode begins with the live music of this group, segues into an interview at the beginning of Hour 2, and then gets downright strange at the very end, as MKUltramegaphone bust out and over-the-phonelines jam the likes of which you probably have never heard. It’s an action-packed show and we are very excited to bring it to you.
Radio means quite a bit to me, and when we have these fundraisers it is really hard to imagine what it must sound like to the listeners at home. I know that when I was younger, Pledge Drive shows could be a bit hard to listen to. So, for everyone that donates, I am putting my money where my mouth is. If you make a donation to KMUZ, I will give you a record from my personal collection, as a thank you for your continued support of experimental radio in the Salem Area. This should could not – and would not – exist if KMUZ wasn’t dedicated to making community radio, and for that, I urge you to help support them.
Thanks again for making this show what it is, and for being as dedicated to music and media that makes quite a few people very, very happy.
Enjoy!
Spinitron Playlist
Pledge Drive Special: Bitches In The Beehive, LIVE!
HOUR 1
Part I: It’s Our Pledge Drive Special!
01.) Austin FM Theme * Paco Jones * Austin FM Theme * Self-Released (2016)
Part II: Gettin’ Riled Up
02.) Live Set 1 * Bitches In The Beehive * 20 May 2017 * Mid-Valley Mutations (2017)
Part III: A Pledge Drive Reminder
03.) Austin’s Spiel
Part IV: Busy
04.) Live Set 2 * Bitches In The Beehive * 20 May 2017 * Mid-Valley Mutations (2017)
HOUR 2
Part V: Lemony
05.) Live Set 2 (Continue) * Bitches In The Beehive * 20 May 2017 * Mid-Valley Mutations (2017)
Part VI: Get To Know The Bitches
06.) Interview * Bitches In The Beehive * 20 May 2017 * Mid-Valley Mutations (2017)
Part VII: Phone Phreaks
07.) What’s The Password? * MKUltramegaphone * 9 June 2017 * Mid-Valley Mutations (2017)
(As per the request of the band, their name has been changed to “The Unraveling of Mrs. Potts.”)
Free improvisation is difficult by nature, and the practitioners of this kind of music often realize that it has to become a lifestyle before it can really become great music.
Fortunately, there is a thriving and incredible free-improv scene in Oregon right now, with a number of great collectives and groups forming to produce some incredible sounds. And, as I’m sure you could guess, this is perfect for Mid-Valley Mutations, because I get a chance to introduce listeners to groups like The Unraveling of Mrs. Potts.
Consisting of new and older members of the local scene, this group is working hard to continue to lessons learned from free-improv of the past, while incorporating elements of electronic noise and rock music gracenotes to incorporate some of the interesting musical developments of the last couple decades. But at the heart of this kind of music is jazz, a
kind that is focused on musical exploration and experimentation that speaks to the center of what our show is all about. Currently, there isn’t much outside of the few tracks on their Soundcloud Page, and I would keep a link to their WordPress Page, too, for news. But all of that speaks more to the live experience of Toadstool than anything else. When you are in the room with these gents, there is an electricity to the performance that is both breathtaking and exquisite. And, lucky for you, it’s all here on our program this week.
In this episode, join us for two live sets, and an interview. And, to cap things off, we present another installment of Dimestore Radio Theater, this week with Yours Truly, Johnny Dollar. It’s all part of the way we like to kick-start the weekend.
We also mention the Pledge Drive, which begins 3 June and runs through 9 June. For the drive, I’m offering a record from my personal collection as a gift to everyone who donates to KMUZ. Get a cool record and keep the station on the air! And, let people like Toadstool have a place for them on local radio.
01.) Austin FM Theme * Paco Jones * Austin FM Theme * Self-Released (2016)
02.) Baby Suzy Sez What? * The Unraveling of Mrs. Potts. * Mosh Pit Economics * Soundcloud.com (2017)
Part II: Blossoming
03.) Blossom * The Unraveling of Mrs. Potts * Mosh Pit Economics * Soundcloud.com (2017)
04.) Live Set 1 * The Unraveling of Mrs. Potts * 2 June 2017 * Mid-Valley Mutations (2017)
Part III: Medicine Men
05.) Medicine Man * The Unraveling of Mrs. Potts * Mosh Pit Economics * Soundcloud.com (2017)
06.) Interview * The Unraveling of Mrs. Potts * 2 June 2017 * Mid-Valley Mutations (2017)
HOUR 2
Part IV: Again
07.) Live Set 2 * The Unraveling of Mrs. Potts * 2 June 2017 * Mid-Valley Mutations (2017)
08.) Awakening * The Unraveling of Mrs. Potts * Mosh Pit Economics * Soundcloud.com (2017)
Part V: Dimestore Radio Theater
09.) The Case of the $100,000 Legs * Yours Truly, Johnny Dollar * 14 April 1949 * NBC (1949)
Salem is no stranger to metal, or even stoner rock, but Beef Kitchen is something truly special: a very weird combo, comprised of long-time musicians who have come to perfect their own tonal language, who free-form their way through blissed out atmospheres combined with slabs of riffage, indecipherable lyrics, metronomic drums, and an attitude toward improvisation and ebbing with the flow that you don’t often see in a group that identifies as “loud.” The fact that these guys just do not give a fuck, and want to play music they love as often a possible, is also a testament to the Salem-ness of this combo. Nothing is gonna get this cattle to change it’s hooves, and you wouldn’t want to, anyway. Beef Kitchen is perfect just the way they are, and I think you’ll realize that when you listen to what they coo
ked up for this performance.
Join us for a two hour presentation where we get to hear two live sets by local rockers Beef Kitchen, and wonderful interview placing their group in the context of the historic Salem music scene, and get a taste of what it’s like on their side of the butcher’s table. This might be a little different than the usual format, but listeners to this show know of my love of loud rock music, but also of the weirder permutations of that variety. This might not be the usual kinds of oddness that you are accustomed to tuning in for, but I think that you’ll find experi-metal to be just as satisfying as anything electronic that you might happen to enjoy.
And, if you want a little text with your radio, here’s the story I wrote about them for the Salem Weekly, regarding their debut release. And, as if that weren’t enough, we also include another installment of Dimestore Radio Theater, to close out the show. It’s a mega-sized episode and it is ready for you.
This also marks the one-year anniversary of this program on KMUZ. While we didn’t really get into that much on the show, I want to thank KMUZ for letting Mid-Valley Mutations grow and develop into the thing that now lumbers onto the air at 10 PM on a Friday night. While this is only the most recent chapter in my radio story, the people at KMUZ have never interfered with the show, never asked me to change anything, and have supported me in making a show that I believe in. That’s really important in the world of radio, and is something to be nurtured and treasured in the changing media landscape. Thank you, KMUZ, for making Mid-Valley Mutations possible, and for making radio in the mid-valley sound so much better.
Now, enter the Beef Kitchen.
And: Enjoy.
Spinitron Playlist
Beef Kitchen, LIVE! (TBD)
HOUR 1
Part I: Undertaking
01.) Austin FM Theme * Paco Jones * Austin FM Theme * Self-Released (2016)
02.) untitled [Track 4] * Хапчык * Хапчык * Self-Relased (2017)
03.) Undertaking * The Giant Worm * Specimen 15 April 2017 * unreleased (2017)
There are some people who know from an early age that they are musicians for life. Early exposure to guitar, listening to the radio, or just getting the right inspiration at the right time can absolutely send you down one path over another. Once you have that inspiration, you’ll play music in your hometown for the rest of your life.
Semi-Colin – currently playing in /root_DIR, a two piece hardcore group from Eugene – has reached that 20 year mark where, if he was likely to give up playing guitar, it would have been long, long ago. In that time he’s played in a grip of local bands, recorded others, hosted a radio program for a spell, and even has a hip-hop and experimental record under his belt. As much a sound sculptor as he is a musician, Semi-Colin has made a comfortable place for himself in the world of music, and for two hours, we get to hear his musical selections and his story, plus a cross section of the music he’s written in that time.
I’ve known Colin since I was a teenager myself, and the band we once shared was on one of the many stops along the way that was a part of his musical career. In this show, we review his career, his interest in music, and play unreleased selections of music he’s recorded over the years. (We also talk a lot about mix-tapes.) These kinds of shows are great, because we get to kick back and enjoy ourselves. The music and interview are just icing on the cake.
Enjoy.
Spinitron Playlist
The Semi-Colin Interview
Topics Include: Mix Tapes, The Secret Light, getting a guitar, Cathead, Angry Foreign Roommate, Chris Castles, Catatonic Studios, recording, /root_DIR history, the writing process, being in a band and playing shows, creativity, lyrics, inside jokes, The Dickies, a curiosity about music, the money problem & DIY ethos, grunge, the impact of The Grateful Dead on Eugene punk rock, & The Icky’s Teahouse Online Music Library.
HOUR 1
Part I: Hit It
01.) Austin FM Theme * Paco Jones * Austin FM Theme * Self-Released (2016)
02.) Fat Boys Drop * Delusions of Parasitosis * Hit It / Fat Boys Drop * Previously Unreleased (1994)
03.) Interview Part 1 * Semi-Colin * 19 May 2017 * Mid-Valley Mutations (2017)
Part II: Fibber McGee
04.) Fibber McGee * Delusions of Parasitosis * A Tape I Call “Home” * Previously Unreleased (1998)
05.) Fibber Rap? * Angry Foreign Roommate * Fibber McGee * Previously Unreleased (2004)
06.) Interview Part 2 * Semi-Colin * 19 May 2017 * Mid-Valley Mutations (2017)
07.) Pop Song? * Angry Foreign Roommate * Fibber McGee * Previously Unreleased (2005)
08.) They’re Coming To Take Me Away, Ha Ha (Remix) * Delusions of Parasitosis * They’re Coming To Take Me Away, Ha Ha (Remix) * Previously Unreleased (1994)
09.) Touching Cloth * Delusions of Parasitosis * Touching Cloth * Previously Unreleased (2006)
Part III: So I Says To Bill, I Says…
10.) Burning Purpose * Delusions of Parasitosis * A Tape I Call “Home” * Previously Unreleased (1998)
11.) Interview Part 3 * Semi-Colin * 19 May 2017 * Mid-Valley Mutations (2017)
12.) So I Says To Bill, I Says… * /root_DIR * So I Says To Bill, I Says… * Previously Unreleased (2007)
13.) Interview Part 4 * Semi-Colin * 19 May 2017 * Mid-Valley Mutations (2017)
14.) A Short Intermission * Delusions of Parasitosis * A Short Intermission * Previously Unreleased (1994)
HOUR 2
Part IV: Thus Spoke The King
15.) Interview Part 5 * Semi-Colin * 19 May 2017 * Mid-Valley Mutations (2017)
16.) The Jerry Bruckheimer Song * Delusions of Parasitosis *The Jerry Bruckheimer Song * Previously Unreleased (2010)
17.) Interview Part 6 * Semi-Colin * 19 May 2017 * Mid-Valley Mutations (2017)
18.) Chorus * Delusions of Parasitosis * A Tape I Call “Home” * Previously Unreleased (1998)
19.) Interview Part 7 * Semi-Colin * 19 May 2017 * Mid-Valley Mutations (2017)
20.) Soul Detective * The Giant Worm * 15 April 2017 * Previously Unreleased (2017)
Part VI: Semi-DJ II
21.) Interview Part 8 * Semi-Colin * 19 May 2017 * Mid-Valley Mutations (2017)
22.) ?? * Rad * ?? * ?? (????)
23.) ?? * Jedi Scum * ?? * ?? (????)
24.) 9/11 Is A Joke (Remix) * Delusions of Parasitosis w/ Austin Rich * 9/11 Is A Joke (Remix) * Previously Unreleased (2017)
Part VII: They’re Coming To Take Me Away, Ha Ha.
25.) Interview Part 9 * Semi-Colin * 19 May 2017 * Mid-Valley Mutations (2017)
26.) They’re Coming To Take Me Away, Ha Ha (Remix) Part II * Delusions of Parasitosis * They’re Coming To Take Me Away, Ha Ha (Remix) Part II * Previously Unreleased (1994)
27.) Fat Boys Drop II * Delusions of Parasitosis * Fat Boys Drop II * Previously Unreleased (1994)
28.) A Song * Delusions of Parasitosis * A Tape I Call “Home” * Previously Unreleased (1998)
The earliest days of my radio career were always fly by the cliche of my etc., and even when I brought in records and music to play, I never had a plan. That sort of defeated the whole purpose. So much of my first 20 years of radio was realizing the connection between preparation and final product. While I was (and still am) not interested in sounding like “professional radio,” I have developed a tone that involves going in knowing more than I need to about the impending show. So when I had to make a last-minute change to the schedule, and this evening opened up, I had a flash of those early days, going in without a net, not exactly sure what to expect.
The results – available in the show you are hearing now – are surprising, certainly, as something that involved a number of unusual elements that made it a ways off the map further than we normally go. Suffice it to say, we managed to wrangle Uneasy Chairs into jamming with MKUltramegaphone on a brand new, un-rehearsed piece, where I selected and edited my sample far too quickly, and to top it off, completely re-designed my audio set-up just before show-time. It was a sort of madness I should never have entertained, and yet, it all worked in the end.
While we did play one, pre-recorded track on this show – the Хапчык track we opened with – this episode is entirely live, in a way that goes beyond how we normally define that. I like that about our show. Someone asked me recently about getting licensing for all the music we play on the show. I could tell they don’t really listen; we have so little pre-recorded music on the show, and when we do, it has almost never been released on a label, and when it is, it sort of sticks out. (I was recently contacted by an artist that was astonished to find that I was playing their stuff, happy to know it was still in circulation even thought it was from the 60’s.) I think the way we think about music is changing dramatically, and during the interview portion of the show, we talk about these changes, and our desires and goals in making art.
I really like this one, and I think you’ll enjoy it too. Largely because we really get out there, in the best possible way.
Time Codes Worth Noting: 0:09:08: Live Music / Soundcheck Begins w/ MKUltramegaphone 0:24:39: Set One Begins. 0:46.53: Uneasy Chairs Joins. 0:57:33: Interview Starts. 1:26.42: Set Two Begins
The Man In The Moon
HOUR 1
Part I: Sound Check
01.) Austin FM Theme * Paco Jones * Austin FM Theme * Self-Released (2016)
02.) 7:12 * Хапчык * Хапчык * Self-Released (2017)
03.) Attention! (Soundcheck) * MKUltramegaphone * 12 May 2017 * Mid-Valley Mutations (2017)
Part II: The Man In The Moon Part I
04.) Live * MKUltramegaphone w/ Uneasy Chairs * 12 May 2017 * Mid-Valley Mutations (2017)
It is the sad reality of geography and time that prevents us from knowing more about the local scenes that exist everywhere else. While we get to know the stars and players in all of our local scenes, there are people everywhere that are working hard to create incredible art and music, and because we cannot go to a bar in my town and see them play, I almost never hear about them. Right now, there are so many places that have vibrant scenes I will never get to know. And, occasionally, a few that I do get to know, eventually.
I met Steven – and got to know his work – entirely through the Inter-Web-A-Tron, and when I realized he didn’t live near me, I became fascinated with this scene that he was a part of, so far down south. It wasn’t much later that Signifying Something launched, and as kindred spirits charting parallel paths, I had to talk to this guy about his show, what he does, and how he approaches art. It only made sense, and as we made the arrangements and more shows dropped, it was clear that this was someone I needed to chat with.
In this episode, we discuss art, making music, the challenges, the podcast, and a whole bunch of stuff in-between, with samples of his work from over the years. Then, sit back, as we have an impromptu MKUltramegaphone performance, where we improvise behind the conversation, and then jam out at the end of the show. It’s a pretty sweet broadcast, very casual, and just the way I like it.
01.) Austin FM Theme * Paco Jones * Austin FM Theme * Self-Released (2016)
02.) Shell * Steve Flato * Sustain * Self-Released (2016)
03.) All The Worries * Steve Flato * Tectorum Tapes Vol. Two * Tectorum Tapes (2016)
Part II: In Conversation
04.) Interview Part 1 * Steve Flato * 5 May 2017 * Mid-Valley Mutations (2017)
Part III: Of Conversation
05.) untitled [fragments01] 050217 * Steve Flato * 2 May 2017 * Previously Unreleased (2017)
06.) Interview Part 2 * Steve Flato * 5 May 2017 * Mid-Valley Mutations (2017)
HOUR 2
Part IV: For Conversation
14.) Nothing Variations * Sin-Wat * [as-yet-unreleased album] * Lurker Bias (2017)
15.) Interview Part 3 * Steve Flato * 5 May 2017 * Mid-Valley Mutations (2017)
Part IV: Leave The Tape Running
16.) Live Jam * MKUltramegaphone * 5 May 2017 * Mid-Valley Mutations (2017)
Between last week’s incredible show featuring Vortex Remover, and the punk rock blast we got from Just Kitten tonight, The Meaning of Life party promises to be pretty fuckin’ dope this weekend. Eight bands, two venues, and 42 years, all brought together to enjoy good music. If you’re not doing anything, come out and enjoy the show.
Because at The Fifty, Just Kitten will be debuting in front of audiences. And on this show, you can preview all their songs, and get a taste for what they’re all about. I’ve done this a few times over the years, and there is something very special about a band at the first stages of their work. It is never polished, it is never how the band turns out in the end, but there is an energy and a momentum to the earliest phases of a band that I find incredibly compelling, and for that, Just Kitten delivers in spades.
Half Interweb Joke, and deadly serious the rest of the time, this is down home, queer cat punk rock the way it was meant to be. So often the airwaves have a straight (male) perspective, and even if it is just to have fun and make a lot of noise, I find that it is endlessly more entertaining to present that other perspective, and get to know what these kittens are all about. The line-up this weekend is crazy, and throughout the show I pepper the presentation with the other acts on the bill. And they, podcast listeners get a bonus track: MKUltramegaphone, performing live in Portland in March. They’re closing out the show on Sunday, and bringing this party weekend to and end. Seems fitting we should end the podcast this way, too.
This show was a lot of fun, and really, you’ve gotten hear it to believe it. And in that regard, you are lucky.
01.) Austin FM Theme * Paco Jones * Austin FM Theme * Self-Released (2016)
02.) Performance [Excerpts] * Trés Gone * 16 March 2013 * What’s This Called? (2013)
03.) House * The Long Division Trio * House * Self-Released (????)
Part II: The Taylor Household File Structure
05.) SOPA (I Am Undecided) * /root_DIR * EP * Self-Released (2013)
06.) Space Unicorn * Gordon Taylor * E.P. * Self-Released (2013)
Part III: Queer Cat Punk
08.) LIVE PERFORMANCE * Just Kitten * 28 April 2017 * Mid-Valley Mutations (2017)
Part IV: A Talking Cat?
14.) evil lab ambience * Leigh Stevens * evil lab ambience * Self-Released (????)
15.) Live Interview * Just Kitten * 28 April 2017 * Mid-Valley Mutations (2017)
Part IV: JKDJ.
16.) Cheese Farm (Radio Edit) MARC & The Horsejerks * Cheese Farm * Bandcamp.com (2014)
17.) Jazz Crimes * The Last Artful, Dodgr & Neill Von Tally * Bone Music * Bandcamp.com (2017)
18.) Dramamine * Modest Mouse * This Is a Long Drive for Someone with Nothing to Think About * Up Records (1996)
19.) The World Political * C.P. * The Beatles * Deathbomb Arc Records (2004)
20.) Codine Eyes * Dreamcrusher * Quid Pro Quo EP * Bandcamp.com (2016)
21.) With Shotguns * Songs For Moms * I Used To Believe In The West * Bandcamp.com (2009)
22.) I Wish I Was Him * Noise Addict * The Taste In My Eyes * Fellaheen Records (1993)
23.) Hardly Wait * PJ Harvey * 4-Track Demos * Island Records (1993)
24.) Sin Guía, No * Juana Molina * Wed 21 * Sony Music (2013)
Among the many reasons that I have become a huge supporter of these home-town heroes is that they have songs about tea. (And, as rumor would have it, a forthcoming release that will feature a number of songs about tea in various ways.) So any chance I get to put the kettle on for these gents just feels right. There is a certain amount of Douglas Adams in me that constantly feels like I’m wandering around in my dressing gown trying to find a creature comfort that just doesn’t exist in this universe, and when you meet people like Vortex Remover, you have to respond with healthy enthusiasm, because you get the impression that they feel that way, too.
In some ways, this might veer a little off the “experimental” path, so for those of you who are already loosing interest because they don’t make harsh noise or drones, fear not. While some elements of what they do might veer into the world of rock music, their is a strangeness to the instrumentation, the songwriting… Vortex Remover is probably more experimental than some of the noise guys I’ve worked with just in terms of their lo-fi, stripped-down, anything-goes approach, and they are painfully DIY, given that they build their own gear, do all their own recording, and create some of the most compelling sounds I’ve heard out of a drum stick and mini-amp. Vortex Remover might have a little more “pop” and “rock” in their tunes than a lot of the stuff I play usually does, but that doesn’t mean that they aren’t one of the weirdest things you’ll ever hear, and you’ll get what I mean when you start to hear them play.
What follows is a casual, technical-difficulty-laden, but otherwise very fun evening with a pair who have such a specific vision for the music they make that words truly fail to describe them, and if that sounds exciting to you, then you’ll get why I’m such a fan. While they are of few words when it comes to the interview portion of this program, they more than deliver in terms of excellent live music, which just gets better as the show goes on. (And, if you would like a little more conversation, might I recommend the recent interview that Julie and I did with them on our podcast.) Couple that with a short DJ set of their favorite tunes, and another installment of Dimestore Radio Theater, and this is a practically a super-sized broadcast.
Here’s to ridding your own house of any unneeded vortexes that may be in your home. These guys are pros.
In 2015 Bob and I played a show together at Mothership Music (as part of the group I sometimes perform with, Dead Air Fresheners). The show was incredible, but what stood out for me what how I managed to get his songs stuck in my head from that night. Where so many experimental acts do everything to resist certain kinds of musicality, Bob managed to synthesize heartfelt, earnest performances with extremely experimental performance and structural techniques, and emphasized improvisation over other skill and attributes.
And yet, stumbling out of this music store that night, I was humming Bob’s tunes. He was clearly surrounded by friends and fans at that show, but from that moment on, I was one of them.
Bob’s record label, Personal Archives, has been a supporter of this program since the beginning, and this isn’t the first time he’s graced our airwaves. (We did a ton of tour support for him in 2016, which culminated in a phone interview in October.) What I’ve really enjoyed about getting to know Bob is that he is as much musician as he is philosopher, and he manages to give me both those and more facets of his incredible personality, all in this live radio event.
This one sort of speaks for itself: two friends, hanging out, with music in their hearts. I have a feeling you’re gonna like this one.
Part I: “Between Personal Ineptness and the adage ‘Never Meet Your Heroes.'”
01.) Austin FM Theme * Paco Jones * Austin FM Theme * Self-Released (2016)
02.) When In Home Do As The Homans Do * Conformity Contortion Perception Management * Personal Archives (2017)
03.) Live Performance * Bob Bucko Jr. * 3 April 2015 At Mothership Music * Unreleased (2015)
Part II: Heart
04.) Performance 1 * Bob Bucko Jr. * LIVE 14 April 2017 * Mid-Valley Mutations (2017)
Part III: Head
05.) Interview * Bob Bucko Jr. * LIVE 14 April 2017 * Mid-Valley Mutations (2017)
06.) Live Performance * Bob Bucko Jr. * 4 April 2015 on What’s This Called? * What’s This Called? (2015)
07.) Live Performance * Bob Bucko Jr. * 25 June 2011 at Unforgivable Records * Unreleased (2011)
Part IV: Soul
08.) Performance 2 * Bob Bucko Jr. * LIVE 14 April 2017 * Mid-Valley Mutations (2017)
09.) Torture Mocks Once At Every Man’s Boredom * Conformity Contortion Perception Management * Personal Archives (2017)
Part V: One More
10.) Performance 2 * Bob Bucko Jr. * LIVE 14 April 2017 * Mid-Valley Mutations (2017)
11.) Shed No Tears * Bob Bucko Jr. * 2017 Spring Tour * Personal Archives (2017)
Part VI: Dimestore Radio Theater Presents
12.) The Little Man Who Wasn’t All There * Yours Truly, Johnny Dollar * 29 October 1949 * CBS Radio (1949)
When I first saw a post on MyFacester+ Twinstablr, I wasn’t sure if it was real or not. “Corvallis Experiments In Noise.” While I knew that there were other undiscovered music scenes throughout every state, there was something about it that seems far to up my alley – and far too aligned with the kinds of stuff I’m already working on – that it seemed like a no-brainer to try and set something up. Immediately, I was greeted by Chris, performer in plenty of groups and the mastermind behind the monthly shows they’ve been putting on for years now.
When I suggested that he should bring in a few acts to play on the show, he hand-picked six groups that he felt would work well in a radio environment. I was floored; I went from not knowing anything about what they were doing out there, to having their scene intersecting with my own. It was a perfect match, in the time since I booked this radio gig and today’s date, we’ve already collaborated twice other live events (both in Corvallis and Salem). It seemed, as excited as I was to find Chris, he was also stoked to find Mid-Valley Mutations; he’s been trying to find connections in Salem ever since he started booking shows. We were meant for each other.
What follows are six live performances by regular participants in the Corvallis Noise scene, plus a live jam for the podcast-only listeners with MKUltramegaphone and all six of these artists.
01.) Austin FM Theme * Paco Jones * Austin FM Theme * Self-Released (2016)
02.) Live Performance * My Burning Bush * 25 March 2017 Interzone Cafe * Unreleased (2017)
Part II: w/o-org
03.) LIVE * No-Method * 7 April 2017 * Mid-Valley Mutations (2017)
04.) Live Performance * Remy Gnoll * 11 November 2016 The Space Concert Club * Unreleased (2016) Part III: Centerfold
05.) LIVE * Playboy Smooth * 7 April 2017 * Mid-Valley Mutations (2017)
06.) Live Performance * Dingo * 26 March 2017 The Space Concert Club * Unreleased (2017)
Part IV: Building Inlets
07.) LIVE * Coach Waters * 7 April 2017 * Mid-Valley Mutations (2017)
08.) Live Performance * Structures * 11 March 2017 Funagain Games * Unreleased (2017)
Part V: Conversational Free-For-All
09.) Interview * Corvallis Experiments In Noise * 7 April 2017 * Mid-Valley Mutations (2017)
10.) LIVE * devilsclub * 7 April 2017 * Mid-Valley Mutations (2017)
Part VI: Clean-Up On Aisle Language
11.) LIVE * Project Aisle * 7 April 2017 * Mid-Valley Mutations (2017)
12.) Live Performance * Driftwood Orchestra * 25 February 2017 Teatro de la Psychomachia * Unreleased (2017)
Part VII: Planer or Tufnel?
12.) LIVE * Nigel * 7 April 2017 * Mid-Valley Mutations (2017)
13.) Live Performance * Hobby Knife * 11 March 2017 Funagain Games * Unreleased (2017)
Part VIII: Evolution
13.) LIVE * Chemotroph * 7 April 2017 * Mid-Valley Mutations (2017)
14.) Live Performance * Juice Machine * 11 March 2017 Funagain Games * Unreleased (2017)
I’ve said it before and I’ll say it again: there is something very special happening in Eugene. It is probably the six years that I spent there during first tentative journey’s outside the nest, and the people I met while I lived there exposed me to so much stuff that has shaped me in the years since. In particular, the members of Cathead (which I later joined) made a huge impression on me with the music the forced me to see / listen to, and among the many early impressions that were made on me, a Holy Rodent show (in which Don played) exposed me to noise, percussion-heavy experimentation, power tools on stage, and music that has continued to inform me, right up to this very program you are now hearing.
With that in mind, it feels like a big accomplishment to get this 30 year veteran of music into the studio, to show off what he does best. It’s been great to re-connect with Don, not only because he is a lifer in a world that burns out so many artists before they do their best work, but because he is so supportive of acts new and old, trying to help them find a place where it is often hard to fit in. Don’s work is so personal, so far away from many of the usual guidelines that experimental and noise music offers, and creates textures and tones that are brutal, haunting, delicate, and sublime, all things that continue to be an important part of my musical diet.
This show is very casual, and we talk for longer than I’ve ever chewed the ear of a guest. But we get three live sets during this show: two from Don, and one with MKUltramegaphone leading the way. (Four live sets if you count the recording of Don’s performance from 11 March 2017, but, you know.) What comes through in this show is the sense of community; sharing stories about gigs, bands we used to know, and the life of an artist in a world that can often be indifferent – and at times, actively working against you. Don is an overlooked gem in this world, an honest artist with a family and a regular day job, who had been consistently making incredible work for longer than the lifespan of at least 10 indie rock bands combined.
01.) Austin FM Theme * Paco Jones * Austin FM Theme * Self-Released (2016)
02.) Side A * Don Haugen * Bass Bones & Cross Tones * L’eclipse Nue Records (2016)
03.) Live Performance * Don Haugen * Live Performance * Mid-Valley Mutations (2017)
Part II: First
04.) LIVE 1 * Don Haugen * 24 March 2017 * Mid-Valley Mutations (2017)
Part III: Chat
05.) Interview * Don Haugen * 17 March 2017 * Mid-Valley Mutations (2017)
Part IV: Second
06.) LIVE 2 * Don Haugen * 24 March 2017 * Mid-Valley Mutations (2017)
Part V: Third (w/ MKU)
07.) A Dream, A Nightmare * Don Haugen w/ MKUltramegaphone * 24 March 2017 * Mid-Valley Mutations (2017)
It is so easy to get bogged down in the joy and value of nostalgia, and to combat that, I have made an earnest effort to keep the content of this program fairly new, as often as possible. I certainly go on a jag where I play all of my favorite weird old records, but I try to balance it by featuring new music as often as possible the rest of the time. Or, in some cases, live music.
But with Red Panda Death March, we’re taking that as far as we can go. While I’ve known Joe for a few years now, and he has always made what one could call “punk” music, this is a new project, in a new “genre,” and at best, is merely months old. There’s something about the newness of it all that is very appealing; capturing a new project in the incubation period of development is very informative, and with this particular group, I think we have something special.
At two hours, we lay down some serious wall-to-wall music, with two sets by RPDM and a collaboration with MKU in the second hour. And, not much
Enjoy.
Spinitron Playlist
Red Panda Death March, LIVE! (#43)
Part I: Bass Cross Tones
01.) Austin FM Theme * Paco Jones * Austin FM Theme * Self-Released (2016)
02.) Side B * Don Haugen * Bass Bones & Cross Tones * L’eclipse Nue Records (2016)
Part II: You’re Riding On The Internet
03.) The Internet * Red Panda Death March * I Wasn’t At That Meeting * Bandcamp.com (2017)
04.) LIVE * Red Panda Death March * 17 March 2017 * Mid-Valley Mutations (2017)
05.) Sunday Morning Coming Down * Red Panda Death March w/ Austin Rich * I Wasn’t At That Meeting * Bandcamp.com (2017)
Part III: My Gear Runs Flawlessly With No Issues
06.) Interview * Red Panda Death March * 17 March 2017 * Mid-Valley Mutations (2017)
Part IV: Happy St. Patrick’s Day, One And All
07.) LIVE AGAIN * Red Panda Death March * 17 March 2017 * Mid-Valley Mutations (2017)
Part V: Three (3) w/ MKU
08.) My Ignorance Is Just As Good As Your Knowledge * Red Panda Death March w/ MKUltramegaphone * 17 March 2017 * Mid-Valley Mutations (2017)
09.) That’s The Thanks You Get * Red Panda Death March * I Wasn’t At That Meeting * Bandcamp.com (2017)
Breaking format slightly (not much, really), this week we pick the brain of Salem Weekly Musiceditor Julie Eaton, who is a Salem resident, musician, writer, and supporter of the art and culture of this town. While we had been circling around the idea of collaborating on a show together, it was mostly a ploy to get her behind a mic so I could ask her about her connection to the town. It isn’t often that you get to have someone who you can ask about what came before you, and in this case, I get to hear the music, too. This is, obviously, part one of a nearly endless series.
This is pretty much a “locals only” episode, and moreso, less “experimental” than my usual fare. But don’t let that scare you off, or even suggest that this is a “normal” episode. In fact, featuring local music that is not vetted and organized by the mainstream media is an extremely unusual move for radio, and even among community radio stations, the music is often in the classical or bluegrass vein, not too loud, and rarely features garage bands. It’s not that rock and roll is really even that weird in 2017, but there are times when it feels like your artistic voice can be lost in the din of Instagram likes and endless clever web videos. Even presenting this kind of culture as being “on par” with theater is absolutely something our show is all about.
One thing that was great about this show was to see someone haul in so much physical media. Often radio anymore is done on flash drives and through “files,” so when Julie kept handing me actual vinyl and CDs, it was a real joy. (In fact, you can hear our live “cassette mishap,” as we tried to play something that just doesn’t work out.) All part of the live radio experience, and we hope that next time, the tape deck will work.
But, a good chunk of this show is Julie herself, not just with the tunes, but in conversation. It’s her personality, her history, her role in this community, and her sense of humor. It’s all there, and I had a great time unveiling it to radioland.
Here’s to a great slice of the local scene. It’ll be fun to bring you more and more as time goes on.
01.) Austin FM Theme * Paco Jones * Austin FM Theme * Self-Released (2016)
02.) counterpoint meridian * devilsclub * Feeding the Mouth of Madness * Soundcloud.com (2017)
03.) Jerry’s Dad’s Wrong Number Voicemail Message * Vortex Remover * Rawkward Phase * Self-Released (2017)
04.) Nicotine * Kylie Burbank * Demos * Bandcamp.com (2015)
05.) In The Station * Kalaloch * Kalaloch * Self-Released (2012)
06.) Not A Cretin * Grand Head * Grand Head *Gorbie International Records (2016)
Part II: Get To Know Julie Eaton
07.) We Got The Beat (Instrumental) * The Go-Go’s * Beatuty And The Beat * I.R.S. Records (1981)
08.) ghost light communications * devilsclub * Feeding the Mouth of Madness * Soundcloud.com (2017)
Part III: Other Corners Of Salem, Past & Present
09.) The Anchor [Excerpt] * M.A.R.C. & T.A.W.N.Y. * Mirrorism * Karamazov Tapes (2015)
10.) The Burning Machine * The Strawberries * Behind The Looking Glass * Self-Released (2005)
11.) Sketchy * Coronation * “Black Blox” b/w “Sketchy” * Self-Released (2016)
12.) The Vulture * Orchards * Orchards * Orchards Music (2017)
13.) I Keep Pressing the Spacebar but Nothing is Happening * Vortex Remover * Rawkward Phase * Self-Released (2017)
This broadcast was originally on KPSU. When I would cover for What’s This Called? I changed the name of the program to How’s It Named?, and for this episode, Derek came in for a live performance.
For those of you who missed Derek Johnson’s great live performance on KPSU the other day, fear not! The wonder of modern technology has enabled us to capture sound recordings in a digital form, for your consumption. This brand new technology will no doubt revolutionize your life soon enough, but today it has allowed for this marvel to bring the past into the present at any future time of your choosing.
Thanks again to KPSU for letting me host, this, Ricardo Wang for being hard up and needing to make real money that day, and of course, Derek Johnson for rushing into the studio at the last second and still pulling off a great performance.
You could make a case for Uneasy Chairs being a virtual co-host for our program, with the amount of music and collaboration we’ve done since this show got started. The idea of a live show was in the works from the beginning, but it isn’t always easy to coordinate schedules. We all have jobs and lives and it isn’t always easy to jet out of town for a week. But I managed to catch Uneasy Chairs on tour, with a show at The Space, then picking up another Portland gig Saturday Night, booked around an appearance on our program. It was pretty excellent, and we had to take advantage of the opportunity.
In the first hour of our program, catch three distinct sets by Uneasy Chairs, intermixed with a few recordings, interviews, and other free-improvised radio, which includes a jam between The Weather Computer and Uneasy Chairs that is pretty fantastic. I feel like we’ve become good friends through music and art, and it has been incredibly gratifying to not only have him perform on the show, but have such an excellent two days, offering to same a chance to really enjoy some fantastic live music.
And, as they say in the business, THAT’S NOT ALL. Comedian Nathan Pepperoni is on the bill too, not only at The Space, but also on Mid-Valley Mutations. He and his backing band – CEOs Inc. – deliver a very eccentric brand of comedy, and we fill large swaths of the second hour with Nathan’s patented humor that has himself in stitches.
Comedy – even experimental comedy – is not always successful on the radio, but when you play your cards right, something magical happens. Fortunately for the listeners at home, this hour is full of stories, music, and a very different sonic pallet than our first hour. This is not what you expect, in all the ways that phrase can embody, and this is certainly a radio broadcast that you will not forget.
I feel so fortunate that I get to do stuff like this, and when you get shows this good, it really drives the point home. I recommend you kick back with this one, because it will take you places.
05.) Performance 1 * Uneasy Chairs * Mid-Valley Mutations * This Broadcast (2016)
06.) At Freeway Park * Ryosuke Kiyasu / Uneasy Chairs / Wilson Shook / Adam Levitt / Blake DeGraw Chloe Wicks / Jeff Johnson / Garrison Heck / Kalan Sherrard * Recorded live at Freeway Park in Seattle, Washington on August 16th, 2016 * Bandcamp.com (2016)
07.) Interview 2 * Uneasy Chairs * Mid-Valley Mutations * This Broadcast (2016)
08.) Performance 2 * Uneasy Chairs * Mid-Valley Mutations * This Broadcast (2016)
09.) Interview 3 * Uneasy Chairs * Mid-Valley Mutations * This Broadcast (2016)
10.) The End Of The Line Is Also The Beginning Of The Line * Uneasy Chairs * The End Of The Line Is Also The Beginning Of The Line * Bandcamp.com (2016)
11.) Performance 3 * Uneasy Chairs * Mid-Valley Mutations * This Broadcast (2016)
HOUR 2
Nathan Pepperoni & CEOs Incorporated, LIVE!
12.) Performance 1 * Nathan Pepperoni & CEOs Inc. * Mid-Valley Mutations * This Broadcast (2016)
13.) Teatro De La Psychomachia 4/25/14 * Adam Levitt * Live * Bandcamp.com (2015)
14.) Interview * Nathan Pepperoni & CEOs Inc. * Mid-Valley Mutations * This Broadcast (2016)
15.) Performance 2 * Nathan Pepperoni & CEOs Inc. * Mid-Valley Mutations * This Broadcast (2016)
16.) Cafe Racer 12/26/14 * Adam Levitt * Live * Bandcamp.com (2015)
17.) Performance 1 * CEOs Inc. * Mid-Valley Mutations * This Broadcast (2016)
18.) Performance 3 * Nathan Pepperoni & CEOs Inc. * Mid-Valley Mutations * This Broadcast (2016)
19.) Gallery 1412 4/4/15 * Adam Levitt * Live * Bandcamp.com (2015)
20.) What Is Going On Here? * CEOs Inc. * CEOs Inc. * Bandcamp.com (2016)
It is a rare treat to get to work with a band that has been at it for over 30 years, and when it comes to The Giant Worm, even their Junior Member has been in the group for at least five. (The most recent line-up solidified in 2011.) It’s very unfortunately, then, that their reputation is not better in the Northwest. Since the ’80’s, few have followed the group on their musical voyages. Rarely interviewed, largely without a record deal for their entire career, and entirely DIY, it is only with the advent of digital technologies that recordings of the group have become widely available. And a pity, too; Xeres – one of “the new guys” with only 23 years in the band – brought along almost 100 discs of Giant Worm performances, just to give me a peak behind the curtain of the way the group works.
In many ways, a mere hour just doesn’t seem fair.
Suffice it to say, we do the best we can to pry some details from these guys, and play cuts from an album that has not yet come out (Paging Dr. Pavlov, a record that may see release next year… we shall see). But to call this a world premiere show hardly encompasses the scope of what we’re doing.
Even among experimental circles, The Giant Worm find it difficult to make a name for themselves in the scene. The narrative improvisational element is certainly unusual, and while there is humor – and the band themselves are funny guys – this is certainly not a novelty band, by any definition. These tracks tell stories in a burbling, Second City sort of fashion, and you can almost hear Del Close whispering into Pete’s ear as the band performs. But event the label “experimental” was something they bristled at, feeling that they play and enjoy music; nothing more. These distinctions have made it difficult for the group to connect with others, as they lack an easy reference point that they can offer when describing what they do. In many ways, the only way to understand The Giant Worm is to experience them.
And that’s what we try to do, with this show that is over a year in the making. While we didn’t really get a performance out of them, this all grew out of an offer to host them for a live gig at some point, on the radio. The details of which may still sort themselves out. In the meantime, it was incredibly cool of them to make the trip to KMUZ, and hang out of the air with me for the show. The studio can get pretty lonely at night, and these guys have plenty of stories to tell.
This is a Headphone Show. Pick up the beverage of your choice, lean back in your Bean Bag Chair, and let Giant Worm Radio guide you for an hour. Get to know some of the lesser known corners of the musical world.
And, of course: Enjoy!
Giant Worm Radio
Part I: Attack of The Perfect Angel
01.) Austin FM Theme * Paco Jones * Austin FM Theme * Self-Released (2016)
02.) Attack of the Giant Leeches Trailer * Attack of the Giant Leeches * Attack of the Giant Leeches * American International Pictures (1959)
03.) Free Jazz [Excerpts] * The Ornette Coleman Double Quartet * Free Jazz * Atlantic Records (1961)
04.) Old Red * The Giant Worm * Murky Depths * Self-Released (2016)
05.) Perfect Angel * The Giant Worm * Paging Dr. Pavlov * Self-Released (2017)
Part II: Beware The Tiny Hunter
06.) Performance [Excerpts] * Fiasco * 23 September 2016 * Mid-Valley Mutations (2016)
07.) The Truth Is A Tiny Hunter * The Giant Worm * Paging Dr. Pavlov * Self-Released (2017)
Part III: “All You Behavioral Psychologists Out There, Dig This”
08.) Dr. Pavlov * The Giant Worm * Paging Dr. Pavlov * Self-Released (2017)
09.) Isle Eight [Live] * The Giant Worm * Live, 2016 Olympia Experimental Music Festival * Self-Released (2016)
10.) It’s Okay, It’s Time To Go * Evolutionary Jass Band * What’s Lost * Mississippi Records (2007)
I have to say, I’ve been doing Halloween Radio for years now, but these Ghost Stories episodes are some of the most fun things I’ve ever done for any radio program. There was something about the idea of people calling in to talk about their own experiences that I knew would go over well, but I had no idea what it would be like until we were live. In a way, that’s the beauty of radio; you never know, until its happening, what you’re going to get.
However, we starting things off this week on a somber note, even for a Halloween Broadcast, as we must tend the horror business of John Zacherle himself passing from this universe on Thursday Evening. While dying at the age of 98 after a long and incredible career such as his is certainly not a tragedy – and The Cool Ghoul himself would probably make some tasteless jokes about his own passing – it does mark the end of an era, for sure. Zacherle was not only the second ever horror host in the late ’50s (of which you can see some samples over here), but a key figure in Halloween Music, almost creating the genre with his novelty record, “Dinner With Drac.” To kick off the show, I bring you a mini-mutation of my favorite Zacherle tracks. While I don’t usually like to get political on this program, I do urge you to vote Zacherle in the coming election, and remember the Cool Ghoul the way we all should: laughing at a crude monster joke he just made on the spot.
But that’s not all! The meat of this program are a pair of phone calls. One, from our good friend horridus of devilsclub, who calls to offer two true stories of experiences he had that must be heard to be believed. horridus is a good friend of the program, and is always welcome, especially if we get stories like this. I would also urge people to see him perform LIVE, in Salem Oregon at The Space, along with Uneasy Chairs, Remy Gnol, Justin Smith, and Nathan Pepperoni w/ CEOs Incorporated. This is a show like no other, and it would be a bummer to miss it.
Our second call is from James Warren, a regional ghost hunter who has been investigating in the area for three years. James started Oregon Paranormal Pack out of interest in what else is out there, and we barely scratched the surface in terms of what he would have talked about, and other true stories of experiences he’s looked into. You can find out more information, and see videos of their work, over here on their page. When it comes to Ghost Stories, and the unexplained, James came to mind almost immediately, and I was very pleased to get him on the program.
All that, and we touch base with Uneasy Chairs again. What a great way to celebrate the season!
We dropped a wide range of retrocasts and other Holiday Programming all throughout the month of October, and we have one more on Monday Night, proper, before we leave the Spook-tacular Season behind us. If you want to catch up on all the programs this month, this handy link allows you to peruse at your leisure, and find one that is best suited to the party you’re having. I guarantee that all of them will work as the perfect soundtrack to any party you might want to attend.
01.) Austin FM Theme * Paco Jones * Austin FM Theme * Self-Released (2016)
02.) Let It Go To Hell * Uneasy Chairs * EXIT * Bandcamp.com (2016)
Part II: A Tribute To Zacherle, The Cool Ghoul (The People Who Died) (A Mini-Mutation)
03.) Dinner With Drac * John Zacherle * Dinner With Drac * Cameo Records (1958)
04.) Zacherle For President * John Zacherle * Spook Along With Zacherle * Elektra Records (1960)
05.) Happy Halloween * John Zacherle * Scary Tales Featuring John Zacherley * Parkway Records (1962)
Part III: Austin Is Fine
06.) Halloween Sound Collage [Excerpt I] * Arvo Zylo * Halloween Sound Collage * Self-Released (2016)
07.) The Right Shadow * The Giant Worm * 26 June 2015 Olympia Experimental Music Fest, Eagle’s Ballroom * Self-Released (2015)
Part II: horridus of devilsclub
08.) Live At Occult Sciences * devilsclub * 1/3/15 at Josephine, Seattle, WA. * Soundcloud.com (2015)
09.) The horridus Phone Call
Part III: Present At A Hanging
10.) Halloween Ambience (Remix) * Austin Rich * Halloween Ambience (Remix) * Self-Released (2015)
11.) Universal Telephone Ring Sound Effect * Universal Sound Effects Department * Universal Telephone Ring Sound Effect * Universal Studios (1970)
12.) The Weather Computer Phone Call (Again)
13.) Present At A Hanging * Austin Rich * The Ways of Ghosts * WTBC Records (2015)
14.) Halloween Ambience (Remix) * Austin Rich * Halloween Ambience (Remix) * Self-Released (2015)
15.) The James Warren Phone Call
Part IV: This Is Certainly Austin Rich
16.) Ghosts (New York, 1964) [Excerpt] * Albert Ayler * Holy Ghost * Revenant Records (2004)
20.) The Uneasy Chairs Phone Call
21.) To Raise The Dead * Vincent Price * Tales Of Witches, Ghosts And Goblins * Caedmon Records (1972)
22.) The Austin Rich Phone Call?
This week we pull out all the stops for a Halloween broadcast the likes of which you have never heard before! It is one thing to play Halloween Music on the radio, and I’ve been doing that since 2003. But this week I decided that it would make more sense to tell ghost stories, the true essence of Halloween.
Fortunately for me, a number of friends and fans of the show called in to help contribute to the show. Both Ricardo Wang & Uneasy Chairs call in, marking both of their second appearances on the program. (Stay tuned for a live Uneasy Chairs performance on the program on November 11th!) And, Geekly-Update host Jason Ramey calls with a particularly scary story about the very radio station I was broadcasting from! (I hope he’s okay.) The problem is, if the station is haunted, will I even survive the show? There’s only one way to find out…
The centerpiece of this show is an interview with Bob Bucko Jr., not only a friend of the show, but the man behind Personal Archives Records, a label that has been very kind to Mid-Valley Mutations, and kind to music in general. Bob in a wonderful person who makes deeply personal music, and it a sight to see on stage. I met him a while back when we got to play a show together, and I have been a die-hard fan every since. Since I’ve been plugging the tours and playing his records on the show, it made sense to have a chat, and pal around with a guy I haven’t seen in a while. Plus: he has a great ghost story about staying at the Chelsea Hotel!
We had so much fun with this program that we may well do more Ghost stories next week, so stay tuned. In the meantime, what is up with this ghost that keeps popping into the KMUZ studio?
01.) Austin FM Theme * Paco Jones * Austin FM Theme * Self-Released (2016)
02.) Interview [Excerpts] * Bob Bucko Jr. & Ricardo Wang * What’s This Called? * KPSU Radio (4 April 2015)
03.) Excerpt I * Alfred Hitchcock * Ghost Stories For Boys & Girls * Golden Records (1962)
04.) Side A [Excerpt] * Sex Funeral * Eradicator * Personal Archives (2016)
05.) Machine In The Ghost * Thollem * Machine In The Ghost * Personal Archives (2016)
Part II: The Phantom DJ
06.) Halloween Sound Collage [Excerpt I] * Arvo Zylo * Halloween Sound Collage * Self-Released (2016)
07.) The Jason Ramey Phone Call
Part II: The Phantom Roommate
08.) Excerpt II * Alfred Hitchcock * Ghost Stories For Boys & Girls * Golden Records (1962)
09.) Ten [Excerpt I] * Arvo Zylo * Heavenly Sounds in Lo-Fidelity: Arvo Plays Ferrante & Teicher * Personal Archives (2016)
10.) The Ricardo Wang Phone Call
11.) Halloween Sound Collage [Excerpt II] * Arvo Zylo * Halloween Sound Collage * Self-Released (2016)
Part III: The Bob Bucko Jr. Interview
12.) Ten [Excerpt II] * Arvo Zylo * Heavenly Sounds in Lo-Fidelity: Arvo Plays Ferrante & Teicher * Personal Archives (2016)
13.) Excerpt III * Alfred Hitchcock * Ghost Stories For Boys & Girls * Golden Records (1962)
14.) How To See Ghosts (Or Surely Bring Them To You) * Vincent Price * A Hornbook For Witches * Caedmon Records (1976)
15.) Improv [Excerpts] * Bob Bucko Jr. * Crank Spirit * Personal Archives (2015)
16.) The Bob Bucko Jr. Phone Call
19.) The Weather Computer Phone Call
20.) A Wireless Message * Austin Rich * The Ways of Ghosts * WTBC Records (2015)
21.) Excerpt IV * Alfred Hitchcock * Ghost Stories For Boys & Girls * Golden Records (1962)
When you do enough radio, you meet some incredible people who stick with you over the years. I met Monty O’Blivion, Nick Feratu and NickDave when they toured through Closet Radio in 2012. (Those three also play in an incredibly psychobilly group, The Limit Club.) For a long time I thought it was going to be a one-off thing, and this happens a lot in radio. You have a great afternoon, you share some drinks and maybe talk shop, then you’re MyFacester+ or Twinstablr friends for the rest of your lives. I had heard tale of the other group they play in – Manual Sex Drive – and hoped that they would hit the road eventually so I could see Monty’s brainchild. And this time, I also got to meet their other band members, Jhef Zurx & Aaron Hjalmarson.
As it so often happens, time passed. Then I got a ring from Monty: we’re on tour in the Fall, and passing through Salem on a Friday. He asked if I was interested in trying to set something up.
Was I interested?
What we have for you in this episode is a radio free-for-all, two hours long, where you get to experience the glory that is Manual Sex Drive. In this 120 minutes, you get two live sets by the group, get to hear a number of tracks from their forthcoming new record – Music Is Dead – that is not available anywhere by on THIS PROGRAM (and from the band itself) until October 14th, when it finally hits stores. We also chat with the group about making music, touring, and what it is all about.
The after-party, unfortunately, is not included.
Shows like this are always special to me, because getting to spend time with artists is a rare treat. Not only that, but this group of friends are very similar to the kinds of people I spent a lot of time with when I was in bands. Not only that, but any night you get to stay up late and talk about the secret true history of rock and roll, you know you are in for a good time.
This one is raw and un-edited, live and loud, and a good representation of what this band is like.
This is also our Pledge Drive Special, and KMUZ did an incredibly job or raising money to keep community radio on the air. I like to think that I helped in some way, by getting a great band and throwing a good “bash” at the end of the drive. The fact that we blew away our goal and raised over $10,000 is nothing to sneeze at. I like to think that having these guys on the show was definitely a part of it.
01.) Austin FM Theme * Paco Jones * Austin FM Theme * Self-Released (2016)
02.) Seven Figures * Manual Sex Drive * Music Is Dead * Self-Released (2016)
03.) Too Much Hate * Manual Sex Drive * Shindig Shakedown * WTBC Records (2014)
04.) Cutthroat Business * The Limit Club * This Is Cutthroat Business * Phantom Cat Records (2011)
05.) 21 Yr. Blues * Manual Sex Drive * Illumiphobia * Phantom Cat Records (2012)
06.) I’m Generic * Manual Sex Drive * Music Is Dead * Self-Released (2016)
07.) Breath In * Sex Funeral * Your Heaven Sucks * Personal Archives Records (2016)
Part II: Manual Sex Drive, LIVE!
06.) Manual Sex Drive, Live Set 1
07.) Your Heaven Sucks * Sex Funeral * Your Heaven Sucks * Personal Archives Records (2016)
HOUR 2
08.) Manual Sex Drive Interview
09.) Serf Rock * Manual Sex Drive * Music Is Dead * Self-Released (2016)
10.) Manual Sex Drive, Live Set 2
Part III: To Hell With Poverty
11.) To Hell With Poverty * Gang Of Four * Another Day / Another Dollar * Warner Bros. Records (1982)
12.) The Muse Is Dead * Manual Sex Drive * Music Is Dead * Self-Released (2016)
In many ways, DJ Victrola is my radio sister, who was not only my guide when I came to KPSU, but a kindred spirit who was dedicated to music and exploring great stuff as she was dedicated to radio. In fact, she’s made a life out of it, getting started in the late ’70’s in Philadelphia, and chasing that dream across the country to its most recent incarnation, The Guitar Shop, a 20-year odyssey where she has explored virtuoso guitar players and artists what do not get as much radio play as they perhaps once did. She and I both love exploring – on broadcast radio – music that gets shorted in most radio landscapes, and because of that we have become great friends in the last 12 years.
An hour is just too short for hanging out with Victrola, and while I did get a short overview of her career out of her during the interview, this does not even begin to scratch the surface of what an incredible personality she is. (We didn’t even get to her Les Paul story.) But what we do get is a nice selection of some of her favorite music, an interview, and a chance to meet someone who continues to impress me with her dedication to the craft, and her interest in music that, in many ways, is just not “cool” in the here-and-now.
For those of you who enjoy what you are hearing, you should certainly check out her program, which has been around now for over 20 years. Her blog contains almost 10 years of archives, with interviews, live guests, theme shows, and her famous “Christmas In July” programming. You can also follow her on The Social Medias, which I also recommend. So few people are on the air for as long as she has, and the accumulation of that kind of experience is worth tuning in for every week. I mentioned that you should also check out the time that Eric Skye & Tim Connell were on Victrola’s show. If you like what you hear here, I think you’ll like what you hear there.
Now, some of you might be saying that this is a bit off the mark for an “experimental” show when you take a look at the playlist. And I admit, when I said that she and I do a show, I was thinking we’d do a Noise Shop. (She and I are both huge fans of improvisational guitarists and noise artists that use the instrument to incredible effect.) But as we discuss on the show, the music she loves is often relegated to similar areas of the musical spectrum as experimental music, and there’s much cross-over between the music we both love. Experimental radio is about presenting things that you cannot hear elsewhere, and if that is the case, then Victrola and are I doing basically the same thing.
01.) Austin FM Theme * Paco Jones * Austin FM Theme * Self-Released (2016)
02.) In The Wake of Poseidon (Instrumental Edit) * King Crimson * The 21st Century Guide to King Crimson, Vol. 1: In The Studio 1969-1971 * Discipline Global Mobile (2004)
03.) No Fate * Travis Larson Band * Burn Season * Precision Records (2004)
04.) Walking Blues * Joanna Connor * Fight * Blind Pig Records (1992)
05.) Night of The Living Dregs * The Dixie Dregs * Night of The Living Dregs * Capricorn Records (1979)
Part II: The Interview
06.) Tone of Bark / Water Lilly / Shown of Dark * Sun City Girls * Famous Asthma * Cloaven Cassettes (1987)
Part III: Serendipity
07.) Serendipity * Tal Wilkenfeld * Transformation * Self-Released (2007)
08.) Fearless * Jennifer Batten * Whatever * Lion Music (2008)
09.) Snowflake Reel * Eric Skye & Tim Connell * June Apple * Half-Diminished Records (2016)
10.) Goodbye Pork Pie Hat * Charles Mingus * Mingus Ah Um * Columbia Records (1959)
I’ll say this up front: I’m pre-disposed to enjoy things from Eugene OR, as someone who spent a number of formative years there. There’s something about being 20 in a town where you see your first shows and have your first relationships that really sticks with you, no matter where you go afterward. There’s a fondness that I can’t shake, and when I hear new music and find out the artist is from Eugene, I listen a little closer.
My friends in /root_DIR mentioned that they had toured with Entresol a while back, and after checking out the stuff, I immediately reached out to try and set something up for our show, especially in light of their playing live in Salem on September 21st. Before long we had roped Entrail into hopping onto the gig, and pretty soon this hour of radio had turned into an FM split cassette, complete with phone interviews and everything. It sort of feels like an audio ‘zine, and I’m totally cool with that.
Usually when we have live guests on the show, it is about as live as it can get: the band sets up, we turn on the mics, and music happens on the radio. It’s pretty cool, the next best thing to being there. But in this case, we are using some radio magic to present this show. These sets were recorded last month by Entresol, and the phone calls were recorded a couple weeks ago by me. But you don’t really need to know that to enjoy the show. However, I did have to cut A LOT of material from the broadcast. There’s almost 10 minutes cut from the Entresol Performance, and five minutes cut from Entrail. And both of the interviews were three times longer than what you hear on the show. Don’t worry. That bonus material will surface real soon. I just couldn’t fit everything into an hour. Keep your ears aimed squarely over here, and you’ll find it soon enough.
I would urge you to check out Entresol live here in Salem Oregon on September 21st at The Space, performing with Orchards. It’s rare that cool shows like this happen anywhere, and this one has the MId-Valley Mutations seal of approval. You can also catch Entresol on tour if you live in selected places throughout Oregon & Washington, touring with Dalembert.
There’s some incredible shows coming in the next few weeks, and this is just a taste of things to come. Next week: are you ready, for Fiasco?
01.) Austin FM Theme * Paco Jones * Austin FM Theme * Self-Released (2016)
02.) Olga (The Dog) * Entresol * Then Short Songs About People I Know (EP) * Bandcamp.com (2016)
03.) Live Performance * Entresol * Live Performance * Recorded For This Broadcast (2016)
Part II: Hanging On The Telephone
04.) The Unappreciator (Two Ruminations) * Entresol * Syntaxes/The Unappreciator (EP) * Bandcamp.com (2016)
05.) Phone Call * Entresol & Austin * Phone Call * Recorded For This Broadcast (2016)
06.) machine+beautiful friend+mass [Excerpt I] * Entrail * Ursula * Bandcamp.com (2015)
07.) Phone Call * Entrail & Austin * Phone Call * Recorded For This Broadcast (2016)
Part III: Entrail
08.) Live Performance * Entrail * Live Performance * Recorded For This Broadcast (2016)
09.) machine+beautiful friend+mass [Excerpt II] * Entrail * Ursula * Bandcamp.com (2015)
I’ve known Guyve for almost 10 years now, and this is not the first time we’ve worked together in the interest of radio. On three previous occasions these guys have performed their brand of psychedelic, instrumental experimentation, a quest they’ve been following for over 20 years, as evidenced by the wealth of audio output by these incredible performers.
Guyve got their start in Montana in 1993, but relocated to Portland at some point in the 2000s. I first met them in 2006, when they performed on KPSU‘s “Live Friday” Program, which I hosted at the time. They returned in 2009 to do a sneaky “impromptu” live performance very early in the morning before my show, which I also hosted, and then again in 2013 for the 15th Anniversary “Blas-travaganza” show at the now-defunct East End. Along the way they have not only been supporters of the program, have have often let me feature songs that are in the early stages of being fleshed out, and I even have a nice Test Pressing of their LP that I got to hear well before most everyone else.
I’ve met a lot of people over the almost 20 years I’ve been involved in radio, and often those people are flash-in-the-pan encounters, moments where you bond for one hour, and then they’re gone. But occasionally those people return again and again, and each time the encounter is rewarding in ways you could never have anticipated. Hopefully, this performance and interview will give you a chance to get to know this band the way I have, too.
(I should come clean: the members of Guyve did join me in the studio, where I did attempt to record them for broadcast. However, the recording did not come out. This show captures Guyve in rehearsal, back on 11 July 2016. While Parts of the recording from 15 August 2016 do appear in this episode, one the whole that is a lost performance, and we’re already arranging for a way to make another attempt. To be continued.)
As part of this special presentation, retrocasts from the previous times I’ve worked with Guyve will appear in the podcast feed. These are supplemental works, and well worth your time. They offer a chance to hear Guyve at two key periods: at the beginning of their work on Delaying The Inevitable, and during the end of that period, just before the record was finished. Then again, in 2013, when Justin had joined the band, and they offered a melding of what they were before, and what they would become during the current, improvisational period. If you use all four of these shows, you have a good representation of the last 10 years of the band.
The only other time I’ve interviewed Guyve was in 2006, and that is the source of the alternate interview clips you heard during the program. Justin wasn’t in the group at the time, but many of the comments are the same.
While it’s nice to fool around with pre-records like this, it is also an indication of how important it will be to get them back on the program, even more live than before. But, until then:
Two weeks ago I played an Aldo Calrissian track on the program, and was surprised to find that he was a local artist here in the Salem area. And, tonight, you heard him in the studio, on the show, which just goes to prove how incredible the power of radio can be. I went from having never heard of this artist, to spending over an hour with him on the air.
And what a show! Aldo brought in a bunch of stuff he’s been inspired by and interested in, and during this show, we play his music, his influences, and talk about what it’s like to create art and make music in 2016. Of course, you’ll want to go over to his Bandcamp Page or his Soundcloud Page, were you can hear his music, and find links to his other stuff all over the web. This is a chance for you to hear a local artist talk passionately about the kind of work he does, and this is exactly the kind of show we love to bring you.
It’s always great to make new friends and meet new people, and Mid-Valley Mutations
is really shaping up to be the means through which I get to do this. Case in point: devilsclub, who not only came in to perform live on the show a few weeks back, but returned to offer a nine artist playlist of music you cannot, and will not hear anywhere else.
A show like this can’t be a single hour, so we’ve expanded to two hours this time, to accommodate music by him and his cohorts, but also an interview with our mutual friend Patrick of Uneasy Chairs, who is not only a huge supporter of the show from early on, but is an incredible performer and musician. We talk for a bit about making music, and the challenges of doing in here and now.
While Mid-Valley Mutations strives to feature experimental music of all types and varieties, for this show, it is all about new tunes. The oldest recording in this lineup is from three years ago, and more than half of the rest were all from this very year. It is very easy for me to fall into the same old habit of playing largely stuff from 20 or more years ago, so it was nice to focus on new stuff. And, with all the new artists that are making stuff now, this is certainly a first in a series that we’ll have moving forward. There’s too many New Clichés to explore.
Special thanks to horridus oplopanax of devilsclub for doing all the legwork for this show. He solicited tracks from each of the artists he featured, and accompanying the playlist below are notes, links, and other bits from that correspondence. Thanks again, and I look forward to the next time we can do something like this.
Special thanks again, to Morty, who tagged along on this show, and took a ton of pictures. (No Periscope this week. Sorry.) You rule, dude. Thanks again.
Additionally, more information about Sex Funeral, and their tour dates, can be found here. But in general, I recommend you check out Personal Archives releases. That was really cool of them to send out that package.
01.) Austin FM Theme * Paco Jones * Mid-Valley Mutations * Unreleased (2016)
02.) Beta Tronic * Four Dimensional Nightmare * Beta Tronic * Unreleased (2016)
03.) Atomic Particles * Zealosphere * Atomic Particles * Soundcloud.com (2016) “I, in this track , utilize Doepfer in Eurorack format, sequencer.. is also same brand.” Albums out available from discogs : Dohkonul Records : discogs.com/artist/2926364-Zealosphere
04.) Dry Egg At Room Temperature * Austin Rich * Mid-Valley Mutations * This Broadcast (2016)
05.) Ark * Eryck Abecassis * ILUMEN * Entr’acte E189 (2014)
“Ark is the opening track of the CD Ilumen (entr’acte E189), intrumentation is Modular synthesizer, Sem Oberheim, Sherman filterbank 2, Knas moisterizer spring reverb, recorded in Paris at my studio in 2014.” Label / Records : Entr’acte entracte.co.uk/projects/eryck-abecassis-e189
06.) 100$ Cotton * Entresol * end. (EP) * bandcamp.com (2016)
07.) The Burning * tIB (Therapy Interfering Behaviour) * The Burning * Soundcloud.com (2013) “Various analog modular, buchla, serge, bugbrand, digital synths : many albums available via bandcamp : therapyinterferingbehaviour.bandcamp.com”
08.) Hurt (In Colors) * Austin Rich * Mid-Valley Mutations * This Broadcast (2016)
Part II: Uneasy Chairs calls Mid-Valley Mutations
09.) Alexander Hamilton (Album) * Uneasy Chairs * Alexander Hamilton * bandcamp.com (2015)
10.) Night [Excerpt] * Disparition * FAITE * Bandcamp.com (2015)
11.) I’m From Salem, Oregon * Uneasy Chairs * I’m From Salem, Oregon * Soundcloud.com (2016)
HOUR TWO
Part III: New Clichés 2
12.) Improv II 042514 * Bob Bucko Jr. * Crank Spirit * Personal Archives (2015)
13.) Bioluminesence * Rumblin Cynth Rampo — Gwen * Bioluminescence * Soundcloud.com (2016) “Gwen, Rumblin Cynth Rampo makes her music with both hardware and software synths.”
14.) Reach For The Peach * Austin Rich * Mid-Valley Mutations * This Broadcast (2016)
15.) Au Revoirs Of Blood * Porest * Modern Journal of Popular Savagery * Nashazphone (2016)
16.) Dried Out Part 2 * Chaotic Morphs * Dried Out Part 2 * Soundcloud.com (2016) “Do it yourself, Serge modular, download still available on soundcloud : In New York now on vacation! Welcome Chaotic Morphs !”
17.) I Am Rex * The Giant Worm * Murky Depths * bandcamp.com (2016)
18.) Freedom Hoarders * Thollem McDonas * Machine In The Ghost * Personal Archives
19.) Instant Pot, The Amazing Discovery * Austin Rich * Mid-Valley Mutations * Unreleased (2016)
21.) Come And Get It, A Big Surprise * Austin Rich * Mid-Valley Mutations * This Broadcast (2016)
22.) Severe reorientation * Kentucky Evil * Severe reorientation * Soundcloud.com (2016) “The basis of the track is a poly-metric relationship between the voices and a heavily modulated main voice. So the ‘melody’ or later noisey bit is actually different depths of ring modulation and waveshaping, and the bongos/noise drums shift against each other.”
23.) durban Poison * GUYVE * 7 March 2016 * Unreleased (2016)
24.) Food Title * Zachary Zena Giberson * Part of Growing Up * Self-Released (2017)
“Food Title” is from my debut album, Part of Growing up. Part of Growing Up is meant to simulate the intensely negative, confusing feeling of over stimulation that autistic people like myself experience by just going about our day to day lives. “Food Title” is sort of an inside joke of a name, too, since I have several tracks at this point that are named after foods or drinks I like; Apple Juice, Spiced Apple Cider, Coconut Milk Cream, Peach Ring, and so on.”
25.) Boys * Austin Rich * Mid-Valley Mutations * This Broadcast (2016)
26.) An Icicle Of Violet * Aldo Calrissian * An Icicle Of Violet * Soundcloud.com (2015) “Aldo Calrissian is and experimental artist from Salem, Oregon. Inspired mostly by progressive and avant garde acts, his music is a blend of electronic, hip hop and many other styles, often flowing into each other in a single movement. An Icicle of Violet is a track made entirely from heavily manipulated guitars, vocals and drums, without a single synthesizer despite its thick dreamlike sound.”
27.) 2. BFZ * Fiasco * Blow Fly Zone 2016 * bandcamp.com (2016)
28.) These Two Radios * Austin Rich * Mid-Valley Mutations * This Broadcast (2016)
When I first started making mix tapes, I was always saving songs for an “outer space” tape, that would contain all songs about going into the black. And I started to notice a preponderance of music that contained space references in punk songs, and songs that weren’t just Wipers tunes, either. While I never got around to making the space tape, I did start obsessively collecting music, and making friends with musically obsessed people, and this only let to me finding more cool records to obsess over.
Two such people are Semi-Colin & Capps Lock of /root_DIR. Full disclosure: I was in a band with Colin, and have done other creative projects involving him over the years, and most recently, I designed the cover of their 7″, Grover Grind. But that shouldn’t stop you from enjoying the record, and their particular sense of humor. Colin has introduced me to a number of incredible records over the years, and it is always great to chat with him about his band. You should support them, and pick up a copy of the record. And no, I don’t make any money when you buy it.
Also on the line this week: Chris & Joe of Xiphoid Process, calling in to talk about the fun they’re having in PDX, releasing tapes on They/Them Records, and making music on a shoestring. Full disclosure: I’ve helped them record all the tracks they’ve released so far, but before I started working with them, they already had some sweet tunes in their arsenal.
However, you should keep listening to the whole show, because there will be a plenty of songs about getting to the moon, and what lies ahead for those of us punks who what to take the mosh pit to the Moretus crater.
01.) May 25, 1961 * President Kennedy * Moon Voyage * Sunset Records (1969)
02.) Let’s Go To The Moon * Groovie Ghoulies * Fun In The Dark * Lookout! Records (1999)
03.) Rocket Roll * Zolar-X * Timeless * Alternative Tentacles Records (2004)
04.) Rocketship * Dead Milkmen * Bucky Fellini * Enigma Records (1987)
05.) The Day That Lassie Went To The Moon * Camper Van Beethoven * Telephone Free Landslide Victory * Independent Project Records (1985)
06.) Destination Moon * They Might Be Giants * John Henry * Elektra Records (1994)
07.) Texas Man Abducted By Aliens For Outer Space Joy Ride * Jad Fair & Yo La Tengo * Strange But True * Matador Records (1998)
11.) Chris & Joe of Xiphoid Process call in!
12.) Flagship * Xiphoid Process * +14 * They/Them Records (2016)
Part IV: One Giant Leap For Punk Kind
13.) Moonface * Guyve * Live Straight Outta KPSU 06/27/2009 * Self-Released (2009)
14.) Dogs In Space * Dogs In Space (Michael Hutchence) * Dogs In Space Original Motion Picture Soundtrack * Atlantic Records (1986)
15.) Vote Fraud On The Moon Base * Men’s Recovery Project * Resist The New Way * Vermiform Records (1999)
My vision for Mid-Valley Mutations was to offer a place for experimental music in this community, and with that in mind, I was very excited to be contacted by local artist devilsclub, an electronic experimental outfit that uses home brewed gear to create droney soundscapes and incredibly odd bleeps and bloops.
For this broadcast, we offer a live performance and interview with horridus of devilsclub, where we bring sounds that are being developed here in the mid-valley to you via the airwaves. Have you ever heard something coming from a house as you walked past? Is there a garage nearby where unusual sounds are pulsing and breaking trough our every day life? Chances are, devilsclub is behind that door, pumping out weirdness like this, for you.
This show was a lot of fun. As it happens, horridus and I know some of the same people, and share a lot of the same influences and interests. And, he asked me to make some cut-ups to play along with his performance. I was very excited to be a part of the show, and I think we had some very excellent moments that came through in the performances. It was a pleasure to talk to him, and I have a feeling we’ll be doing more work like this together in the near future.
For this show, there are two live sets, and an interview at the half-way point. Plus a few original tunes, too. It’s just another thing we try to bring you here, on Mid-Valley Mutations.
I remember the day I met Ricardo Wang for the first time: August 2nd, 2005. He had begun to make inroads at KPSU – where I was Program Director at the time – and he was beginning
his training. He sat in with me one afternoon, after having listened to the show for a few weeks, which really impressed me. (Here was someone who actually listened to radio, and appreciated all the weird shit I was playing every week). He brought in and gave me a collection of psychedelic rock songs that were all great and out of this world, a disc that I still have and listen to regularly.
A few weeks later we had him on at 12 Noon on Saturday’s, and What’s This Called?has been on KPSU at that time ever since, where we have worked together producing countless episodes of experimental radio, hosting live music, and talking endlessly about recordings… over and over again.
But this is just the tip of the iceberg. Ricardo has also been involved in organizing the Olympia Experimental Music Festival since it first started, is a mover and shaker in the Portland music scene, and has 30+ years of stories to tell when it comes to living and working in this world.
For today’s mutation, we spend an hour with the elusive and compelling radio personality that is Ricardo Wang, and we get down to what really matters when it comes to art and radio. The world of broadcasting is full of characters that you will not find anywhere else – even at your average radio station – and even among these people, Ricardo is unlike anyone you’ve ever heard before. He is a bit of a character, and if this interview doesn’t paint a picture of him, then I’m not sure what else will.
Also premiering in this broadcast is part of a recording by The Dead Air Fresheners, a track that is from their forthcoming album that is not yet released. We’re very excited to have this as part of the show, along with all the great music in tonight’s show.
Get to know Ricardo, his radio program, and some incredible music, this week on Mid-Valley Mutations.
01.) Electric Cello 2014.3 * Derek M. Johnson * Soundcloud.com
02.) Expialatrocious * Ryan Ray * Recorded Explicitly For This Broadcast
03.) “What’s This Called?” * Ricardo Wang * 22 October 2005 KPSU Broadcast
04.) Laundry Room 2 * Uneasy Chairs * Alexander Hamilton
Part II: Ricardo On The Line
05.) Performance 2 * Fischkopf Sinfoniker * Live on “What’s This Called?” 27 September 2014
06.) Ja-maii-ca Suite [Excerpt] * Miserable Monokeys * Live 7 January 2016
07.) Performance 1 * LA Lungs * Live on “What’s This Called?” 16 September 2006
Part III: World Premiere
08.) Moment * The Giant Worm * Resting on Laurels
09.) Time to Say Goodbye * The Dead Air Fresheners *
10.) Parallel Universe No.3 * Serena Tideman * Live at Café-Club Fais Do-Do – Los Angeles CA – 25 February 2011
Ricardo Wang is so deep in the world of Experimental Music that he majored in it in college. But not merely limited to thinking about it, for over 20 years he has hosted a radio program – What’s This Called? – that focuses on recorded and live performances by artists that you cannot hear on any other radio program, and his career in radio is even longer than that. Add to it that he helped found The Olympia Experimental Music Festival, and has been active in the music scene over the years, he is a key Pacific Northwest figure, and someone with plenty of stories to tell.
Joine us on the 10th of June for a candid conversation, where we talk about radio art, experimental music, family, and the other things that drive us as creative beings in this world. And, when you’re not listening to Mid-Valley Mutations on KMUZ, check out his program – What’s This Called? It is very much the inspiration for this current format, and it is a real treat to have him on our program.
You wanted it, and now you’ve got it. Miss Rikki Lee and I produced another blast of rock and roll know-how in the form of bringing you the furious furor of Estocar! Miss Rikki always has her eye on what’s what, and the pairing of her perspective on music with the fantastic feistiness of this band was a match made in radio. Fortunately, I was tapped to help bring these sounds to the airways, and what happens is two hours of Closet Radio goodness, brought to you by kpsu.org.
Estocar’s new record – Faux Fiction – is the kind of album you play when you want to ignore the fact that fall and winter are here, and instead pretend you’re on a road trip to meet friends and have adventures. They put fury and fun side by side, and pack it into little song forms that are perfect for any afternoon. As you stream this show, you will want to turn it up as you listen along. The link above offers an opportunity to buy the album on bandcamp, but this show offers a good example of what you’ll hear in that album. Either way you win.
Estocar
I wanna thank Miss Rikki for inviting me to do sound for this show, and the guys in Estocar for being really cool, and super friendly. It’s shows like this that remind me of how cool people actually can be. I had a lot of fun, and can’t wait to do it again.
01.) Just Like Honey * The Jesus And Mary Chain * Psychocandy
02.) Emergency Room * The The The Thunder
03.) Live Performance * Estocar * 10 November 2012
04.) I Will Dare * The Replacements
05.) Interview * Estocar * 10 November 2012
06.) Leave Me Alone * Chappaquiddick Sky
07.) Warm Leatherette * The Normal
08.) Years Later * Cactus World News
09.) American Beat * Fleshtones
10.) Baby Ran * 54-40
11.) Attempt To Steal * Night Mechanic
12.) I Am A Fly * Wire
13.) Corner Soul * The Clash
14.) You Must Be A Witch * Lollipop Shoppe
15.) Henry Rollins Don’t Dance * Allo Darlin’
16.) Protect Your Daughters * Sawyer Family
17.) Downtown At Dawn * Richard Hell & The Voidoids
18.) Constant Waiting * Johnny Dowd
19.) Cost of Living * Downliners Sect
20.) I’ve Been Through It Before * The Plagues
21.) Saturday Night * Suede
DJ Victrola covers for What’s This Called?, and hosts two touring artists: Divine Circles and Elisa Faires. I was tapped to run sound and cameras, and Ryan A. Ray also shot film, and directed video of them. It was a pretty memorable day.
As a special bonus treat this week, we bring you an interview conducted by Rick from Pursuing The Trivial, on the subject of myself and Miss Rikki. We discuss our own connection to radio, and a little KPSU history, too. All part of the Amp KPSU Pledge Drive celebrations. This was a lot of fun, and Rick is a wonderful host with a very unique show. Don’t forget to check it out; you won’t be sorry.
Shoegaze Showdown w/ Balms (The gents from Balms drop by for a quick chat as we deliver a slightly more “shoegazey” show that normal. Everyone wins.)
It’s Balms! This San Francisco group is on tour, and I was lucky enough to get them to come into the studio to plug their shows, while checking out their new self released EP. This is the first band I’ve had on the new program, and I was really excited to plug these guys. Fortunately, you get to enjoy the fruits of these labors.
In Part I, I feature selections from the EP, and some of the other bands that were playing with them during their show at The Know and Habesha Lounge. In Part II, not only do we get to meet Balms, but they allowed me to premier a song that has only previously been available from the Bandcamp page. It was a real pleasure to meet these guys, and next time we are absolutely getting them to perform a live set.
And, while we’re at it, here’s a video they made that is fantastic.
In Part III, not only did I replay the Audio Book version of “The Facebook Fiction Initiative” piece, but I address the issue of Underwriting. In order to keep KPSU on the air, there will be a Pledge Drive coming soon, and I want to toy with the idea of getting micropayments from our listeners. This would allow us to avoid having to get a few large donors, and instead collect much smaller payments from a large number of folks. Spare change for radio. For every dollar you put in, you won’t have to put in any more. I’m working out ways that this can work for us, and if you have ideas, I would love to hear them.
Thanks again Balms for coming down to KPSU. They are welcome on our program at any time.
Enjoy!
Shoegaze Showdown w/ Balms
Part I: “Surface To Grave”
01.) Surface * Balms * Balms * Self Released
02.) Lay Your Head Down * Here Come Dots * Dusk * http://herecomedots.bandcamp.com/
03.) At Dagger’s Drawn * Hang The New Year * The Tower * http://hangtheoldyear.bandcamp.com
04.) Grave * Balms * Balms * Self Released
Part II: “All Right”
05.) Pet Sounds * The Beach Boys
06.) Balms Interview
07.) All Right * Balms * Balms * Self Released
Part III: “Underwriting Promises”
08.) The Facebook Fiction Initiative * Austin Rich * acronyminc.blogpress.new
09.) Catastrophic * Beach Party * Beach Party * http://beachpartypdx.bandcamp.com
10.) Another Green World * Brian Eno
Bonus DJ Set
<Secret Hidden Playlist>
11.) While You’re Sleeping, I’m Dreaming * Tamaryn * Tender New Signs
12.) No Medicine For Regret * Mogwai * Rave Tapes
13.) You Are Not A Cat * Dry Cleaners * Lost In The Supermarket * BlasphuphmusRadio.com
14.) Lorelei * Cocteau Twins * Treasure
15.) In Silence * Sean Sandor * Pas Musique / Ben Link Collins / Shaun Sandor Split
16.) Vern’s Answer To The Masses * Unwound * The Future of What * Kill Rock Stars
17.) Here Come The Dogs * Unwound * The Future of What
18.) Monstre Sacre * Stereolab
On the 17th of August I was invited to spend the afternoon with The Thrash-key Kids. I was totally smitten with their music when I saw them at Duckett’s in April, and wrote about it extensively in the ‘zine I just recently put out. They completely embody punk rock in nearly every aspect of their lives and music, and I wanted to get a good, close-up experience of their band.
What I got was an amazing afternoon full of loud music, lots of beer, and great conversations about makes three friends form a band and make and wonderful racket like this. Fortunately for you, this is your chance to relive that afternoon.
Also The Thrash-key Kids
Their music is loud, vulgar, hilarious, chronic-infused, drunk, and spectacular, and you will instantly either love them the way I do, or want to have nothing to do with this kind of noise. And that’s fine. But these guys are my cup of tea, and I get into the details as to why during the interview. I also get to present an unflinching, warts-and-all presentation of what life is like for these gents. They are not presenting anything that isn’t there in the songs they write. They are direct. They are honest. They are critical. They are ridiculous. And they are drunk, all at once. This is the real deal, and I was really happy to be allowed in to see what they are all about.
This show contains their entire live set from that day, and interviews intermixed between the songs. Yes, there is video of this performance. No, I haven’t yet finished editing it. Hopefully we can have this available soon. In the meantime, you should check out their Bandcamp Page: Free Abortionsis now available for a $2.00 download, and The Past Is Beautiful is also avaiable, also for $2.00. You can also bug them in person for physical CDs that they hand-make, which I quite enjoy and make excellent additions to any record collection.
Join me for The Thrash-key Kids, Live from Arugula Acres! This one is pretty magical.
Setlist:
Part I:
01.) Homebrew
02.) Ryan Doss Has A Camera Watch
03.) One Of My Friends Is A Chicken Fucker (Your Girlfriend Sucks Bro)
04.) Shitty Beer Is Like Shitty Pizza: It’s Fuckin’ Awesome
Part II:05.) Juan’s Dad Got Drunk And Pissed In The Fridge
06.) Weed: It’s Just Like Jesus But Better Because It’s Real
07.) Running Water
08.) Fired
Part III:
09:) I Did Drugs Once And They Were White
10.) Seth Putman is Dead And That’s Real Gay
11.) Girls Don’t Poop
12.) Go To Church Because Christianity Is Stupid And So Are You
13.) Boyfriend
14.) Ass & Titties (DJ Assault Cover)
15.) Every Time A Cop Gets Shot A Unicorn Gets It’s Horn
16.) Get Some Real Sock
Part IV:
17.) William Pierce Is Dead, Ha Ha! We Want To Piss On His Grave.
18.) People Didn’t Live With Dinosaurs And They Can’t Live Inside Of Whales
Holy Crap! Gaytheist! And I got to record them! If you don’t already know them, then the metal fan inside of you is frowning furiously, sad that you would deprive him of such excellent music. I’ve been a fan of these guys since my friend, The Judge, took me to see them at Rontoms. They so completely blew me away, that I actually went and saw them again – later that same day! – at The People’s Sandwich Shop. While there are a number of reference points that are completely up my ally, their sound is unique, their style is impeccable, and their songs are miniature metal narratives, complete in the form, and brilliant in their execution.
I’ve been grooving on their new record, Hold Me… But Not So Tight, which comes out on Tuesday, but you can hear them play live selections from it, and a number of their other excellent tunes, in this performance, hosted by Jonathon Boober. As we attempt to recreate the magic we had during our infamous RABBITS show from way-back-when, we also get a chance to hang out with some stand-up gents. If you like what you hear, then you should check out their series of album release shows, starting with a performance of 22 May 2013 at The White Owl Social Club. Boober did a fantastic job of holding down the show, and I was really excited to be able to run sound for these guys. A video of their performance is also forthcoming.
Stay tuned, as this was just a fraction of the radio we did yesterday. Enjoy!
Gaytheist, LIVE!
01.) Live Performance Part I * Gaytheist * 18 May 2013
Part I
02.) Rebellious Jukebox * The Fall * Live At The Witch Trials
03.) Live Performance Part II * Gaytheist * 18 May 2013
Cosmic Jim joins me again for a casual conversation with his friend Ezra about the hobby of record collecting, among technical problems while we cover for Ricardo Wang as he is getting married. We listen to records we love, talk about the problems with modern vinyl vs. vinyl from our youth, and get to know Ezra and his interests.
We also get to hear the entire Breezin’ record, a four song 12″ of some really odd – and rather incredible – album of mirth and music that we purport to be a bit of a mystery, in spite of knowing quite a bit about it. Recorded in Lastra’s Smegma Studios and released in 2011, the performances on this record are extremely strong, and very well constructed. This is the kind of record that record collectors love to find, and if you get a chance (and if they play again), their shows are quite incredible. Included below is a clip from their sessions at Smegma, mixed with the track “Never Give You Up,” featured in today’s show.
This is a wonderfully strange and odd show, and exactly the kind of thing that How’s It Named? is all about.
Enjoy!
The Mystery Record
01.) Memphis Blues Again * Bob Dylan
02.) Greasy Chicken * Andre Williams * Wavy Gravy: Four Hairy Policemen * Beware Records
03.) Space Girl * The Earthboys * Wavy Gravy: Four Hairy Policemen * Beware Records
04.) Sightseer * Malcolm Mitchell
05.) Interview w/ Ezra Part I
06.) Listen To Your Heart * Breezin’ * Breezin’ * Going Records
07.) Never Give You Up * Breezin’ * Breezin’ * Going Records
08.) I’m Gonna Booglarize You Baby * Captain Beefheart * The Spotlight Kid
09.) Interview w/ Ezra Part II
10.) Old, Wise * Breezin’ * Breezin’ * Going Records
11.) Out In The Night * Breezin’ * Breezin’ * Going Records
12.) PSY * The Butthole Surfers * piouhgd * Rough Trade Records
For those of you who were lucky enough to be able to hear The Psychedelic Renaissance when it was on KPSU, you know how amazing it was to have none other than THE Cosmic Jim bring you an hour of musical oddities, rare records, and the kind of enthusiasm that only a die-hard collector can bring to the airwaves. His show was one that was at KPSU very near to the beginning, but Jim’s story and history in Portland goes back even further. Join us for a rare interview / DJ set with this legendary figure, as we poke and prod the more extreme areas of his musical knowledge.
I also enjoy these How’s It Named? episodes, and both Ricardo Wang and I are big fans of Cosmic Jim’s record collection. As Ricardo could not be here this week, he was really excited about the opportunity for me to bring you this show. But Cosmic Jim’s history with KPSU is only the beginning; during this show we bring you stories of The Riff Raff (the band he played a roll in during the early 80’s), plus stories of his experiences collecting records, and a bit about his old ‘zine, Psychedelic Renaissance. It’s one of those hours that has a lot to offer, and if for nothing else, you should check out the Madrigal song we play about about 15 minutes in. Holy crap.
Special thanks to Tobin, Ricardo Wang and of course Cosmic Jim himself for making this show possible. These kinds of shows are incredibly fun, and I was very happy to be able to bring you this show.
Enjoy!
Hello, Trippers!
01.) Everything’s Changing * Kak * Kak
02.) Stoned Freakout [Excerpt] * Madrigal * Madrigal
03.) Día Viajera * Los Yeh Yehs * Beatles En Español
04.) Taggin’ * The Fredric * Phases & Faces
05.) Excerpts From * Mighty Baby * Mighty Baby
06.) (A Song By) * Wildfire * Primo
Getting Nervous (Featuring an interview with new local band, The Nervous, which includes the world premier of their music on this very podcast!)
I have known Chris and Jesse from The Nervous for years, and the band they’d started in the ’90’s back in Eugene – Mondale – was a rare treat for the few who got to rock out to them. Now, in this far-flung, post-apocalyptic year of 2013, we encounter their newest musical endeavor, a trio (rounded out by their drummer, Splinters), which is offering some of the greatest Nerd Rock anthems guaranteed to start promptly at every performance.
In preparation for their impending live gigs, I was invited down to the compound where The Nervous hone their craft, and managed to sit down with the guys afterward in their comfortable “Living Room” to chat about pursuing music as a hobby, and what its like to be in really terrible bands with assholes. Interspersed throughout the interview are songs that inspire them, two never-before heard songs from their current set, and an old Mondale tune (or two) to round things out.
Long-time listeners may remember a live performance by Jesse Ransom (featured in The Nervous) in 2006. This episode is also available to stream or download at this time, accompanied by a playlist and photos. Jesse Ransom 06 June 2006. It’s an oldie, but a goodie, and it gives you an acoustic taste of what he brings to the party.
Special thanks to Chris, Jesse and Spinters, not only for being stand up guys and great musicians, but for trusting me to record them in their natural habitat. You guys are fantastic, and I can’t wait for more people to hear you.
Enjoy!
MyFacester+ Photoset (with video footage of the band rehearsing on 30 December 2012).
Getting Nervous
01.) Get Out Of Our Way, We’re A-Comin’ Through * Mondale * Square Roots Radicals * Self-Released
02.) Interview w/ The Nervous Part I * 30 December 2012
03.) Musical Interlude * Shadowy Men on A Shadowy Planet * Savvy Show Stoppers * Cargo Records
04.) High Impact Smart Girls * Mondale * Square Roots Radicals * Self-Released
05.) Interview w/ The Nervous Part II * 30 December 2012
06.) Gates Of Steel * Devo * Freedom Of Choice * Warner Bros.
07.) Sex Mad * Nomeansno * Sex Mad * Alternative Tentacles Records
08.) Interview w/ The Nervous Part III * 30 December 2012
09.) Theme From EEVIAC * Man… Or Astro-Man? * EEVIAC: Operational Index and Reference Guide, Including Other Modern Computational Devices * Touch & Go Records
10.) Entry Level Position * The Nervous * Unreleased Practice Recording
11.) Interview w/ The Nervous Part IV * 30 December 2012
12.) Little Girls * Oingo Boingo * Only A Lad * A&M Records
13.) You Look Good In Glasses * The Nervous * Unreleased Practice Recording
14.) Interview w/ The Nervous Part V * 30 December 2012
15.) 21st Century Digital Boy * Bad Religion * Stranger Than Fiction * Atlantic Records
You wanted it, and now you’ve got it. Miss Rikki Lee and I produced another blast of rock and roll know-how in the form of bringing you the furious furor of Estocar! Miss Rikki always has her eye on what’s what, and the pairing of her perspective on music with the fantastic feistiness of this band was a match made in radio. Fortunately, I was tapped to help bring these sounds to the airways, and what happens is two hours of Closet Radio goodness, brought to you by kpsu.org.
Estocar’s new record – Faux Fiction – is the kind of album you play when you want to ignore the fact that fall and winter are here, and instead pretend you’re on a road trip to meet friends and have adventures. They put fury and fun side by side, and pack it into little song forms that are perfect for any afternoon. As you stream this show, you will want to turn it up as you listen along. The link above offers an opportunity to buy the album on bandcamp, but this show offers a good example of what you’ll hear in that album. Either way you win.
Estocar
I wanna thank Miss Rikki for inviting me to do sound for this show, and the guys in Estocar for being really cool, and super friendly. It’s shows like this that remind me of how cool people actually can be. I had a lot of fun, and can’t wait to do it again.
01.) Just Like Honey * The Jesus And Mary Chain * Psychocandy
02.) Emergency Room * The The The Thunder
03.) Live Performance * Estocar * 10 November 2012
04.) I Will Dare * The Replacements
05.) Interview * Estocar * 10 November 2012
06.) Leave Me Alone * Chappaquiddick Sky
07.) Warm Leatherette * The Normal
08.) Years Later * Cactus World News
09.) American Beat * Fleshtones
10.) Baby Ran * 54-40
11.) Attempt To Steal * Night Mechanic
12.) I Am A Fly * Wire
13.) Corner Soul * The Clash
14.) You Must Be A Witch * Lollipop Shoppe
15.) Henry Rollins Don’t Dance * Allo Darlin’
16.) Protect Your Daughters * Sawyer Family
17.) Downtown At Dawn * Richard Hell & The Voidoids
18.) Constant Waiting * Johnny Dowd
19.) Cost of Living * Downliners Sect
20.) I’ve Been Through It Before * The Plagues
21.) Saturday Night * Suede
If you’re not already listening to Closet Radio regularly, then you are probably some sort of Spy working a deep cover operation where you are pretending to be extremely out of touch with anything remotely cool. (In which case: you are still pretty cool by default, since you’re running covert ops.) But for those of you who are in so deep at this point that you can’t risk blowing your cover, I’ll explain: Closet Radiois the radio equivalent of eating four bowls of Sugar Frosted Bombs before skating to the park so you and your friends can get into some serious fuckin’ around. Always searching for the middle ground between “fun” and “mind=blown,” Miss Rikki likes to take listeners on a very serious journey into “Fuck Yeah,” and I’m a fool not to join her on these wild adventures. Especially when there’s a band like The Limit Club playing live.
Join Miss Rikki and I for a live performance, and extended interviews with, The Limit Club. I run sound while Miss Rikki DJs for the first 45 minutes, then the band rocks out with a 30 minutes set. Top that off with a sort of improvised conversation similar the Manual Sex Drive Potcast, and you’ve got nearly two-hours of Limit Club madness, and just in time for the It’s-Too-Hot-I’ll-Just-Listen-To-Podcasts heatwave that’s been hitting the Portland area. As usual, I want to thank KPSU and Miss Rikki for letting run the sound and participate in this show. As she took over my old time-slot, it’s a very comfortable place to be, and I had a tremendous amount of fun, even if the monitors were not working.
I’m sure this is not just a coincidence that I did these two shows with her recently, so stay tuned for more shows like this as the months continue. I always enjoy working with Miss Rikki, and it’s always nice to be a part of the show. In the meantime: stream some live rock and roll, why don’cha?
01.) The Limit Club * The Damned
02.) I’m The Wolf * Howlin’ Wolf
03.) Whatever Happens, I Love You * Morrissey
04.) herjazz * Huggy Bear
05.) China Girl * Iggy Pop
06.) The Tunnel * The Blue Cats
07.) Children of The Lord * Slim Cessna’s Auto Club
08.) Make A Circuit With Me * The Polecats
09 Club Country * The Associates
10.) Live Performance! * The Limit Club
11.) Interview * The Limit Club
12.) Viento * Caifanes
13.) Paradise * Manual Sex Drive
Join me for a conversation with Miss Rikki Lee, as we go into detail about her early years as a cub reporter and photographer as she tried to make it on the streets of Chicago. In this episode: musical accompaniment that not only connects specifically with her life while she lived there, but in many cases care a chi-town kind of vibe, too. As she recounts her adventures, strap yourself in, as we have cumulatively produced three entire hours of music and interviews. Hope you like Miss Rikki, cause we’ve got nothing but her this entire show.
What can I say that hasn’t already been said? If you’re not already doing so, check her out on Tumblr, and on kpsu.org every Saturday from 1 – 3 PM. Her show is more “FCC-friendly” there, but when she and I get together there are no rules. If you end up liking what you hear in this episode, and you want to hear more, then check out Episode 158: This Is Not A Photograph, where she and I covered her time in Arizona, and some more general information about her life as well. We’re hoping to do this a little more often than every four months, but we shall see.
With that said, let’s get on with “The Scumburg Manifesto.”
The Scumburg Manifesto
Introduction
Incidental music during our interviews provided by “The Chess Story: 1947-1975”
Part I: She’s In Love With Rock N’ Roll
01.) Fun Tonight * The Riverdales * Riverdales
02.) A Conversation With Miss Rikki Lee Part 1
Part II: I’ve Felt You Up Before
03.) Janie Jones (Demo) * The Clash * Clash On Broadway
04.) Rat Patrol * Naked Raygun * Throb Throb
05.) Time For Me, Time For You * The Felt-Ups
06.) Demons Wear Spurs * The Gravetones * On The Edge Of Madness
07.) She Knocks Me Out * The Runarounds
08.) Little Sister * The Neutron Bombs * E.P.
Part III: Elvis Was My Gym Teacher
09.) A Conversation With Miss Rikki Lee Part 2
Part IV: Record Breakers Frequent Buyer Club
10.) This Is The Part Where I Hit You * Milk At Midnight * A Fit To End All Time
11.) Time Warp * Rocky Horror Picture Show
12.) Underground Army * The Threats
13.) Cranked Up Really High * Slaughter & the Dogs * Cranked Up Really High
14.) Street Where Nobody Lives * The Pagans * Pink Album
15.) I Don’t Give A Fuck * The Partisans * The Partisans
Part V: The Geography of Five Year Differences
16.) A Conversation With Miss Rikki Lee Part 3
Part VI: Geek America
17.) Hero Marauder * Tilt * Collect ‘Em All
18.) Motherfucker Are You Ready To Rock? * Boris The Sprinkler * Is…Gay!
19.) Punk Rock Girl * The Dead Milkmen * Beelzebubba
20.) Hey Ya * Outkast
21.) take a shit * The Left Rights * The Left Rights
22.) Poo Out My Ass * The Left Rights * The Left Rights
23.) Say What You Mean * The Lunachicks
Part VII: Low Brow in High Fidelity
24.) A Conversation With Miss Rikki Lee Part 4
Part VIII: Back Seat Driving
25.) Pussy * Lords of Acid
26.) Promises * Buzzcocks * Singles Going Steady
27.) Six A.M. * Screeching Weasel * Kill The Musicians
28.) Rock Around With Ollie Vee * Buddy Holly * Rockabilly Trash
Part IX: Pop Goes The Weasel
25.) A Conversation With Miss Rikki Lee Part 5
For those of you who are just tuning in, join me for a conversation with Miss Rikki Lee, as we go into detail about her early years as a cub reporter and photographer as she tried to make it on the streets of Chicago. If you’re not already doing so, check her out on Tumblr, and on kpsu.org every Saturday from 1 – 3 PM. If you end up liking what you hear in this episode, and you want to hear more, then check out Episode 158: This Is Not A Photograph, where she and I covered her time in Arizona, and some more general information about her life as well. We’re hoping to do this a little more often than every four months, but we shall see.
We are also trying something experimental with this episode, in that we’re presenting it in two parts, over two days. Part One is was available on Tuesday. Part Two now available. This gave you (hopefully) some time to digest Part One, before you’re ready for the rest. However, if you are like me, and you want your podcasts really long for maximum enjoyment, then you are in luck: The Director’s Cut version is now available, too. Please let us know what you think of this. We’ve been toying with the length of shows for a while now, and we feel that by doing things like this, we can offer a range of listening options for people who have different tastes. As usual, we look for feedback here, or any other our other conduits of communication.
With that said, let’s present Part II of “The Scumburg Manifesto.”
See ya in five!
Rocky Horror
The Scumburg Manifesto Part II
Introduction:
Incidental music during our interviews provided by “The Chess Story: 1947-1975”
Part V: The Geography of Five Year Differences
16.) A Conversation With Miss Rikki Lee Part 3
Part VI: Geek America
17.) Hero Marauder * Tilt * Collect ‘Em All
18.) Motherfucker Are You Ready To Rock? * Boris The Sprinkler * Is…Gay!
19.) Punk Rock Girl * The Dead Milkmen * Beelzebubba
20.) Hey Ya * Outkast
21.) take a shit * The Left Rights * The Left Rights
22.) Poo Out My Ass * The Left Rights * The Left Rights
23.) Say What You Mean * The Lunachicks
Part VII: Low Brow in High Fidelity
24.) A Conversation With Miss Rikki Lee Part 4
Part VIII: Back Seat Driving
25.) Pussy * Lords of Acid
26.) Promises * Buzzcocks * Singles Going Steady
27.) Six A.M. * Screeching Weasel * Kill The Musicians
28.) Rock Around With Ollie Vee * Buddy Holly * Rockabilly Trash
Part IX: Pop Goes The Weasel
25.) A Conversation With Miss Rikki Lee Part 5
Join me for a conversation with Miss Rikki Lee, as we go into detail about her early years as a cub reporter and photographer as she tried to make it on the streets of Chicago. In this episode: musical accompaniment that not only connects specifically with her life while she lived there, but in many cases care a chi-town kind of vibe, too. As she recounts her adventures, strap yourself in, as we have cumulatively produced three entire hours of music and interviews. Hope you like Miss Rikki, cause we’ve got nothing but her this entire show.
What can I say that hasn’t already been said? If you’re not already doing so, check her out on Tumblr, and on kpsu.org every Saturday from 1 – 3 PM. Her show is more “FCC-friendly” there, but when she and I get together there are no rules. If you end up liking what you hear in this episode, and you want to hear more, then check out Episode 158: This Is Not A Photograph, where she and I covered her time in Arizona, and some more general information about her life as well. We’re hoping to do this a little more often than every four months, but we shall see.
We are also trying something experimental with this episode, in that we’re presenting it in two parts, over two days. Part One is obviously available now. Part Two will be available on Thursday, giving you a two day wait, and offering you a chance to digest the interview slowly, over time. If you are like me, and you want your podcasts really long for maximum enjoyment, then you are in luck: we will also be releasing, on Thursday, the Director’s Cut version of this show. Please let us know what you think of this. We’ve been toying with the length of shows for a while now, and we feel that by doing things like this, we can offer a range of listening options for people who have different tastes. As usual, we look for feedback here, or any other our other conduits of communication.
With that said, let’s present Part I of “The Scumburg Manifesto.”
See ya in two!
The Scumburg Manifesto Part I
Introduction
Incidental music during our interviews provided by “The Chess Story: 1947-1975”
Part I: She’s In Love With Rock N’ Roll
01.) Fun Tonight * The Riverdales * Riverdales
02.) A Conversation With Miss Rikki Lee Part 1
Felt Ups
Part II: I’ve Felt You Up Before
03.) Janie Jones (Demo) * The Clash * Clash On Broadway
04.) Rat Patrol * Naked Raygun * Throb Throb
05.) Time For Me, Time For You * The Felt-Ups
06.) Demons Wear Spurs * The Gravetones * On The Edge Of Madness
07.) She Knocks Me Out * The Runarounds
08.) Little Sister * The Neutron Bombs * E.P.
Part III: Elvis Was My Gym Teacher
09.) A Conversation With Miss Rikki Lee Part 2
Part IV: Record Breakers Frequent Buyer Club
10.) This Is The Part Where I Hit You * Milk At Midnight * A Fit To End All Time
11.) Time Warp * Rocky Horror Picture Show
12.) Underground Army * The Threats
13.) Cranked Up Really High * Slaughter & the Dogs * Cranked Up Really High
14.) Street Where Nobody Lives * The Pagans * Pink Album
15.) I Don’t Give A Fuck * The Partisans * The Partisans
When Miss Rikki Lee asked me to run sound for her show, I knew I would say yes before hearing anything further. I love meeting bands, especially touring ones, and running sound has been one of the most fun and fulfilling parts of being involved in radio. So the fact that it was with such a cool band like JJCnV only made the entire situation that much cooler. It’s sort of like being asked, “So, do you want to have fun for a few hours?” The answer can’t be anything but, “Uhm, duh?”
On tour to support a recent, self-released album, entitled Brainiac Handsome (and available on 12″ vinyl, or digitally), these guys are the kind of rock band with which you want to spend every Saturday. Funny, crass, rockin’, and loads of fun, they pack entertainment into every iota of their being. What comes across for most listeners is exactly how much fun they’re having. Within minutes of meeting them for the first time, we were all joking and crackin’ wise as if we’d been good friends for years, the kind of relationship that few sound engineers ever have with a band, let alone a touring one you met less than a quarter hour ago. I had a great time hanging out with them, and that’s mostly because they rocked the fuck out, too.
JJCnV perform three short live sets, help Miss Rikki Lee pick out the DJ portions, and chat us both up for the better part of two hours. I felt extremely honored not only to help run the sound, but perform the interview! Rikki insisted that I join her in the booth, and I hope I conducted myself like a true gentleman as I invaded her very own program. While I know that this is not the last time we’ll be working together like this, I have to say we started off with a bang.
JJCnV are on tour for another week or so, with shows in San Francisco, Sacramento, Fresno and San Pedro before returning home. They have a number of websites, through which you can keep track of their various exploits, which include their personal website, a bandcamp page (where you can check out their back catalog), a MyFaceSter+ page (so you can keep up with them while you’re at work), and a variety of pages here and there, available exclusively through the search engine of your choice. (Your usual Inter-Web-A-Tron rates and fees still apply.) I should point out that if you pick up a copy of the LP, it comes with a download card, too, giving you no excuse to start up that record collection you’ve always wanted to ask your friends to help you move whenever you get kicked out. It is very much worth the purchase.
I could wax poetic until the frogs come home, but I think it’s probably best that you just check them out by streaming or downloading this show, and then watching them live when you get a chance. Special thanks, again, to Miss Rikki Lee, for not only booking these guys, but asking me to run sound. As always, a real treat.
How do you sum up someone as multi-faceted as Miss Rikki Lee? There are just too many sides to her various creative outputs. Not content to merely host Closet Radio on kpsu.org (1 – 3 PM on Saturdays), she is also the mastermind behind Closet Photography (Flickr Page), and the proprietor of Dust Bunnies on etsy. She also finds time to update the hilarious Twitter Feed, @closetphoto, which not only regularly has me in stitches, but regularly stumbling upon countless Pop Culture treasures. It’s a wonder she had the time to sit down an hang out for a few hours.
But, she did. And while she was at it, spilled an amazing amount of details about her time working with AZ Kaos, a ‘zine she was heavily involved with during her years in Phoenix, AZ. She also assembled two sets of fantastic tunes from those stomping grounds. This is one of those fantastic shows that I really enjoy, and it was awesome to have Miss Rikki in the studios for this one.
While we forego a lot of the segments that have become part and parcel of recent shows, this show contains a priceless interview in three segments. Miss Rikki Lee is a wonderful storyteller, and for those who have a fondness for the kinds of stories that are born out of small scenes and xerox machines, then this show is for you. There is also a fantastic mix of music in this show, and I’m stoked to have gotten leads on a bunch of bands that I’m itching to check out. In fact, if you were featured in some way during this show, I would love to include proper links and whatnot to help flesh that out. As you can see, Miss Rikki Lee will be returning for further stories of her various adventures, with music!, so stay tuned for that.
The footnotes this week will be heavy with links, so enjoy your homework.
See you in seven.
This Is Not A Photograph:
Opening Theme * Paco Jones & Austin Rich
Segment 1: Austin Rich, Curator of Taste
This Is Not A Photograph * Mission of Burma * Signals, Calls & Marches * Ace Of Hearts Records, 1981 Animal Collective * Sung Tongs * Fat Cat Records 2004
Dinner Cooking 08 February 2012 * The Sounds of Portland Oregon
Today on What’s This Called? Ricardo Wang featured an interview with local artist Ilima Considine. In-Studio interview with Ilima Considine. However, Ricardo was suffering from a frog lodged inexplicably in his throat. So, at the last minute, I stepped up to the plate and offered my vocals for the purposes of helping interview, and feature, her band The Sexbots, with tracks from their new album, and some violin pieces from a zombie movie soundtrack that she recorded. Check out her website (liked above) for information about upcoming shows, and how you can get a copy of her new album, Don’t Stop. While I always feel a little strange filling in for The Wang, he was there the whole time helping guide the show, and this is very much a WTC? show in every form.
KPSU and I are helping raise awareness about the Pineapple Classic 5K Run, an event held on August 13th at Pat’s Acres Karting Complex in Canby. The event is put on by The Leukemia & Lymphoma Society, and is a Hawaiian-themed run, with obstacles, a Luau at the end, and even a beer garden. You can find out more detailed information about the event on their website, linked above.
I initially talked about the run on July 31st. A second, follow-up interview and discussion went out on August 6th, this time interviewing my brother (and leukemia survivor) Kyle Rich. Both clips are featured in the above download. I’m a huge supporter of the LLS, not only because they continue to help fight cancer in these very specific forms, but help raise awareness of the problems that survivors face in dealing with their illness, and the aftermath. I know that I am personally affected because it hit my family, but this is a very good cause no matter what perspective you have, and I think many others will support it as well.
Even if you can’t make a donation, or participate in the run, this will mostly likely be a great event, and a lot of fun. Come out on the 13th and lend your support. They need all the help they can get.
While scheduling and timing prevented a live set from going out over the airwaves today, The Flailing Inhalers still came down to the station to present selections from their two albums, rare and live tracks, a few selections by friends and family (in the record label sense of the word), and, of course, to plug their show that evening. If you are not familiar with the band, or are curious about them, then this is the show for you: anecdotes, stories, songs from throughout their career, and an all-around good time for almost two hours. This is what local radio is all about.
Rock!
# Artist * Track * Album * Label
01.) The Flailing Inhalers * The Gambler’s Dream * Go (Heart) Yourself * Feed The Geese Records
02.) The Flailing Inhalers * Pretty Disease * Go (Heart) Yourself * Feed The Geese Records
03.) The Flailing Inhalers * Cock It Back * Go (Heart) Yourself * Feed The Geese Records
04.) The Flailing Inhalers * Knife In My Side * Go (Heart) Yourself * Feed The Geese Records
05.) The Flailing Inhalers * Knife In My Side * Live Performance * Unreleased
06.) Fjords * TDFT * Fjords * Feed The Geese Records
07.) Striking Matches * Love Struck Committee * From The Wreckage * Feed The Geese Records
08.) The Flailing Inhalers * Speakeasy * A Shocking New Development * Feed The Geese Records
09.) The Flailing Inhalers * Cold-Hearted Killer * A Shocking New Development * Feed The Geese Records
10.) The Flailing Inhalers * Hefeweizen * Unreleased * Unreleased
11.) The Flailing Inhalers * Gnomes * Unreleased * Unreleased
12.) The Flailing Inhalers * Die Together * A Shocking New Development * Feed The Geese Records
13.) The Flailing Inhalers * Hard Time * Demo * Unreleased
14.) The Flailing Inhalers * Hard Time * A Shocking New Development * Feed The Geese Records
15.) Pseudo Boss * Forget, Forfiet * EP I * Feed The Geese Records
16.) Pseudo Boss * Hardened Soul * EP I * Feed The Geese Records
17.) The Flailing Inhalers * We Need To Talk * Unreleased * Unreleased
18.) The Flailing Inhalers * Sunday * Go (Heart) Yourself * Feed The Geese Records
19.) Striking Matches * Agree To Disagree * From The Wreckage * Feed The Geese Records
20.) Fjords * Tennis Courts * Fjords * Feed The Geese Records
21.) The Flailing Inhalers * Friend of a Friend * Unreleased * Unreleased
22.) The Flailing Inhalers * Come On * A Shocking New Development * Feed The Geese Records
23.) The Flailing Inhalers * Pain Relief * A Shocking New Development * Feed The Geese Records
24.) The Flailing Inhalers * Hand Me That Hammer * Go (Heart) Yourself * Feed The Geese Records
25.) The Flailing Inhalers * Candy Apple Red * Go (Heart) Yourself * Feed The Geese Records
While this was scheduled as a live Levator performance, due to a tech problem, we could not bring you a live set by the band. However, we did get to interview them, have them plug their show that evening, and provide a bit of a DJ set with stuff selected by the band.
I was not able to snap any photos of my own, but I did get an entire hour-long interview with none other than the legendary Exene Cervenka! Holy Crap!
For those of you familiar with her work, I won’t even need to tell you anything else. Just tune in and listen. For those who aren’t, I recommend checking out her new solo album, Somewhere Gone, on Bloodshot Records. You’ll know instantly if you’re a fan.
I’m still sort of reeling about it, and had an incredible time meeting and talking to her. And I think the excitement comes through in the interview. All I can say is: awesome!
02.) Purple Winos In The Rain * John Callahan * Purple Winos In The Rain
03.) Ignite, Ignite, Goodnight * Holy Ghost Revival * Bleeding Light
04.) Werewolves Of London * Mangolia Electric Co. * Hard To Love A Man
Frank Portman is known for many things, but most recently his transformation into author with the publication of his first book – King Dork – has elevated him beyond the normal punk rock trappings of his band The Mr. T Experience, and placed him in a whole new category of Rock Star. Fans and critics alike have come to praise the book, which paints an honest and sometimes painful view of the life of a teen, while simultaneously helping people interested in both the written word and music discover new aspects of the same person.
Join KPSU this Wednesday, May 24th at 5 PM (covering for The Guitar Shop this week) as we spend some time with Dr. Frank, for an interview an acoustic performance of some of his songs. This is a special Pledge Drive performance, and something that we’re very happy to be putting on for you. Thanks again to everyone who made this happen. See ya then.
Update: Dr. Frank came through in spades, and the performance was great! He read two excerpts from his book, did a lot of bantering about himself and what he does, and even performed three songs. (One of which was written by the main character of his novel!) So freakin’ cool!
“Eating Solid Foods Since 1981.” Born on a napkin at the Alibi Family Restaurant and Tiki Lounge, The Mayonnaise has run rampant through the streets, stealing ears from our heads and dollars from our wallets with little or no repercussions. But now, Radicchio and Arugula Venn have taken it upon themselves to wage unending battle against the omnipresent Mayonnaise to protect the rest of us from being emulsified into mediocrity. With love, support and musical contributions from the rest of Venn family, they labor day and night so that you may rest assured that the world is, and always will be, a safe and harmonious place to listen. And now, you can do so, here on Live Friday.
At this time, our program was on from 5 P.M. – 6 P.M.
This week, as a special presentation, I ran an interview with Jeff Feuerzeig, director of the upcoming film, The Devil And Daniel Johnston. Jeff was kind enough to meet up with me on February 12th, and we talking about Daniel and his film. Intercut with the interview are some of my favorite Johnston tracks, spanning his career. This is a must for fan, or for people who are curious about the film.
01.) My Life Is Starting Over Again * Daniel Johnston
02.) Jeff Feuerzeig Interview Segment 1
03.) Speeding Motocycle * Daniel Johnston & Yo La Tengo
04.) Jeff Feuerzeig Interview Segment 2
05.) Funeral Home * Daniel Johnston
06.) Jeff Feuerzeig Interview Segment 3
07.) Walking The Cow * Daniel Johnston
08.) Jeff Feuerzeig Interview Segment 4
09.) Funeral Girl * Daniel Johnston
10.) Jeff Feuerzeig Interview Segment 5
11.) Jeff Feuerzeig Interview Segment 6
12.) Desperate Man Blues * Daniel Johnston
13.) Jeff Feuerzeig Interview Segment 7
14.) Dream Scream * Daniel Johnston
15.) Jeff Feuerzeig Interview Segment 8
16.) Devil Town * Daniel Johnston
17.) Jeff Feuerzeig Interview Segment 9
18.) Lousy Weekend * Daniel Johnston
19.) Jeff Feuerzeig Interview Segment 10
20.) Some Things Last A Long Time * Daniel Johnston
Gordon Taylor are four protein-derived life-forms that play songs about science, history and medical oddities. Having only been around a short period of time, they’ve already formed quite a name for themselves with the few blow-out performances they’ve allowed us to witness. An upstanding bunch of young striplings, they wax melodic and rock geodesic. Formed out of the smoldering chunks of Rise Over Run (formerly Lina Alba) and assisted by Johnny-Cat on drums, Gordon Taylor are on their way to taking Portland by storm that will leave you soaked and satisfied as you trudge through our streets. If they were a body part, it’d be the pancreas. A chord? F-sharp. A Max Stop? Ruby Junction… Playing on KPSU? Right now…
This version contains a remastered version of a stereo recording of just the performance, including tiny bits of songs and transitions that were not originally broadcast, and were never available in stereo.
Also now available: This archive.org file, which contains photos of the performance, and alternate versions of the show, including the original mono broadcast / podcast, and a “45-ish Minute” Syndicated edit, for those who just want just the essential bits of the show.
Playlist:
Host Introduction
Gordon Taylor * Live Set 1 * 20 January 2006
(Break)
Gordon Taylor * Live Set 2 * 20 January 2006
(Break)
Gordon Taylor * (a song) * Live 13 December 2005 on KPSU
Host Introduction
Gordon Taylor * Live Set 3 * 20 January 2006
(Break)
Gordon Taylor * Interview * 20 January 2006
Gordon Taylor * Red Sky (cover) * Live 13 December 2005 on KPSU
For Immediate Release: The Draft Bio! (As Told By Them) Look no further than a biography and you will find the beginning of a series of distractions. We will travel so far as to forget where we are. We imagine that we are where we are not. Our dark city is a kingdom of music. We advertise doubt as disciples of insecurity. We are for sale. We are art thugs with electric weapons, squirming in a gang of noise. We will pretend that we are magic until we become magic. Even a lie can come true when you deliver a believer. Our performance is a reflection of the social meltdown and technological advancement growing in the midst of obsession with convenience and entertainment. We are the music zoo and a spectacle of industry. Our hypocritical nature struggles for senselessness. Your reaction is dictated by your previous behavior and environment. Your accumulated knowledge and pattern of thought will react in a familiar manner to these words. You will try to make some prediction of what we will sound like based on your memories of previous musical events and of these descriptions. We exercise our influences and plagiarize our experiences because without this formality we may never meet. This a confession of guilt and a declaration of participation. There is a fortune in things you can’t touch and undiscovered reasons to feel no better. These words are proof of our existence. Let them be a reference of mutual sentiments.
Ferocious Eagle started two hundred years ago and have just started playing shows within the last fifty years. Their set is really crazy and fast just like a huricane. Eric Jensen plays the drums and such, Jon Andersen plays his guitar since 1996, and Greg Dalbey holds the band back from “really progressing.” Nonetheless, their set is not to be missed for fans of their math metal prowess and their eliptical lyrical content.
To round out the hour, we let the members of the band pick out a handful of tunes by their friends, influences, and side projects. Here’s what they picked:
01.) We Are: Special Forces (Calling All Monsters) *
02.) Handful Of Pennies Standing In The Cold (Yeltsin) *
03.) Aces (Dragging An Ox Through Water) *
04.) Bands [Don’t Want Me To Dance] (The Foxx) *
05.) Hot Night (The Maybe Happening) *
06.) Incredible (Tractor Operator)
No stranger to KPSU, Robert Deeble came in and recorded a live set of music on December 17th, which we’ll be bringing to you today for your pre-Christmas entertainment. “This Bar Has No One Left,” his last album, is an emotional, last call at 2am, a slow burning rock record. Deeble delivers six rhythmic observations of a life gone mad, beautiful and harsh in their portrayals of characters attempting to find solace from a shipwreck filled with sadness, loneliness and addiction. If you needed any evidence that Christmas is the loniliest time of the year, then all you need to do is listen to Deeble’s music to get in the right mindset. Tune in, won’t you? (Note: Due to some sort of editing / recording mixup, this broadcast is a little surreal to listen to. Before you download it, you’ve been warned.)
As part two of my Christmas Gift to the city of Portland, If If, Was Was… joins me at KPSU for some lo-fi rock music the likes of which you’ve never heard before. Slowly making a name for himself around PDX by playing at Billy Rays dive, he has an ear for songcraft that is unique unto itself, while being careful to pay tribute to everything the he, himself, was weened on. But unlike a lot of singer-songwriters on the market these days, he has a sense of humor that gives him an edge; the CD he’s released of home-recorded tracks is entitled, “Another Word For Thesaurus,” and that alone makes it – and his music – quite entertaining. Joining us for this performance are his brother Thomas on drums, and their friend Megan on Violin. Tune in for some fun. (This show aired from 5 P.M. – 6 P.M.)
As part of my Christmas Gift to the city of Portland, I’ve lined up two weeks of music on my show guaranteed to knock your socks off. This week, I have the up-and-coming rock outfit, Gordon Taylor, risen out of the ashes of Rise Over Run and The Mayonaise vs. Venn Demonstrational. With beautiful lyrics and a slight wink-and-nod to some of the emo greats of the past, they have fantastic songs that will draw you in and make you want to dance. (This show aired from 5 P.M. – 6 P.M.)
Hailing from Pheonix, AZ, the Minibosses compose their own renditions of classic Nintendo Entertainment System videogames. While this might seem like an easy task for a one-trick-pony band, given that a lot of bands have recently been looking to the NES for inspiration, when one considers their music separate from the source material, it’s not hard to realize how difficult what they do is. When translated to guitar, bass & drums, the songs take on a proggy, art-rock sound, delving into instru-metal teritorry that not even The Fucking Champs can contend with. Check ’em out here before you see ’em at Ground Control later. You won’t be sorry.
At this time, our program was on from 5 P.M. – 6 P.M.
For this show, I did a special hour long tribute to Dinosaur Jr.! On August 17th, Murph was kind enough to let me interview him, and their show on Friday was fantastic, putting me in the mood to run through some of my fave songs by them. Intermixed throughout the show I played snippets of the interview with Murph, with informative notes about the songs in question.
Playlist
01.) Little Fury Things * Dinosaur Jr.
02.) No Bones * Dinosaur Jr.
03.) Forget The Swan * Dinosaur Jr.
04.) Bulbs Of Passion * Dinosaur Jr.
05.) In A Jar * Dinosaur Jr.
06.) Repulsion * Dinosaur Jr.
07.) Keep The Glove * Dinosaur Jr.
08.) Kracked * Dinosaur Jr.
09.) Sludgefeast * Dinosaur Jr.
10.) Just Like Heaven * Dinosaur Jr.
11.) The Post (Live) * Dinosaur Jr.
12.) The Lung * Dinosaur Jr.
13.) Show Me The Way * Dinosaur Jr.
At this time our program was on from 4 A.M. – 6 A.M. The link above directs you to an episode from 28 May 2012, where part of it exists in a highly edited form.
Partial Playlist:
01.) Handsome Traveler (KARP) *
02.) Beastie Revolution (Beastie Boys) *
03.) All Lies (NOMEANSNO) *
04.) Reverb 10,000 (Man… Or Astro-Man?) *
05.) ?? (??) *
06.) ?? (??) *
07.) Orgasm Addict (Buzzcocks) *
08.) We Are 138 (Misfits) *
09.) The Other Newest One (Germs) *
10.) It’s Expected I’m Gone (Jawbox) *
11.) ?? (??) *
12.) ?? (??) *
13.) Fuck Shit Up (Dub Narcotic Sound System) *
14.) Apt. #5 (Julie Ruin) *
15.) Index Of The S.R.A. (Servotron) *
16.) ?? (??) *
17.) Scream (Kemical Religion) *
18.) Stereo Sancity (Sonic Youth) *
19.) Envelope (Unwound) *
20.) Corporate Takeover (Operation Re-Information) *
21.) The Little Sandwhich Who Had A Horrible Guilt Complex Because He Was The Sole Surivor Of A Horrible Bus Crash (King Missile III) *
22.) Ma Meeshka Mow Skwoz (Mr. Bungle) *
23.) American Jesus (Bad Religion) *
24.) Come Out And Play (The Moog Cookbook) *
25.) ?? (Sonic Youth) *
26.) ?? (Unwound) *
27.) Heihd (Cathead) *
28.) Batman (Naked City) *
29.) Up Front (Wipers) *
30.) Estrogen (The Supermodles) *
31.) I Have A Bad Feeling About This (Supergenius) *
32.) She Fucks Me (Ween) *
33.) Magic Pig Detective (Melvins) *
34.) ?? (??) *
35.) Manic (Kemical Religion) *