It’s Two Weeks of “Mike Check, One Two, One Two” on Mid-Valley Mutations. All Part of Our End Of Summer Non-Bummer!
Last week, we were able to treat you to a fabulous show, which culminated in an interview with Mike Baggetta, who – among other things – play guitar with Mike Watt in both mssv and Casa Sueño. This week, we bring you the complementary interview with Mr. Watt himself, his second time on the show, and a continuation of our previous conversations. We plug the HELL out of his tour for his new band, and talk about a number of other interesting and related topics.
But before we get into that: We have two “in-studio” guests this week, Valerie S. and Obadiah Baird, both of the band Coronation Wound, and both of whom perform music on their own, too. Coronation Wound is playing a show with The King Dot THIS FRIDAY, and you don’t want to miss our second show. We talk a little about that band, and a lot about that show, so you don’t want to miss that, if you live in the area.
Additionally, Valerie and I perform in a band together – Tech Death – and all three of us are opening for Casa Sueño, when they play here in the Mid-Valley, later this month. Obadiah and I have opened for Watt before, but this will be in different arrangements, and certainly, there’s a first time for everything.
To give us a taste of what Desperate Strangers will be bringing to the show at Blast Off, Obadiah even plays a couple songs that he’s been working on. It’s a very low-key hangout sort of episode, where we just get really nerdy about music, and you can hear it all.
It’s Two Weeks of “Mike Check, One Two, One Two” on Mid-Valley Mutations. All Part of Our End Of Summer Non-Bummer!
First off, we have an in-studio visit from Sam of The King Dot, a local musician who books a lot of shows, plays a lot of music, and has some shows coming up in the Mid-Valley. We let him DJ for the night, feature some of his music, and get the low down on Sam’s history in music in the area, and how The King Dot got started. It’s a cool hang, and you get a sense of what it’s like for us to hang out when we are out, talking about music. I am a big fan of the new King Dot album, Dead, which is available both Digitally, and on LP! Get yours today!
Then, we get into our interview with Mike Baggetta, Jazz guitarist, music philosopher, and performer in mssv and Case Sueño. Mike is going on tour soon with Mike Watt and John Herndon, and will be playing a show at Blast Off! here in the Mid-Valley.
We get into ALL the details, and talk a lot about what making music means to us. It’s a very casual, but very deep conversation about why it’s all important. This is, of course, a setup for our show NEXT week, where we have the members of Coronation Wound IN THE STUDIO, to plug the 9/11 Show, and the 9/26 show with Baggetta and Watt. It’s very exciting, and we’re just getting started!
We pick up where we left off, as we buy another round of drinks for both Woody Guthrie and Harry Dean Stanton, to men both born on July 14th, and both men who seem to be on opposite sides of the same coin.
In addition to the features we were sampling before, we bring in a few more bits and bobs from other parts of culture, to flesh out the story of two distinct personalities in American Culture.
We review two different and complementary episodes of our show from the first couple of years, first with a vinyl / electronic mash-up, and then, with two long performances by the old house band for our show, MKUltramegaphone.
“That’s Where The Music Comes From!” was from January of 2017, where myself and horridus of devilsclub DJ’s in our own particular style, for the majority of the show. Then, in, “The Fictional Quality of Money,” from July of 2017, finds the MKUltramegaphone band in full form, stretching out over a full hour.
Music and Money. There’s a connection, for those who listen, and seek.
We are getting very excited about Mike Watt’s return to the Mid-Valley, and getting asked to open for him yet again. This time, I have assembled a trio to perform with: Tom of Ghosts of Ghosts, and Valerie of Eila Star, and the three of us play to deliver our particular brand of experimental pop with a bass guitar lead. During this three hour show, Tom and Val pick the tunes, we pump up the show happening on the 26th of September at Blast Off and the one on the 11th of September at The Grand Theater, both here in the Mid-Valley. It should be a pair of nights to remember, and I was excited to spend this show with these two folks.
We find ourselves unexpectedly On Vacation this week, as we attempt to have some form of Summer Break before it’s too late. With that in mind, we dug out this show from 2020, where we revisit some Tiki Records, and try to find a way to relax and enjoy the time off. We have some travel guide style help along the way, and we cap it all off with a “Quiet Village” re-mix, along with plenty of other mutations along the way. Special Thank You to Mr. Moistache, who engineered this episode, while I was out of town.
We cap things off with a live performance and interview with “The Limit Club,” from a broadcast that aired originally on 11 August 2012, hosted by Miss Rikki. I was the engineer, and also got in on the interview, too. The sound is less than perfect; someday, I want to rebuild this episode, from the ground up.
The original “On Vacation” can be found here, with different production, and a different third hour, with an episode of The Adventures of Philip Marlowe rounding things off. The original broadcast had a slightly troubled history: On 30 March, 2020, the show was live-streamed via video on Facebook, but few people saw that, the audio was imperfect, and the video was lost almost immediately. A re-mastered, and re-produced audio version was broadcast on KLFM.org on 29 April, 2020, and was available as a podcast on that same day, but a number of factors, the podcast episode was not always available. In 2022 I made a Sheena version, that aired then (almost on the anniversary of the original mix.) This version is a little different, new production, and is the first time that the video and better audio have been synched, let alone the first time the video has been available to see at all since March of 2020.
On Vacation
(This show uses samples throughout the broadcast taken from a series of YouTube videos that can be found here, here and here.)
HOUR 1
Part I: Safari
01.) Polovetsian Dances * The Trans-World Symphony Orchestra * Edmond De Luca’s ‘Safari’ * Somerset Records (1958)
02.) Ritual Fire Dance * The Trans-World Symphony Orchestra * Edmond De Luca’s ‘Safari’ * Somerset Records (1972)
Part II: Lure of The Unknown Love
03.) The Breeze And I * Ferrante & Teicher * Pianos In Paradise * United Artists (1962)
04.) April In Portugal * Perez Prado * Mambo Mania * RCA Victor Records (1955)
05.) One Note Samba * Enoch Light * Big Band Bossa Nova * Command Records (1962)
06.) Samba De Uma Nota Só * Sylvia Telles * “Hits” Da Bossa Nova * Philips Records (1962)
07.) Lure of The Unknown Love * Yma Sumac * Voice of The Xtabay * Capitol Records (1952)
08.) Improviso Em Bossa Nova * Baden Powell * “Hits” Da Bossa Nova * Philips Records (1962)
09.) My Bossa Nova * Marco Rizo * The Sounds of Marco Rizo Bossa Nova * Somerset Records (1964)
Part III: Deep Night
10.) Mambo Buda * Tito Puente * Cuban Carnival * RCA Victor Records (1956)
11.) Samba Triste * Lucio Alves * “Hits” Da Bossa Nova * Philips Records (1962)
12.) Andalucia * Percy Faith & His Orchestra * Malaguena (Music of Cuba) * Columbia Records (1958)
13.) Jamaica Farewell * Harry Belafonte * Calypso * RCA Victor Records (1956)
14.) Nós E O Mar * Tamba Trio * “Hits” Da Bossa Nova * Philips Records (1962)
15.) Deep Night * Les Baxter * Caribbean Moonlight * Capitol Records (1956)
16.) Song of The Islands * George Cates * Polynesian Percussion * Dot Records (1961)
HOUR 2
Part IV: Lotus Land
17.) Twelfth Street Rag * Sol Hoopii * Master of The Hawaiian Guitar Volume One * Rounder Records (1977)
18.) Bali Ha’i * The Surfmen * The Sounds of Exotic Island * Somerset Records (1960)
19.) Bangkok Cockfight * Martin Denny * Primitiva * Liberty Records (1958)
20.) On Silver Waves * 101 Strings Orchestra * In A Hawaiian Paradise * Somerset Records (1966)
21.) Lotus Land * Andre Kostelanetz * Lure of Paradise * Columbia Records (1959)
Part V: Way Beyond Today
22.) Rupe Rupe * Terorotua And His Orchestra * Lure of Tahiti * ABC Paramount Records
23.) Aloha Paradise * The Waikikis * Hawaii Tattoo * KAPP Records (1964)
24.) Way Beyond Today * Jimmy Davis & Normal Lee * The Girl From Ipanema * Wyncote Records (1964)
25.) What Aloha Means * Alfred Apaka And His Hawaiian Village Serenaders * South Sea Island Magic * Decca Records (1957)
26.) Whispering Reef Lullaby * Arthur Lyman * Hawaiian Sunset * HiFi Records (1959)
Part VI: When I Wake Up In The Morning.
27.) Quiet Village Re-Mix * Mini-Mutations * 30 March 2020 * Mid-Valley Mutations (2020)
…using…
28.) Quiet Village * Les Baxter * Les Baxter’s Original Quiet Village * Capitol Records (1964)
29.) Quiet Village * Martin Denny * Exotica: The Exciting Sounds of Martin Denny * Liberty Records (1957)
30.) Quiet Village * The Surfmen * The Sounds of Exotic Island * Somerset Records (1960)
31.) Quiet Village * Henry Mancini & His Orchestra And Chorus * Music of Hawaii * RCA Victor Records (1966)
Hour 3:
32.) Aloha Oe * The Surfmen * The Romantic Lure of Hawaii * Somerset Records (1960)
The Afterparty:
33.) “The Limit Club” LIVE! * Miss Rikki & Austin Rich * 11 August 2012 * Closet Radio
We return to the “jukebox” well, as I present a number of live recordings from the archives, and shuffle them together sort of randomly, as is my want. This is number 4 in a series of shows like this, with a little less “theme” than normal, but with still plenty of the bells and whistles (and changing record sounds) that you find in a show like this. Maulydaft sent in a little sound clip that got lots of play during the show, and given the date, we play the short story, “There Will Come Soft Rains,” as read by Leonard Nimoy, a story that was set on August 4th, 2026 / August 5th. The Digital Salon is fairly lively, and on the whole, we relive a wide range of tunes from live performances of the past, and present them to you, in the future!
Several years ago, Waves-A-Poppin’, a local waterpark here in the Mid-Valley, was installed, to fanfare and excitement that was, frankly, completely unwarranted. However, this has not stopped them from trying to build up a little excitement about the park, and to – hopefully – drum up some business after a documentary crew has been called in to show people what the park has to offer.
Against our better judgement, we give you this glimpse into what makes this park unique, and gives you a chance to experience Waves-A-Poppin’ from the comfort of your own home. To help increase your entertainment, special occasional co-host, Miss Rikki, has been recruited to do the voice-overs for this documentary.
On July 14th, both Woody Guthrie and Harry Dean Stanton celebrated birthdays. In many ways, they are reflections of one another: lonely artists, traveling the world, trying to find some sense and meaning while both exercising their creative muscles to make a place for them out in the world. Both left behind incredible bodies of work, and each were featured in documentaries about their lives. We get around to celebrating their lives – and their births – in this three-hour exploration of their work.
We focus on listener requests and clips from these features, to paint a picture of the lives of two artists I love quite a bit. We also get a call from Bandit, singing the praises of Guthrie’s output, and we keep the flow going, to give you a more complete picture. We have at least one more “Woody & Harry” show in the chamber, so if you liked this one, stay tuned. There will be more!
We speak with Brendan Tarver and William Twist of the film production, “All Figured Out,” a movie being made RIGHT HERE in the Mid-Valley, filmed and cast with locals who are all interested in making something interesting, and local. In-between conversations that last the entire three hours, Brendan and William offer DJ selections. Not only does the film feature a band that is central to the story – another Mid-Valley creation, Spit Locket – but Brendan writes to music as he develops his scripts, and he picked very specific set of songs that offer insight into characters, film ideas, and his take on how the music of the northwest is infused with the film they’re making.
It’s three hours dedicated to the minds of Brendan and William. We get to know them, their tastes, and their music… and hopefully turn you onto a film that you might enjoy, when all is said and done.
In what was a somewhat chaotic, but otherwise memorable and fun broadcast from the Lava Lamp Lounge Annex (my garage), we had the lovely and talented Eila Star join me for three hours of DJing, conversating, and in one instance, playing live on the radio! All of that, and more, in the action-packed, three hour show!
First, the incomparable Brad Anderson calls in, to talk about the show he’s playing with Eila Star and myself on Saturday, at the Portland Arts Collective. Brad is no stranger to the show, and it’s always nice to get his perspective. This time, he talks up some of his fave artists and influences, some of which we play during the show.
Then, in Hour 2, we get Mac Dawg on the line, recent collaborator working with the Dead Air Fresheners, who just put out an album together. We get the whole story, and get a taste of what Mac Dawg is like when they are freestylin’.
Then, get ready, because we get a live performance from Eila Star, and a jam session with Mini-Mutations and Valarie – a sort of Star Mutations – which ends up including callers from the Digital Salon, too. All the while, Valarie is picking the tunes, and keeping the show on track. It’s a great taste of their interests, and it’s a great way to get pumped for the show on Saturday.
Our long-time friend and colleague, Xeres of Xeron, returns to the show, to offer his own take on the “jukebox” theme, by offering a wide ranging mix of music and tunes that are near and dear to his heart. Aside from some production details, this show was entirely sequenced and written by Xeres, giving it a different flavor than your average show.
We also continue to promote the show coming up on July 11th, with The Dead Air Fresheners, Brad Anderson, and Eila Star. This show is gonna be a lot of fun, and since it’s happening at the Portland Arts Collective, you’ll be in the heart of Old Town Portland, a good chance to appreciate a part of the Northwest that is unique and fun. Several of these folks, from this show, will be joining me on the air next week, on July 7th, to talk up the show, and give listeners a taste of what they can expect. It should be a good time, and you should join us, if you can.
We also hear from a new addition to the Lava Lamp Lounge: a new keyboard, that I play a couple times throughout the show.
Our dynamic duo have been separated from each other, as they each continue their work as crew members on The Silver Sailer. Both univac and Austin meet The Captain.
Torrent and Napster each work to find a way out of the Quantum Foam, and are looking forward to picking up more work. But as is often the case, life on the Silver Sailer is far more complicated than it is on the surface.
This story is part of, “uB Tales From Beyond,” a series of episodes on uB Radio Salon, written by univac and Austin Rich.
We offer another Jukebox Show this week, where Austin is looking through his archive of different things that he hasn’t played on the show in a while, and… plays them on the show. Music new, old, connecting to current events, and in some cases, just good songs worth hearing again.
Bandit calls in a couple times this week, but experiences some problems, including getting hit in the head by things falling out of their closet, and having complete chaos break out in their home. Later they call to mention the discovery of some very strange dolls in their closet. We also promote the upcoming appearance on the show by Valarie of Eila Star, who in turn will be promoting a show they are playing in Portland, on July 11th, DJing, playing live, and all the usual things that make radio fun.
We are also treated to some information about how jukeboxes actually work. And: the return of the delay pedal!
“Arvo Zylo returns for a three hour tour of prime experimental music and choice vintage populism from a wide array of bygone eras. Arvo Zylo was a freeform radio DJ at WZRD and WLUW in Chicago for several years, runs his own NO PART OF IT label, and has been creating noise or experimental music since the year 2000.”
Our continuing journey through Ken Nordine’s Word Jazz radio show seems just as daunting and ineffable as it did when we started, but now that we’ve made it through a number of these, a bit of a formula is starting to emerge. We listen to episode 15 and 16 of the series, and consider the origins of certain kinds of adages, and if there should be a dictionary for all of them.
We spend three hours with Coronation Wound – a new hardcore band that is playing their first show on Thursday! During that three hours we interview the members of the other act on the bill – The Outside Agitators – and then DJ a bunch of music that members of both bands selected. It’s a ton of fun, and you get to hear it all.
Of course, we’re supporting a tour for The Outside Agitators, when we mentioned last week, and we continue to mention this week. And while we’re talking, we address the importance of being a political band, now, in 2026.
And as a bonus: Joshua Blanchard (from Major Hex, Point Line Plane, and a number of other bands) stops by, to give us some updates on the tour he just returned from, and snaps a photo of us.
It’s another one of our patented, “Jukebox” shows, where we play a lot of music, and we have less of the collage / cut-ups that usually occur. This week, we focus all on music performed live, by artists who appeared on the, “What’s This Called?” radio show, when I was the sound engineer, and worked with the bands to bring you the music that you hear. We cover a wide range of bands and performers in three hours, and it’s a fun journey into radio past, that sounds pretty modern, to this ear.
In addition to that, we spend some time plugging the upcoming interview with The Outside Agitators, who are on tour this month, and will be joining the show NEXT WEEK, to talk about music and touring and stuff like that. We play some samples of their music, and suggest that you tune in, to hear more next week.
And: Bandit and I make a breakthrough, and then they call back to play samples of their new jukebox for our listeners.
It’s an action-packed show, and you don’t want to miss it!
univac and Austin continue to get to know the crew- and to a degree, the ship itself – as they continue to get used to life on The Silver Sailer interstellar sailing ship. univac becomes a useful (and in pain) member of the crew, while Austin ha been trying to tune in a radio signal, hoping he can connect to his previous life.
This story is part of, “uB Tales From Beyond,” a series of episodes on uB Radio Salon, written by univac and Austin Rich.
Our patented “Jukebox” shows are meant to offer you something a little less than the sample collage barrage that is our bread-and-butter. You still get all the flavor of a Mid-Valley Mutations program, but it’s more stripped down, and focused.
And this week, we are bringing you a wide range of things, celebrating the passing of Sonny Rollins, the 100th Birthday of Miles Davis, and playing.a lot of music inspired by “What’s This Called?” a radio show that is still on, and over the years, introduced me to a lot of incredible and interesting music.
Here’s three hours of the kind of thing you would find on his show.
This week we are lucky to have a panel discussion with Shin Chida, Scot Jenerik and Mike Meanstreetz, who are collectively touring at the end of May / and through June, on the “Cascading Dissonance” Tour. Scot is now stranger to the show, but Shin and Mike are certainly interesting characters, who each have unique and fascinating stories. We talk to all three of them over the course of the show, play samples of their music, and offer more insight into the upcoming tour.
We close the show with a longer conversation about working as a creative artist in modern times, and offer a chance for listeners to hear / watch Scot’s latest piece, “The Fall of Icarus,” which is a fully realized film with a live performance. We offer the YouTube Link for people to access during the show, and for those who watch the video person of this podcast, you can see and listen to the entire “Fall of Icarus” piece, as part of that production.
(Full Show)
(The Fall of Icarus)
I always enjoy talking to Scot about the world of experimental music and art, and it was a wonderful chance to open that conversation up to different perspectives in that world, too. All three have different takes on how to do what we do, and all three have dedicated their time and efforts to this kind of work. During the interview, you’ll get a more nuanced take on what these artists are trying to say.
Barno was unavailable again this week, and as it the case whenever he is out, we continue to work our way through the Word Jazz series of radio shows, so we can catch up with Mr. Nordine again. Ken seems to be on a roll with his spoken word song pieces, and incorporates a few cuts from the “Colors” album amid the chaos and beauty.
As Spring rages on, and as there continues to be less and less free time available to work on new shows, we help clear a little runway, by offering another “Jukebox” show, featuring a playlist of music, with almost no collage elements to speak of. It’s three hours of experimental tunes that are near and dear to our heart, and you get to reap the rewards.
Fairly deep into the show I make another plug for the upcoming Point Line Plane tour, which begins TOMORROW, in Vancouver BC, and continues through the Northwest and Midwest, giving you a chance to see these legendary synth-punk masters give you an audio flogging that you will learn to love.
There’s a bit of a theme, of music that was given to us by artists that played on the show, in one form or another, over the years. This was mostly an accidental sub-theme, and had nothing to do with intent. But it was nice to hear a lot of tunes that remind me of some of the more exciting moments in the show’s history.
Hopefully we can get back into the mix of things next week.
The clock rewinds, and suddenly, now is then, and vice versa. Science and geometry are no longer playing by the rules of the game. The universe has decided to re-align, and in this iteration, we get another chance to see Point Line Plane, return from the past to haunt the present with their particular Synth Punk Sound. Not only are they touring again, but they are considering making another run at being a live act, with excellent results from this point of view.
Over the course of two interviews, and by playing an assortment of live and rare recordings, plus samples of their remastered first album, we offer the complete story of Point Line Plane, as we talk to both band members, and try to give you the full story of this incredibly creative, and fun, period in Portland Music History. Occasional old man talk about how much fun 20 years ago is, unfortunately, the cost of admission.
Reaching for the nearest thing in the Lava Lamp Lounge, as we discovered at the last minute that Cheek In Tongues was not happening tonight, we popped in the first disc of the Hitchhiker’s Guide To The Galaxy, and managed to get through the first two episodes of that series. This was not anticipated or expected, but was a nice way to pass an hour.
We continue our exploration of Blues music, in a variety of forms and styles, genres, and from different periods, in an effort to soak in the wisdom that others have already gleaned from this kind of music. We move through time and through our record collection, dipping into different ways that the Blues has taken form, some obvious, some surprising.
As a sub-theme, we offer a preview of next week’s show, and a small promotion for their shows this weekend, as we play a few “blues” tunes by Point Line Plane, a band that has rebooted recently, and is playing a show in Eugene this Friday, and in Salem this Saturday. It’s exciting to see them back in action, and it was a lot of fun to revisit their music.
We close the show this week with An Afterparty, where we offer a live performance from the archives, with Blue Light Curtain, who were on the show almost 20 years ago. While the recording is old, the performance still feels heartfelt, intense, and beautiful, all these years later.
Now part of the crew of The Silver Sailer, univac and Austin must get used to life on a ship like this, and more important, get used to the various jobs and chores that everyone has to perform, sooner or later.
This story is part of, “uB Tales From Beyond,” a series of episodes on uB Radio Salon, written by univac and Austin Rich.
I’m not sure if I could be more unhappy as of late, and nothing really seems as fun or as important as it once was. There’s no doubt about it: I’ve been fumblin’ with the blues quite a bit lately, and it seemed like a good time to actually play a large grip of Blues songs, to help reflect my mood on the radio. There’s not a lot of mixing or anything like that. Instead, we cover a wide and vast range of blue music – including a full live set by Hairspray Blues, and Portland due that was on the show almost 20 years ago. There’s a lot of old stuff, some new-ish stuff, and I try my best to get things off my chest. Perhaps you can weigh in on the results.
Still in full recovery mode from our recent tour, we continue to fly by the seat of our pants, and offer more Feynman / Holmes mash-ups, as a way of celebrating the 28th Anniversary of my first radio broadcast. While I don’t really have much planned for an auspicious occasion such as this, our recent tour and other radio shenanigans were sort of that celebration anyway, and with other plans on the horizon, a couple of weeks of improvised, on the spot, made-up-as-we-go radio seemed the most appropriate. After a long and thick mix in Hour 1, we go into Steve Wynn’s guide to rating classic records, and take a call from someone who had a few thoughts on the subject. We throw in a bit more mixing, take a few requests, and offer two excerpts from the live archive, to wrap up the show. It’s just like the radio you’ve come to know over the last 28 years, and we hope it tees us up properly for another 28 or so.
(This show was a last-minute fill-in. As such, our “chat” started at another location, and edited at the Playlist / Chat link above. We started over here:
More words of wisdom from Mr. Nordine, as we continue to work our way through the Word Jazz series of radio shows. With word play, music, and a general overview of Ken’s past work, this show is a beautiful example of the possibility of radio, if you are really willing to go the extra mile.
Fresh off of a few weeks away from home, we present a “catch-up” episode of our program, as we fly by the seat of our pants, and grab “whatever was lying around” to offer a “Feynman vs. Holmes” mash-up that is both fun and funny. We offer a taste of a new circuit-bend item made by univac – The One Hand Jam – and we do our best to return to our usual shenanigans, after having been away for so long. A large chunk of the show – the largest part of it, in fact – contains a selection of live recordings I have made over the years, by different bands that I have had in the studio. It’s a mish-mash of fun a frivolity, and we do hope you spend a little time with it, when you can.
Not only is this the second time that our shows have joined forces – see our previous six our epic – but this time we have new rules that keeps the show interesting, exciting, and certainly in-the-moment!
Premise: There are four DJs: pxe, das, univac & Austin. We are each playing songs, going in a circle, round robin style. This goes on for the entire six hours, natch.
However, each of us has been allowed two “wild cards,” where we can ring a bell, and institute, “Monkey Mutation Madness,” where all four of us are playing sound clips and recordings, trying to create a longer, and more dynamic, piece of radio that could only be done as a group, in person!
With eight wild cards, spread out over six hours and two streaming networks, and with all four of us looking for ways to make the game more interesting, this is one of the more chaotic – and beautiful – radio shows we’ve produced. The music mixes work really well, the Monkey Mutation Mash-Ups are brilliantly executed, and the whole six hours flew by faster than I would have liked. Combining our shows is not only a good idea, but led to getting “Radio TroUBle” on Sheena’s Jungle Room, too, and was a good decision, all around.
I look forward to more collaborations, like the one’s I get to do with Radio TroUBle!
Through some mysterious force powered by revenge and the power of will, the occupants of the SquircUBe are transported to the forrest moon of Yose-Mite – along with their ground crew – and they have to survive a villainous plot from an old enemy, Conifer, and perform live without electricity… can our heroes do it, and make it out of the Yose-Mite forest… alive?
This story is part of, “The SquircUBe Chronicles,” series of episodes on UB Radio Salon, written by univac and Austin Rich.
Mr. B. used two more excerpts from one of my Mini-Mutations on his show again, which means I can make one last push for you to see the Willamette River Basin tour, coming near you, soon!
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Don Haugen is a visual and sound artist based in Eugene, Oregon, occupied USA.
Focus on experimenting with location specific sound and room dynamics, with precision and control. Utilizing a vast arsenal of home-built electronics and re-purposed test instruments to create sonic texture-scapes. Haugen’s compositions range from dense drones, whispering noise to cacophony structures.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Scot Jenerik is a multidisciplinary artist/instrumentalist, instrument builder, composer and sound engineer. He has performed, lectured and distributed works extensively in the United States, Europe and Japan for over 40 years. He has an MFA from the San Francisco Art Institute; founded 23five Incorporated (the first non-profit arts organization in the US, dedicated specifically to the development and increased awareness of sound works in the public arena); is co-owner of Mobilization Records; and co-hosted the No Other Radio Network on KPFA.
Mr. Jenerik’s current performance is the piece “The Fall of Icarus”, a 30 minute film and live audio, utilizing a Turkish Saz Baglama, digital tanpura, signal generator, and processing.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Austin Rich has been making ’zines, music and radio since 1993, self-publishing and distributing his own work by hand. For the last 10 years, his focus has been on taking the collage prevalent in his ’zines, and applying it to his music and radio work, carving out a place in Oregon for improvised Negativ-jams and other electronic exploration, under the guise of “Mini-Mutations,” a shortened, stage-ready-version of his weekly WFMU radio program, “Mid-Valley Mutations.”
For these shows, Austin will be using synths, samples and songs to explore The Future of When, and the way that our past expectations of The Future seem to point to a world that still doesn’t – and probably won’t ever – exist.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Aurora Josephson is a musician and visual artist who currently resides in Portland, Oregon. Building on the foundation of operatic training and a BA and an MFA in Music Performance from Mills College, she has forged a bold vocal style that is uniquely her own. She has performed and recorded with Alvin Curran, Fred Frith, Gianni Gebbia, Henry Kaiser, Joelle Leandre, William Winant, among others, and musical groups Big City Orchestrae, Flying Luttenbachers, ROVA Saxophone Quartet, T.D. Skatchitband and the Merce Cunningham Dance Company.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Free Static is an experimental music project featuring Chris Ruiz and Courtney Stubbert. We (dis)organize sound with any electrical and acoustic instruments or objects that produce noise. We exist in Eugene, Oregon, United States of America, Earth.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ [view] is a sonic outlet of Curtis Rochambeau, an analog circuit designer who entertains the endeavor of putting electronics to work in punishing tasks. High texture interleaved layers.
A broadcast that went well beyond expectations, and intentions, as it quickly evolved into something more than we had planned. In hour one, we offer a wide range of music from artists that will be performing in the “Willamette River Basin” tour, a mini-tour that myself, Scot and Don are going on, to show off what we do to various folks in the area. Since I only included material by the other artists, I offered more Mini-Mutations on top of their sounds, continuing our dive into, “The Future of When,” a subject that I’ll be exploring in my sets on this tour.
Then, stick around for hours two and three, where we get into conversations with Aurora Josephson, Courtney from Free Static, Scot Jenerik, and Don Haugen, where we all get into the creative process, what we’ll be bringing to these shows, and in a rare bit of turnaround, Scot grills me about radio, and why I keep coming back to it week after week. While there’s no reason to be bashful regarding the work we actually do, I think this particular conversation offers insight into our particular corners of the world of experimental music, and gives you a taste of what each of us is going for, what turns us on, what keeps up interested, and working year after year.
And there’s also music throughout? Not a bad block of radio, methinks.
The wonderful hosts at “Missed Connections” on Freeform Portland were kind enough to interview a panel of people, all of whom are performing at the Portland Arts Collective on 4 April 2026, as part of the Willamette River Basin tour. The first hour of this show contains recordings by all of us, and in the second hour, we we hear a panel discussion with the hosts and all four of us, talking about why we do what we do. You can hear all of it here. Thanks again to the hosts, who were very generous with their time.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Don Haugen is a visual and sound artist based in Eugene, Oregon, occupied USA.
Focus on experimenting with location specific sound and room dynamics, with precision and control. Utilizing a vast arsenal of home-built electronics and re-purposed test instruments to create sonic texture-scapes. Haugen’s compositions range from dense drones, whispering noise to cacophony structures.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Scot Jenerik is a multidisciplinary artist/instrumentalist, instrument builder, composer and sound engineer. He has performed, lectured and distributed works extensively in the United States, Europe and Japan for over 40 years. He has an MFA from the San Francisco Art Institute; founded 23five Incorporated (the first non-profit arts organization in the US, dedicated specifically to the development and increased awareness of sound works in the public arena); is co-owner of Mobilization Records; and co-hosted the No Other Radio Network on KPFA.
Mr. Jenerik’s current performance is the piece “The Fall of Icarus”, a 30 minute film and live audio, utilizing a Turkish Saz Baglama, digital tanpura, signal generator, and processing.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Austin Rich has been making ’zines, music and radio since 1993, self-publishing and distributing his own work by hand. For the last 10 years, his focus has been on taking the collage prevalent in his ’zines, and applying it to his music and radio work, carving out a place in Oregon for improvised Negativ-jams and other electronic exploration, under the guise of “Mini-Mutations,” a shortened, stage-ready-version of his weekly WFMU radio program, “Mid-Valley Mutations.”
For these shows, Austin will be using synths, samples and songs to explore The Future of When, and the way that our past expectations of The Future seem to point to a world that still doesn’t – and probably won’t ever – exist.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Aurora Josephson is a musician and visual artist who currently resides in Portland, Oregon. Building on the foundation of operatic training and a BA and an MFA in Music Performance from Mills College, she has forged a bold vocal style that is uniquely her own. She has performed and recorded with Alvin Curran, Fred Frith, Gianni Gebbia, Henry Kaiser, Joelle Leandre, William Winant, among others, and musical groups Big City Orchestrae, Flying Luttenbachers, ROVA Saxophone Quartet, T.D. Skatchitband and the Merce Cunningham Dance Company.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Free Static is an experimental music project featuring Chris Ruiz and Courtney Stubbert. We (dis)organize sound with any electrical and acoustic instruments or objects that produce noise. We exist in Eugene, Oregon, United States of America, Earth.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ [view] is a sonic outlet of Curtis Rochambeau, an analog circuit designer who entertains the endeavor of putting electronics to work in punishing tasks. High texture interleaved layers.
I offer my continued thanks and gratitude to Mr. B of the “Stranger Than Fiction” radio show, who promoted our tour yet again on his show on the 22nd of March. Above you can hear an edited version of the full, two hour show, with just the relevant moments.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Don Haugen is a visual and sound artist based in Eugene, Oregon, occupied USA.
Focus on experimenting with location specific sound and room dynamics, with precision and control. Utilizing a vast arsenal of home-built electronics and re-purposed test instruments to create sonic texture-scapes. Haugen’s compositions range from dense drones, whispering noise to cacophony structures.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Scot Jenerik is a multidisciplinary artist/instrumentalist, instrument builder, composer and sound engineer. He has performed, lectured and distributed works extensively in the United States, Europe and Japan for over 40 years. He has an MFA from the San Francisco Art Institute; founded 23five Incorporated (the first non-profit arts organization in the US, dedicated specifically to the development and increased awareness of sound works in the public arena); is co-owner of Mobilization Records; and co-hosted the No Other Radio Network on KPFA.
Mr. Jenerik’s current performance is the piece “The Fall of Icarus”, a 30 minute film and live audio, utilizing a Turkish Saz Baglama, digital tanpura, signal generator, and processing.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Austin Rich has been making ’zines, music and radio since 1993, self-publishing and distributing his own work by hand. For the last 10 years, his focus has been on taking the collage prevalent in his ’zines, and applying it to his music and radio work, carving out a place in Oregon for improvised Negativ-jams and other electronic exploration, under the guise of “Mini-Mutations,” a shortened, stage-ready-version of his weekly WFMU radio program, “Mid-Valley Mutations.”
For these shows, Austin will be using synths, samples and songs to explore The Future of When, and the way that our past expectations of The Future seem to point to a world that still doesn’t – and probably won’t ever – exist.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Aurora Josephson is a musician and visual artist who currently resides in Portland, Oregon. Building on the foundation of operatic training and a BA and an MFA in Music Performance from Mills College, she has forged a bold vocal style that is uniquely her own. She has performed and recorded with Alvin Curran, Fred Frith, Gianni Gebbia, Henry Kaiser, Joelle Leandre, William Winant, among others, and musical groups Big City Orchestrae, Flying Luttenbachers, ROVA Saxophone Quartet, T.D. Skatchitband and the Merce Cunningham Dance Company.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Free Static is an experimental music project featuring Chris Ruiz and Courtney Stubbert. We (dis)organize sound with any electrical and acoustic instruments or objects that produce noise. We exist in Eugene, Oregon, United States of America, Earth.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ [view] is a sonic outlet of Curtis Rochambeau, an analog circuit designer who entertains the endeavor of putting electronics to work in punishing tasks. High texture interleaved layers.
The most interesting thing about The Future of When is that everyone has a prognostication that never really reflects what will happen, but feels like it should. In many ways, The Future of When is about possibilities from another universe, another timeline, another reality than ever fully manifested. Through long digressions regarding the Unisphere and advanced telephony of the mid-century, we discuss the future of space travel with Bandit, Listener Robert calls in of a story of what he though the future of soap was, and will be, and Aaron in Minneapolis returns with a sequel to his previous Mid-Valley ghost story!
The mix gets nice and thick when we get to it, and I even pull out my bass for a couple improvised jams that felt right in the moment. It’s certainly a nice glimpse into once kind of future, that exists on this radio program, every week.
Mr. B of the “Stranger Than Fiction” radio show in Portland, Oregon, was kind enough to include some music by Don Haugen and Austin Rich, and talk up the “Willamette River Basin” Tour that is happening at the beginning of April. Above you’ll hear a 15 minute chunk of Mr. B’s show, where he plays some music by Austin & Don, and you can hear a few more moments from his show. You can find the complete two-hour program, which features a lot more music by other artists, either streaming from the Playlist (linked above), or from this link.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Don Haugen is a visual and sound artist based in Eugene, Oregon, occupied USA.
Focus on experimenting with location specific sound and room dynamics, with precision and control. Utilizing a vast arsenal of home-built electronics and re-purposed test instruments to create sonic texture-scapes. Haugen’s compositions range from dense drones, whispering noise to cacophony structures.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Scot Jenerik is a multidisciplinary artist/instrumentalist, instrument builder, composer and sound engineer. He has performed, lectured and distributed works extensively in the United States, Europe and Japan for over 40 years. He has an MFA from the San Francisco Art Institute; founded 23five Incorporated (the first non-profit arts organization in the US, dedicated specifically to the development and increased awareness of sound works in the public arena); is co-owner of Mobilization Records; and co-hosted the No Other Radio Network on KPFA.
Mr. Jenerik’s current performance is the piece “The Fall of Icarus”, a 30 minute film and live audio, utilizing a Turkish Saz Baglama, digital tanpura, signal generator, and processing.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Austin Rich has been making ’zines, music and radio since 1993, self-publishing and distributing his own work by hand. For the last 10 years, his focus has been on taking the collage prevalent in his ’zines, and applying it to his music and radio work, carving out a place in Oregon for improvised Negativ-jams and other electronic exploration, under the guise of “Mini-Mutations,” a shortened, stage-ready-version of his weekly WFMU radio program, “Mid-Valley Mutations.”
For these shows, Austin will be using synths, samples and songs to explore The Future of When, and the way that our past expectations of The Future seem to point to a world that still doesn’t – and probably won’t ever – exist.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Aurora Josephson is a musician and visual artist who currently resides in Portland, Oregon. Building on the foundation of operatic training and a BA and an MFA in Music Performance from Mills College, she has forged a bold vocal style that is uniquely her own. She has performed and recorded with Alvin Curran, Fred Frith, Gianni Gebbia, Henry Kaiser, Joelle Leandre, William Winant, among others, and musical groups Big City Orchestrae, Flying Luttenbachers, ROVA Saxophone Quartet, T.D. Skatchitband and the Merce Cunningham Dance Company.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Free Static is an experimental music project featuring Chris Ruiz and Courtney Stubbert. We (dis)organize sound with any electrical and acoustic instruments or objects that produce noise. We exist in Eugene, Oregon, United States of America, Earth.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ [view] is a sonic outlet of Curtis Rochambeau, an analog circuit designer who entertains the endeavor of putting electronics to work in punishing tasks. High texture interleaved layers.
It always seems like a bit of a whirlwind to me each time, but yet again, our Marathon has come, and with it, another chance to show listeners what we do, how we do it, and give you a chance to get a little something out of the deal, too. This year was no exception, of course, and we made it a point to try and get all vinyl records as Prizes this year, and the fact that Sun Ra Boxed set didn’t last long is a sign I’m doing something right.
We continue to work our way through The Future of The Past, with more inclusions from records that were given away to donating listeners. A few folks mentioned in the Digital Salon that they even got the Sheena’s keychain, and for that we are grateful, as it is very fetching, and will look good any way you use it.
This mix gets nice and thick, and aside from a couple of tech issues involving a Velvet Underground CD and whatnot, we get really into Nuclear Power, Sinclair’s Dinoland, and many other aspects of the way the past saw the future. We cap things off with a future-forward past performance from the beginning of March, where Mini-Mutations tackled some of these same themes… in front of an audience.
We manage to raise a fair amount of money, and we gave away almost everything. That’s not a bad way to cap off a Marathon.
I’ve said it before and I’ll say it again: the time of year when our radio station kicks into “fundraising” mode seems to come sooner and sooner every year, and already, it is Week 1 of our Marathon! We hope that you consider donating to our humble cause, and in exchange, I have LPs that I will mail to you, for your donation.
But that’s not all! Bandit calls in to offer their take on why radio and community is important. Aaron In Minneapolis – with the help of some modern software – calls in with a Mid-Valley ghost story, relating to the future, and to the people and places that make the Mid-Valley so special. And: I continue to cut and paste with samples and music regarding the Future of When.
Stay tuned, as we will have more LPs to give away next week, more Marathon Fun happening at WFMU, and more chances to help keep something fun and uplifting running smoothly in your community.
As we continue my journey through the Sleepcore on the picsandportraits YouTube Channel, we – Again – journey through the future of the past, and try to find the various ways that I can jam along with the flotsam and jetsam of 20th Century AV. It was such a difficult and wide-ranging journey that I even had to pull my bass out, to make up for other equipment failures that I’ve been struggling with here in the Lava Lamp Lounge. Still, we managed to bring you three hours of retro-futurism, in an effort to consider the sort of timeline of which we seem to have been robbed.
The lines were open, but silent, and not everything was rainbows and lollipops, but we did manage to stick the landing, and have settled into a routine and a format that could be sustainable, baring any particularly unforeseen mishaps. We close going places this show had NEVER gone before – with the work of ABC, no less – and along the way manage to connect the dots back through the Circle Jerks, The Flaming Lips, old-school ska, the 39′ World’s Fair, Camper Van Beethoven, and so much more.
This time, Austin & univac are joined by Aurora Josephson & Mike Dringenberg, where efforts to rehearse for an impending – and very important – show, is just out of reach thanks to two of the Pod’s more insistent AI services.
This story is part of, “The SquircUBe Chronicles,” series of episodes on UB Radio Salon, written by univac and Austin Rich.
Inspired recently by watching the time-bending story in the early 90’s film, Orlando, I began thinking about the way the future was seen from the past. This led me to thinking about the work that the picsandportraits channel on YouTube has been doing, raiding archive.org for the ephemera of the past that reflected on the future in interesting ways.
Jettisoning the plans I had for this week, I hastily assembled a variety of sources, with the idea that I would instead explore The Future of When, a place where the past, present, and future all exist on the same wavelength for nearly three hours. Songs, samples, live Mini-Mutations and the like all combine to create a kaleidoscopic perspective from this curious point in mid-life.
Time marches on, and the case files regarding Extra Terrestrial activity only get larger and more complicated. This time we try to get to a few different perspectives, all of which draw no conclusions that are any different than the ones you knew about before. Mr. X himself, Xeres of Xeron calls in, so we can both discuss our thoughts about what might be happening with regards to abductions, and later, das from Big City Orchestra calls in too, tossing his own brand of nonsense into the mix. We close up shop a little early, only to get to an afterparty. This time we offer a live performance from 9 years ago on this very day, when Derek M. Johnson came down to the show, and sat in for both a solo and a collaborative set with. It is odd to think that this individual show has almost a decade of history to it now. .
“Arvo Zylo returns to Mid-Valley Mutations with a set initially inspired by Joe Meek and his fateful connection to February 3rd. With that as a prompt, the program will spread infinitely outward into other parallel freeform territory. Zylo is head of NO PART OF IT label. In addition to various radio experience, he does noise music, occasional interviews or articles, and collage art.”
The best laid plans of both cats and chickens can often come back, the very next day, to roost and nap on the radio when you least expect it. In spite of my best laid plans to bring you more stories of UFOs, we take this detour through the archives, to offer, “One For The Cats,” mixing poetry and literature with music, to offer two hours of feline fancy, for the cat and or cat-lover in your life. We cap things off with a broadcast from 10 years ago to the day, where I edited together some clips of Chickenman with songs on a similar audio wavelength. Between all the cats and chickens in your life, hopefully this will offer you an outlet where all you have to do is listen, and dance.
More Nordine Nuggets, as we continue our chronological overview of “Word Jazz,” whenever we are asked to cover for Barno and “Cheek In Tongues.” We share a few “how did you find him?” comments in the Digital Salon, and we work through 60 minutes of vintage Nordine, as he cleverly offers improvised word salad in the best possible way.
What was that? Out in the yard? I think I heard something… or at least, we started to a couple weeks ago, and now we return to our work, supplementing the work that Mr. Joyce did, so long ago. More 70’s UFO Documentary Magic, as we traipse through the central questions: are UFO encounters real, or a collective hallucination? We don’t get anywhere… as usual… but we close with an edit of a 20 year old broadcast from the archives, with a live performance by a band no longer with us: Gordon Taylor.
We have another “two-sided” episode this week, as we offer two different kinds of interviews, with two different kinds of artists.
In the first leg of their West Coast Tour, Cecyl Ruehlen calls in to talk about their practice as an artist, playing shows in DIY or temporary spaces, their path as an artist, and then offers a sneak preview of their new album, which is not yet out yet, but is coming soon.
Then, Thomas Dimuzio calls into the show, to talk about how they got into music, the search for the right balance of listening, gear and improvisation, and even offers a little insight into their approach to long-form pieces, and mastering final recordings. Thomas’ approach to sound itself, and how to present it, is something I’ve appreciated for a while, and it was delightful to talk to him about his work.
New Year, New Mutations, and to kick things off, we will be exploring UFOs again, picking up where Don Joyce left off, and adding our own spin to the proceedings. We pulled hours and hours of material for this presentation, so we will not run out any times soon. Our show includes several thick collage mixes, a call from our alien friend from Zornac, Bandit checks in with some casual call updates at the end of the show, and we keep scanning the skies – and our radio dials – for UFO activity. There’s really nothing better that early 70’s UFO documentaries, and there’s more to come, next week!
It’s another journey deep into the lore and experiences of those who have seen or are haunted by apparitions, this time with a slight holiday component to the show. After debuting two new tracks by The Giant Worm – which were recorded days ago, and submitted to this show by the band – we pick up where we left off back in October, where we were In Search of The Ghost Hunters of The Mid-Valley. Now, we add a BBC broadcast of holiday ghost stories into the mix, along with music, a call from WebHamster Henry himself, and, plenty of Mini-Mutations. It’s a cut-up take on the Christmas Ghost Story, and we wouldn’t have it any other way.
This time, Austin & univac are joined by Aurora Josephson & Mike Dringenberg, to offer the first installment of, “Captain Amazing,” and to continue discussing the fallout from their time at the Yoga Yurt.
This story is part of, “The SquircUBe Chronicles,” series of episodes on UB Radio Salon, written by univac and Austin Rich.
We’ve got a live split LP of a show for you this week, as we bring you post punk and experimental music – and interviews – with artists here in the Mid-Valley, that I think you are going to love.
We start off with a live performance and interview with Ghosts of Ghosts, a trio who bring you instrumental tunes that are as danceable as they are otherworldly. After a brief intermission in hour two, flip the show over, and go on an otherworldly journey, with a live set by Scot Jenerik, who returns to the show to talk about his new live boxed set, Street of Crocodiles, and also gets into a lot of the process and motivation behind creating new work.
It’s a live double-header and you don’t want to miss it!
We make another nod to Nordine, as we continue to explore the classic Word Jazz series of broadcasts.
This week, Barno was out again, so it made sense to grab two more installments of this program, and give it a throw. The Digital Salon was pretty lively, as Hot Dog – and the pros and cons of Chicago Style – rapidly became the subject of conversation.
Join us for a casual conversation with legendary Science Fiction author, Melinda Snodgrass. We get a nice overview of her career, stories about how she got involved in Hollywood, and lots of tips on writing, and what makes a dedicated writer. Melinda has two series of books available to read now, which you can learn a lot more about (and find links to buy them) on her website: .
I had to miss my regular Tuesday show this week, so I picked up a shift to cover for Don-O, and offering three house of Thanksgiving Leftovers: all albums and records that I’ve been meaning to get to this year, but hadn’t appeared on the show yet. It’s a MOSTLY all vinyl show, but I really just play whatever I want, and enjoy it the whole time. Now you can, too.
Our Holiday Season this year is filled with anniversary retrocasts: shows that originally appeared on the same date, but many decades previous. We start this year off with two installments of CBS Radio Mystery Theater, and a short holiday installment of The Victory Front.
Aurora Josephson visits the UB Kitchens for an in-person drone session, and univac and myself call in to offer scripts, japes, and drones to help flesh this show out.
This story is part of, “The SquircUBe Chronicles,” series of episodes on UB Radio Salon, written by univac and Austin Rich.
Since many of us are stuck visiting with family that we don’t particularly want to see this time of year, we decide to take a radio “walk” out behind the garage, and huff down a couple j’s, soaking in another massive dose of stoned audio adventures, combined with some Thanksgiving Recipes by Martha Stewart, herself. All part of our annual Thanksgiving Shenangans, that works well fresh from the oven, or parsed out over the next couple weeks.
Presenting in its entirety, The Elgin Watch 7th Annual Thanksgiving Show, which features music, comedy, and other solemn radio moments from the 25 of November, 1948.
Rough Playlist:
Ken Carpenter * Announcer Spot 1
Don Ameche * Host Spot 1
Mario Lanza * Cosi, Cosa!
Don Ameche * Host Spot 2
Don Ameche & Gary Moore * (Joke-Em-Ups)
Don Ameche, Gary Moore & Jimmy Durante * Ink A Dink A Doo
Don Ameche * Host Spot 3
Ken Carpenter * Elgin Watch Ad
Don Ameche * Host Spot 4
The Mills Brothers * Confess
Don Ameche * Host Spot 5
Don Ameche, Vera Vague & André Previn * (Joke-Em-Ups)
André Previn * Lover
Don Ameche * Host Spot 6
Bob Hopkins * Impersonations
Ken Carpenter * Announcer Spot 2
Don Ameche * Host Spot 7
Don Ameche & Jack Benny * (The Cheap Market)
Ken Carpenter & Don Ameche * Segue…
Mabel Flapsaddle / Sara Berner & Frank Nelson * Elgin Watch Ad
Don Ameche * Host Spot 8
Frances Langford * Just One Of Those Things
Don Ameche, Vera Vague, Frances Langford & Maro Lanza * (Still More Joke-Em-Ups)
Mario Lanza * (Sings Another Song)
Ken Carpenter & The Elgin Performers * Elgin Watch Ad
Ken Carpenter * Announcer Spot 3
Don Ameche * Host Spot 9
Dean Martin * Ramblin’ Rose
Don Ameche, Vera Vague, Dean Martin & Jerry Lewis * (Continued Joke-Em-Ups)
Dean Martin & Jerry Lewis * That Certain Party
Don Ameche, Ken Carpenter & Willy Lump Lump (Red Skeleton) * (Joke-Em-Ups Again)
Frances Langford * Can’t Help Lovin’ Dat Man
The Bickersons * The Honeymoon Is Over
Don Ameche & Bob Hopkins * More Impersonations
Ken Carpenter * Announcer Spot 4
Don Ameche * Host Spot 10
The Mills Brothers * Paper Dolls
Ken Carpenter * Announcer Spot 5
Don Ameche * Host Spot 11
Red Skelton / The Mean Widdle Kid, Jr. * Thanksgiving Scene
Don Ameche * Host Spot 12
André Previn * (Song)
Don Ameche * Host Spot 13
Mario Lanza * (Another Song)
Don Ameche * Host Spot 14
Ken Carpenter * Announcer Spot 6
Number six in our “Howlin’ At The Doom” series of biographical mix shows where we ruminate on how it was that well known artists from he past handed the horrors of their world and their lives. This is the third covering the life and work of Harry Partch (you can listen to Part One and Part Two to complete the trilogy), where we continue to explore interviews and documentaries about one of the most inventive and unusual audio artists of the last 100 years. We end the show with a nearly 90 minute, uninterrupted piece of Partch and gives you another example of the range of his performances.
Picking up where we left off with Part I (and in a larger sense, with are ongoing “People Who Died” series), we continue with more Tom Lehrer and David Lynch cut-ups, mixed in with other audio tributes to Wink Martindale, Hulk Hogan, Gang of Four, Connie Francis, and many, many more. We didn’t we scratch the surface with this one, and there should probably be another installment ASAP.
Four Dimensional Nightmare has been a friend to the show, and a guest, for well over 10 years now, and the news of their (possibly last?) show in December has been very exciting to hear. We present a live performance and interview with both Four Dimensional Nightmare, but another good friend to both this show and The Nightmare as well, Brad Anderson. It’s two live sets! It’s two interviews! It ‘s radio the way it was meant to be, and you can enjoy it all, here, now.
On the anniversary of the Roswell Incident this year, we broke open the UFO file here in the Lava Lamp Lounge, and offered a long meditation on that particular corner of UFO-logy. However, I uncovered a treasure trove of vintage UFO documentaries, and decided to get back to that subject, this time for our annual Halloween Spook-tacular. While Aliens are not precisely Halloween fare, it was nice to settle down with something weird and spooky to close out the season this year.
Closing our our annual Spook-tacular this year, we continue with Four presentations that are perfect for the spooky in your family. More installments of The Weird Circle, The Price of Fear and Quiet, Please are all on the docket, but we also have a very curious novelty – The Haunted House of Song – that will give you something special to enjoy, outside of the usual shows. Dig in… if you dare!
It’s another installment of “The SquircUBe Chronicles,” a show that I co-write with univac, and is hosted most months, on UB Radio Salon. For this show, we discover that Austin has trouble finding the exit to his facsimile of The Mid-Valley. It’s up to univac, and a pair of well-timed music breaks, to solve this problem, and get everyone back out to the SquircUBe, ASAP.
Digging into the archives again, to look for more music and recordings by The People Who Died, trying to keep it focused to 2025 deaths, for the Halloween Spook-tacular this year. Actual deaths are a lot scarier than anything else I could think of, and there were too many to avoid dedicating a show to all of it. Lynch and Lehrer wind up in the mix, along with many other folks, too many to contain in one show, as all of this spilled over into another show a few weeks later.
Our annual Halloween Spook-tacular continues, and with it, our tour through mid-century horror radio wends through the dusty corridors, to find new aural treats that have not yet scared us before. More installments of our four regular October Shows are available for you, including stories from The Weird Circle, The Price of Fear, The Strange Dr. Weird, and Quiet, Please. Celebrate Halloween the right way, with horror selections, from us.
It’s the holiday season, and as usual, we find that the once-a-year tradition of seeing the Ghost Hunters emerge and get sighted by any number of local oddball, here in the Mid-Valley. Miss Rikki (of legendary Closet Radio fame) joins me for a tour of the Mid-Valley, in search of ghosts and other mysterious happenings. There’s plenty of music, natch, and we do our best to find the scariest parts of the Mid-Valley… all while trying to raise a little coin for WFMU.
Our annual Halloween Spook-tacular is off to a good start this year, as we continue our journey through four horror radio mid-century broadcasts from the dark side of the radio dial. Its holiday installments of The Weird Circle, The Price of Fear, The Strange Dr. Wierd, and Quiet, Please, all ready to scare you into the spirit of the season.
In a rare radio event that was far too long in the making, Miss Rikki of Closet Radio notoriety joins me for a pseudo A Momentary Lapse of Reason reunion, as we join forces as Jungle Room correspondents, who have gone on-location, to a town at the southern end of the Mid-Valley, with the unlikely name of Hell. In this scripted adventure with a cast of characters almost too numerous to mention, we’ll go to Hell and Back just to bring you some Holiday Entertainment. Will we survive this incredible adventure? Who will we meet along the way? Will it all be in the name of ridiculous Halloween fun?
We begin our holiday season this year, in traditional style, with a return to our usual October features and fun. We deploy a documentary about Lon Chaney Jr. this year, over the entire month. We also include some excellent stories from radio’s past: “The Horla,” by The Weird Circle, “William And Mary” by The Price of Fear, “The House Where Death Lived,” by The Strange Dr. Weird, and we close with a particularly creepy radio presentation, “Inquest” by the classic horror series, Quiet, Please. It’s the perfect way to get into the holiday season, and it’s all from Dimestore Radio Theater!
Arvo Zylo returns to the show, with another DJ mix the plums the depth of their record collection, to find the best audio treasures for you to enjoy. Always excellent, often curious, and occasionally offering a chance at music you don’t always remember to listen to, it is a wonderful overview of the mind and music of Arvo. Since MVM is now a three hour show, Arvo adds an additional DJ mix for hour three, giving you even more to absorb and consider.
It’s another installment of “The SquircUbe Chronicles,” a monthly serial Sci-Fi story, written by univac & Austin. In this installment, the pod has been malfunctioning in a variety of ways. Hour 1 proves to almost be fatal to Austin, who has lost a few of his limbs, some of which have become entangled, quantumly. As if that weren’t enough, in hour two, as they continue to try and fix the Pod, we find that univac has been injured too, and his non-Newtonian body was been restored to “human” standards, whatever those are.
Installments of “Comic Weekly Man” and “National Lampoon Radio” play in-between scenes.
It’s that time of year, when our thoughts turn to those of Halloween!
Heather would have picked something local.
Austin is stuck in the 80’s, at Halloween.
Our Setlist:
Vic Crume * The Haunted House
Tim Curry * The Halloween Song
Oingo Boingo * Dead Man’s Party
Ramones * Pet Sematary
The Dickies * Killer Clowns From Outer Space
Men At Work * Dr. Heckyll & Mr. Jive
The Fall * There’s A Ghost In My House
Toto Coelo * Dracula’s Tango
We encourage you to help with our Patreon Fundraiser, where we are working with Michael Cassutt to create an audio-drama version of his lost vintage Max Headroom script, “Families.” So if you help support Austin Rich so he doesn’t have to punch a clock, then we can get more of this kind of material to you, quickly.
Continuing to filter through the massive, 100 volume “Once Upon A Time” compilation series of chronological punk singles, here’s another playlist, about the problems with dating. .
After some technical issues, we finally get this Valentine’s Day retroacts going, with a fairly lively chat, and a simple story about what love in the future might be like.
This one gets a little serious, as we discuss Mental Illness, and some of the challenges therein This one closes with one of the last live performances by MKUltramegaphone.
This one gets a little serious, as we discuss Mental Illness, and some of the challenges therein This one closes with one of the last live performances by MKUltramegaphone.
On the anniversary of Karel Čapek’s birthday, we listen to this 2005 presentation from the BBC, where they dramatize a 90 version of, “The War With The Newts.” This story is fantastic, breaks the fourth wall, has Karel and Olga – real life people – narrate the story from WWII Prague – as they worry about Hitler’s impending invasion, and instead, discuss a different world wide calamity that we all brought upon ourselves.
As we wind down the year, it’s time for an extended vinyl solution, and a live performance by Mini-Mutations. In a way, both are sort of an extension. of the other. Hopefully it’s the perfect way to ease into the new year.
Sheena’s Jungle Room presented six hours of New Year’s Eve radio, and I contributed a tiny bit to the PST Time Zone celebration. This was a lot of fun, and Bob’s already talking about doing it again next year.
As we wind down the year, it’s time for an extended vinyl solution, and a live performance by Mini-Mutations. In a way, both are sort of an extension. of the other. Hopefully it’s the perfect way to ease into the new year.
Once your star is ascending, it’s only a matter of time before someone realizes that the next logical step is to have your work the holiday angle, with a Special and a Holiday Single that will be on TVs and in stores… just in time for you and your loved ones to spend this special time of year with your new favorite celebrity. And this is how Max Headroom’s 7″ Single — “Merry Christmas Santa Claus” b/w “Gimme Shades” — came to underwhelm all of us in 1986.
Heather is really hung up on the lyrics, and can’t seem to think of anything else.
Austin wants to set the record straight, and thank Blank Johnny in the UK for sending a copy of the single to The Lava Lamp Lounge!
(This show was originally a part of our Podcast, 20 Minutes Into The Future.)
Austin’s Annual Holiday Program For Mid-Valley Mutations takes an unusual turn, as he desperately tries out something new, in an effort to make his show the best in the tri-county area. It’s a Holiday Horror Story, written by univac and Austin! Guest voices! Music! And a story about the places where dreams and technology intersect in the worst possible way.
Probably one of the more legendary and divisive opinions on our show: one of us did NOT like Blade Runner, and one of us is rather fond of it for it’s impact and influence on cinema, culture, and specifically, Max Headroom. Wanna hear us get into it, with a tid-bit recorded with Steve Roberts, who offers his thoughts on all of it?
Heather is reminded of the way certain men like to behave.
Austin argues about Class Consciousness. Again.
(This was originally released as an episode of 20 Minutes Into The Future.)
A rundown of 7″ Records and all vinyl / lathe-cut recordings, leaning heavily on a record by Nicole Panter, and one about Duck Calls. (Among many other things.) A wide range of experimental vinyl in short-form.
Between November 14th and November 24th, the Apollo 12 Mission quietly worked in the shadow of the much more exciting, and famous, Apollo 11 Mission from earlier that summer. Since we are continuing our coverage for “Sounds From Space,” this is sort of a sequel to our Apollo 11 Tribute from the summer, as we listen to Apollo 12 tapes this time, and enjoy a long-form Mini-Mutations jam… and while thinking about Sounds From Space.
Enjoy!
November In The Stars * Mini-Mutations * 27 November 2023.
Austin had gone out of his way to make a fantastic dinner for his 20 Minutes Into The Future family. They would like to have nothing to do with it, in any way, shape, or form.
Heather’s Holiday Playlist is, once again, here to help us deal with unwanted family this time of year.
Austin spent too much time on something no one wants to enjoy. Again.
“Title” * “Album” * “Artist”
Bread * Your Favorite Music * Clem Snide Breakfast Man * My Report Card * Todd Shuster Sugar Sugar Sugar * Tender Prey * Nick Cave & The Bad Seeds Like Eating Glass * Silent Alarm * Bloc Party Know Your Chicken * Viva! La Woman * Cibo Matto Angel Food * I’m Around * Nod Sugar * R&B Transmogrification * Quasi Chicken * A Date With Elvis * The Cramps Two All-Beef Patties (Live) * Fan Club: From The Rare To The Unreleased * Jellyfish Everybody Eats When They Come to My House * Everybody Eats When They Come to My House * Cab Calloway and his Orchestra Chicken and Ice Cream * Podcast 41 * They Might Be Giants Come On-A My House * Superstars Of The Fifties * Rosemary Clooney Dinner Bell * Apollo 18 * They Might Be Giants Toast * Pretending I’m Not Home * Heywood Banks Big Rock Candy Mountain * God Don’t Make No Junk * The Halo Benders Fishcakes * Mask * Bauhaus
(This show was originally a part of the podcast, 20 Minutes Into The Future.)
Just in time for you to step out onto the porch and have a cigarette in radio form, it’s a chance to get away from your family during the holiday, and instead, listen to a bunch of loud rock and roll, all thanks to our PUNKSGIVING Special, continuing to filter through the massive, 100 volume “Once Upon A Time” compilation series of chronological punk singles.
Xeres and I decided that we needed to get away from it all, for a while. We arrive at Big Rock Candy Mountain, a fantastic campground with a number of odd features, including a creek near an ocean beach with lots of hiking in tropical and pine forests. Occasional guests wander in, we read some poetry and short stories, offer some PSAs about camping, and we have our Short Wave Radio to tune in music and The Weather Computer.
It’s The Great Outdoors. Sit around the campfire, and stay a spell.
Enjoy!
The Great Outdoors
Artist
Track
Album
Label
Year
Comments
Apemen On Big Rock Candy Mountain
Xeres of Xeron & Austin Rich
Driving Out
The Great Outdoors
The Kinks
Apeman
Lola Versus Powerman And The Moneygoround, Part One
Pye Records
1970
Xeres of Xeron & Austin Rich
The Campsite
The Great Outdoors
Harry McClintock
Big Rock Candy Mountain
Haywire Mac
Folkways Records
1972
Xeres of Xeron & Austin Rich
Setting Up Camp
The Great Outdoors
Coleman Camping Gear
Let’s Go Camping
Let’s Go Camping
Coleman
1970
Xeres of Xeron & Austin Rich
Cooking Hoedown
The Great Outdoors
Xeres of Xeron
Results
Radio Jam
1991
Where Are We?
Xeres of Xeron & Austin Rich
Down By The River
The Great Outdoors
Xeres of Xeron & Austin Rich
Nature Sounds on the Nature Hike
The Great Outdoors
Xeres of Xeron & Austin Rich
An Encounter with Gentle Ben and…
The Great Outdoors
Gene Autry
Smokey The Bear
“Smokey The Bear” b/w “Back In The Saddle”
Columbia Records
1960
Eric Haenn
Jew’s Harp
Eric Haenn
Ad Council
Smokey Bear “Think” PSA
Smokey Bear “Think” PSA
1972
Xeres of Xeron & Austin Rich
The Weather Computer Calls In
The Great Outdoors
It’s Gettin’ Dark Mighty Fast
Xeres of Xeron & Austin Rich
The Beach & The Whales
The Great Outdoors
Xeres of Xeron & Austin Rich
A Plague of Frogs
The Great Outdoors
The Firesign Theater
Back to the Shadows, Again!
I Think We’re All Bozos On This Bus
Columbia Records
1971
Fern Zimmerman
The Littlest Trompt
2010
Where Are We, Again?
Xeres of Xeron & Austin Rich
Reading Pulp Fiction
The Great Outdoors
Xeres of Xeron & Austin Rich
Shortwave Radio Jam In A Cave (w/ Re-Started Nature)
The Great Outdoors
[w/ “Ode,” “All Right,” “All Baby,” & “All Out” * Xeres * Radio Jam (1991); “Later Than We Think (w/ Woody Guthrie samples)” * Trey Gunn w/ Will Kreth * unreleased (1984)]
Yogi Bear
Trying To Escape Jellystone Park [Excerpt]
Hanna-Barbera
1968
Ad Council
Rod Serling “Careless Killers” PSA
1962
“He left the next day for The Mountains.”
Xeres of Xeron & Austin Rich
Racoons
The Great Outdoors
Eric Haenn w/ Jim Richards
untitled
Eric Haenn
Gary Snyder w/ Paul Winter Consort
True Night
Live at Zellerbach Auditorium, Berkely, CA (25 March 1979)
1979
OFF!
OFF! Commercial
1970
Richard Brautigan (read by Austin Rich)
A Note On The Camping Craze That is Currently Sweeping America
Trout Fishing In America
Four Seasons
1961
Xeres of Xeron & Austin Rich
Wolf Jam
The Great Outdoors
Ken Carson
Clementine
American’s Favorite Campfire Songs featuring Ken Carson
For my this particular Pledge Drive show, I play a bunch of cuts from prizes and premiums that you can get if you donate to WFMU! I’m joined by the lovely Ironybread, to help spread the word.
For my first ever Marathon show for WFMU, I’m joined by the station manager, Mr. Fab! We offer live coverage of the first “Animalympics” in the Mid-Valley, AND ask you to help donate money to keep WFMU going for another year. Hilarity and fun ensue! Join us!
After getting lost in the Mid-Valley on my way home from a show, I stumble upon a pair of “Haunted Houses,” and have to endure these ridiculous experiences.
Fortunately, I was allowed to crack wise to help me get through the night. Radio Riffing on two ridiculous horror classics, for those who enjoy a little comedy with their weirdness.
Miss Rikki joins me for a trip through nostalgia and great mixes, as we replay some choice selections from a few of our finest radio moments together. We also catch up with Miss Rikki, to talk about all the things that she is involved in now.
2022 has been hard on all of us already, and we’ve lost a number of excellent artists and performers that touched all of us quite a bit. With that in mind, here’s two hours of songs in tribute to those we have lost and loved, just in time for Valentine’s Day.
In this History Lesson (originally aired on 10 September 2011), we offer some clips from some music documentaries, that focus on how all this wonderful music got started. This version is a little re-vamped from the original broadcast, for Jungle Room Listeners.
This began last week! Feel free to listen to them as a four hour “documentary.”
Enjoy!
Live Playlist & Comments
Artist
Track
Album
Label
Ghost Riders in New York
Narrator
Part 9 Punk: Introduction
Rock & Roll Documentary
PBS
Richard Hell & The Voidoids
Blank Generation
Blank Generation
Music behind DJ:
The Flamin’ Groovies
Slow Death (San Francisco, California, 72)
Suicide
Frankie Teardrop [Edit]
Suicide
Suicide Interview
Kill Your Idols Documentary
Suicide Interview
Punk Attitude
Suicide
Ghost Rider
Suicide
The Ohio Scene
Music behind DJ:
Killer Kane Band
Longhaired Woman
David Thomas Interview
Toronto TV
Rocket From The Tombs
30 Seconds Over Tokyo
The Day the Earth Met the Rocket from the Tombs
The Dead Boys
Punk Roots In Ohio
Punk Rock Diary 1970 – 1979
Frankenstein
Down In Flames (Cleveland, Ohio, 75)
Eve Of The Dead Boys (October, 1975)
Cheetah Chrome
Cleveland Scene
Interviews From The Edge
Mirrors
She Smiled Wild
Cheetah Chrome
Cleveland Scene
Interviews From The Edge
Mike Rep & The Quotas
Rocket To Nowhere (Columbus, Ohio, 75)
Rocket to Nowhere 7″
Cheetah Chrome
Cleveland Scene
Interviews From The Edge
Bizarros
Lady Doubonette (Akron, Ohio, 76)
“Lady Doubonette” b/w “I Bizzaro”
We’re All Devo!
Music behind DJ:
Nervous Eaters
Loretta (Boston, Massachusetts, 76)
Loretta
Devo
We’re All Devo!
Pioneers Who Got Scalped: The Anthology
Devo
De-Evolution In Akron
Punk Rock Diary 1970 – 1979
Devo
Jocko Homo (Booji Boy Version)
Pioneers Who Got Scalped: The Anthology
Devo
De-Evolution In Akron
Punk Rock Diary 1970 – 1979
Devo
Clockout
Hardcore Devo Vol. 2 1974 – 1977
Devo
De-Evolution In Akron
Punk Rock Diary 1970 – 1979
Patti Smith
Free Money (NYC, 75)
Horses
The Modern World
The Punks
Drop Dead (Detroit, 75)
The Punks
Music behind DJ:
Wayne Kramer
Ramblin’ Rose (Detroit, Michigan, 74) (Edit)
Ramblin’ Rose
Narrator
Part 9 Punk: The Modern Lovers
Rock & Roll Documentary
PBS
The Modern Lovers
Roadrunner
The Modern Lovers
Narrator
Part 9 Punk: The Modern Lovers
Rock & Roll Documentary
PBS
The Modern Lovers
Girl Friend
The Modern Lovers
Narrator
Part 9 Punk: The Modern Lovers
Rock & Roll Documentary
PBS
Neon Boys
That’s All I Know (Right Now) (NYC, 73)
That’s All I Know (Right Now)/ Love Comes In Spurts/ High Heeled Wheels
In this History Lesson (originally aired on 3 September 2011), we offer some clips from the unfortunately titled, “Punk Attitude,” documentary, and focus on the music a little more than the interviews. This version is a little re-vamped from the original broadcast, for Jungle Room Listeners.
This show continues next week! Tune in to follow the story!
In this episode, I’m joined by Xeres of Xeron, who wrote and programmed this show, too. (With a little help from me, too.) Two hours of novelty music! Help us raise money for the Parade of Pennies, before we both find out it is a scam. And enjoy some excellent tunes, too.
The Big Problem ≠ The Solution. The Solution = Let It Be.
David Seville
Witch Doctor
“Witch Doctor” b/w “Don’t Whistle At Me, Baby”
Music behind DJ:
Vince Guaraldi
Blues For Peanuts [Excerpt]
The Definitive Vince Guaraldi
The Hollywood Argyles
Alley Oop
“Alley Oop” b/w “Sho’ Know a Lot About Love”
Sam The Sham & The Pharaohs
Li’l Red Riding Hood
“Li’l Red Riding Hood” b/w “Love Me Like Before”
Napoleon XIV
They’re Coming to Take Me Away, Ha-Haaa!
“They’re Coming to Take Me Away, Ha-Haaa!” b/w “!aaaH-aH ,yawA eM ekaT oT gnimoC er’yehT”
Sheb Wooley
The Purple People Eater
“The Purple People Eater” b/w “I Can’t Believer You’re Mine”
The Five Blobs
The Blob
“The Blob” b/w “Saturday Night in Tiajuana”
Music behind DJ:
Herb Alpert & The Tijuana Brass
Spanish Flea
Going Places
Allan Sherman
Hello Muddah, Hello Fadduh! (A Letter From Camp)
My Son, The Nut
Shel Silverstein
Sarah Cynthia Sylvia Stout Would Not Take the Garbage Out
Dr. Demento 20th Anniversary Collection: The Greatest Novelty Records Of All Time
Ken Nordine
Fliberty Jib
Word Jazz
Tom Lehrer
The Elements
An Evening Wasted with Tom Lehrer
Monty Python
The Galaxy Song
Monty Python’s “Meaning of Life”
Allan Sherman
Back At Camp Granada (Hello Muddah, Hello Faddah revisited)
Nutty But Nice
Music behind DJ:
Henry Mancini
Baby Elephant Walk
The Original Motion Picture Soundtrack to, “Hatari!”
Barnes & Barnes
Fish Heads
Voobaha
The Playmates
Beep Beep
“Your Love” b/w “Beep Beep”
Dana Lyons
Cows With Guns
Cows With Guns
Larry Verne
Mr. Custer
“Mr. Custer” b/w “Okeefenokee Two Step”
Steve Martin
King Tut (Live)
A Wild and Crazy Guy
Music behind DJ:
The Raymond Scott Quintette
Powerhouse
“Powerhouse” b/w “The Toy Trumpet”
Billy Murray
Hinky Dinky Parlay Voo
“Hinky Dinky Parlay Voo” b/w “We Don’t Get Much Money, But We Have A Lot Of Fun”
Paul Wynn
Shaving Cream
Cocktail Party Songs
Spike Jones and His City Slickers
William Tell Overture
“William Tell Overture” b/w “By The Beautiful Sea”
Groucho Marx
Lydia The Tattooed Lady
From the film “At The Circus”
The Coasters
Shoppin’ For Clothes
“Shoppin’ For Clothes” b/w “The Snake and the Book Worm”
Red Ingle
Serutan Yob (A Song For Backward Boys And Girls Under 40)
“Oh! Nick-O-Deemo” b/w “Serutan Yob (A Song For Backward Boys And Girls Under 40)”
Music behind DJ:
Orkestar Vyacheslav Mescherin
Vozdushnaya Kukuruza (Popcorn!)
Orkestar Vyacheslav Mescherin
King Missle
Cheesecake Truck
Mystical Shit
Mr. Bungle
Platypus
Disco Volante
Bongwater
David Bowie Wants Ideas
Double Bummer
Schlong
I Feel Pretty
Punk Side Story: The Original Drunk Punk Play
Flight of the Conchords
Robots
Flight Of The Conchords
The Rutles
The Knicker Elastic King
Archaeology
Music behind DJ:
Danny Elfman
The Breakfast Machine
The Original Motion Picture Soundtrack to, “Pee-Wee’s Big Adventure”
Jack Blanchard & Misty Morgan
Tennessee Bird Walk
Birds Of A Feather
Conway Twitty and Loretta Lynn
You’re the Reason Our Kids are Ugly
Honky Tonk Heroes
The Fugs
Nothing
The Fugs First Album
Music behind DJ:
Blain Morris
I Left My Heart In San Francisco
The Trailer Park Boys
Negativland
The Piddle Diddle Report: A Future Confronting The Past Which Is Our Future, Last Call From Howland Island, Eaten By A Black Hole, Returned To Your Rightful Channel [Excerpt]
Over The Edge Vol. 7: Time Zones Exchange Project
Buchanan & Goodman
The Flying Saucer (Part 1)
“The Flying Saucer (Part 1)” b/w “The Flying Saucer (Part 2)”
VIX NOELOPAN
!aaaH-aH ,yawA eM ekaT oT gnimoC er’yehT
“They’re Coming to Take Me Away, Ha-Haaa!” b/w “!aaaH-aH ,yawA eM ekaT oT gnimoC er’yehT”
Using some documentaries, music about radio, and a pile of Edison Cylinder recordings, we take you to the beginning of recorded sound, to the early days of Radio Broadcasting, in this two-hour Audio Essay that you will have to hear to believe.
I’m driving the Big Time Television bus through the Mid-Valley, and I’m broadcasting two hours of punk and post-punk tunes, all about that box we just can’t stare at enough.
Are we feeling isolated, stuck in places we’d rather not be… or, at least, we want everyone to believe that? Both a metaphor and something very real, we’ve all entered the Cave of Night, and the music around us is starting to reflect our state of mind.
It’s a New Year’s Eve story (sort of), about having to spend this time alone, wanting to get away, and reflecting on strange occurrences around us. We close with a Cookie Recipe and some Richard Brautigan, of course.