We’ll cut to the chase: we are announcing a special episode of our podcast, where we get to speak with Steve Roberts, Brian Frankish and Michael Cassutt, three of the creators behind a little show that is near and dear to the hosts of this podcast.
“Writing And Producing The Future: A Conversation With Steve Roberts, Brian Frankish & Michael Cassutt.”
There is so much talent crammed into this panel of Hollywood Luminaries that it is a shame, really, that we only get them for an hour, and even worse, that they are only discussing the program that they all have in common: something that lived, and still does, at some point 20 Minutes Into The Future…
“Max Headroom” was a short-lived science fiction program with a dark sense of humor and a wicked take on what the future might be like. And, in a very strange turn of events, much of this future happened to become the world we now live in. This ironic twist has not only led to making the dark comedy of this program even darker, but has led to a new podcast, “20 Minutes Into The Future,” where Heather & Austin (two radio nerds) review and discuss these ironies. Now, they get to aim this conversation directly at the creators of the program.
Writer, Director and Producer Steve Roberts, best known for writing “Max Headroom,” and “Hercules,” as well as developing the Canadian program, “Redwall,” is a charming English gentleman with a wonderful laugh and a very sardonic view of the horrors that technology can offer.
Novelist, writer and producer Michael Cassutt produced shows like “Z-Nation,” “Strange Luck,” “Eerie, Indiana” and “The Twilight Zone,” as well a having written dozens of scripts for a number of shows. He also worked closely with Steve Roberts on “Max Headroom,” and is a bit of a NASA nerd in his spare time.
Producer and Director Brian Frankish, who worked on films like “Strange Brew,” “The Last Starfighter,” “The Fugitive,” and “The Crazies,” and relevant to this particular conversation, was the producer on “Max Headroom,” that helped bring Steve & Michael’s stories to the small screen.
In this panel conversation facilitated via digital communication tools, three of the people who envisioned the future that we all now live in will reminisce, and discuss what it was like to develop this vision. Join us for an hour-long discussion about what it was like to work in the television trenches of the late ’80’s, and listen in to stories about bucking the system and working within it.
“Max Headroom,” was anti-television, anti-corporate power, anti-advertising, and anti-globalism, and yet, was produced by some insightful and adept members of the Hollywood community, who were not afraid to thumb their noses at the establishment. Now, this is our chance to introduce this brand of nose-thumbing to a new generation.
“Writing And Producing The Future: A Conversation With Steve Roberts, Brian Frankish & Michael Cassutt.”
Subscribe today, and live… 20 Minutes Into The Future!
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36 years ago, Channel 4 in the UK took a chance on a very unusual 60 minute “telefilm,” that was to offer the backstory for their new “digital presenter,” who would be showing 13 weeks of music video programing later that Spring and Summer.
What began as an experiment in testing out “cyberpunk” on broadcast television, became “Max Headroom,” who ran rampant through our culture as he moved from mainframe to mainframe, infecting us with the same kind of digital buoyancy that we were all looking for in the late 80’s. First, Max took over in the UK, then moved on to Cinemax and then, finally, improbably, on ABC television, and from there, he went global. After three years of massive exposure in nearly every medium, and becoming one of the world’s most preeminent cola salesmen, Max suddenly vanished… and little has been seen of him since.
Almost 40 years later, it really does seem like Max’s files may have finally gone to the Purge Directory on our cultural network mainframe.
“20 Minutes Into the Future” is a podcast hosted by Heather & Austin, who plan to track and chart the history of this incredible character, and review some of the media that inspired it. The Pilot episode will air March 21st, and the second episode – where they discuss the BBC telefilm, will air exactly 36 Years after the original program aired. A fitting beginning for a show that wants to look at all the details, and figure out what they mean.
Heather is a radio veteran, who currently hosts The Sound of Tomorrow with her co-host, Ross Johnson. Heather is in the demographic for it, and yet, has never seen a lick of Max Headroom. All of this will be new, as she is introduced to this material for the first time.
Austin is a radio nerd and musician, and a big “Max Headroom” fan. Austin discovered the show in the Spring / Summer of 1987, and watched it relentlessly until the show disappeared from the airwaves in 1988. This experience has left him wanting more, and he has revisited this show several times since then. This time, Austin will be taking a more academic look at the series, using Heather’s first-time perspective to help dig deeper into the material’s social dynamics as they are presented.
Join them, every two weeks, as they discover the world of Max Headroom, and find that living 20 Minutes Into The Future is actually eerily like living today.
Here is a short sample of our pilot episode, to give people an idea of what the show will sound like. The show doesn’t launch for a little while yet, but you can hear this, and get a feel for what the show will be like.
For the next couple of days, our server will be down. It is being moved to a new location in Portland. Hopefully we won’t be offline for long, and you’ll be the first to know when we’re back up. If there’s any back-episode you’d like to hear until we’re up and running again, please leave a comment.
This un-aired episode was turned in as part of the application process for producing a show at KMUZ Radio.
The Pilot Episode
Part I: The One Who Took My Place
01.) fold4, wrap5 * Autechre * LP5
02.) Monkey Safari * Messer Chups * Crazy Price
03.) 700 Story Building * Men’s Recovery Project * Resist The New Way
04.) U Got Me Bugged * Devo * Hardcore Devo Vol. 2
05.) Slip It To The Android * Chrome * Alien Soundtracks
06.) Needles in the Camel’s Eye * Brian Eno * Here Come The Warm Jets
07.) Ashtray Heart * Captain Beefheart & The Magic Band * Doc At The Radar Station
Part II: Improv
08.) Free Masonic Guitar * Sir Richard Bishop * All Strung Out
09.) Improv Two * ALTO! * Tour Cassette 2013
Part III: Omega
10.) Outline Of Town * Eric Hausmann * BIG Guitars
11.) Bhang Train * Aural Resuscitation Unit * Consumed
12.) A Mountain Keeps An Echo Deep Inside * Space Gambus Experiment * Into The Light
13.) Sleep Time * Raymond Scott * Soothing Sounds For Baby: An infant’s Friend in Sound (Volume 1: 1 to 6 Months Old)
14.) Omega * Albert Ayler * Love Cry
While I’m out of town this weekend, and unable to provide a live show for ya’ll from coastal Oregon, I thought I’d present a little information about our show, and our presence on the ol’ Inter-Web-A-Tron. While I have tossed around that you can find our show in iTunes, which is quite an achievement in and of itself, we’ve also adding different feeds to the iTunes Store, where you can subscribe to the different kinds of shows that you are interested in. It’s an innovation that we’re very excited about, and this seemed like a good opportunity to give you a quick run-down. For those of you who hate plugs, there is also a good mix of music that follows (without me talking over it), and it is well worth the wait, methinks.
Since this is a digital medium too, here is a textual version of the information provided in this podcast. This also affords me the opportunity to provide specific and direct links, that you can easily copy and paste into your podcast aggregater of choice. While I have not listed all of our currently available podcasts (the holiday shows are available too, but won’t be updated until next year), these are the ones that will give you the widest and best possible overview of the kind of show we are, for those of you who may be new listeners.
Blasphuphmus Radio Podcast Feed
This feed offers you every new episode that we broadcast, including any and all radio appearances that get recorded on other people’s shows. If you just want to hear everything, as it happens, then this is the feed for you.
In-Studio Performances
Like live music? Any time we have a guest on the show (or, any time I help run the sound for a guest on another show), the recording ends up in this feed. This winds up offering a wide assortment of music from all over the map, on tour, local, and all points in between. This feed includes a number of collaborations with fellow DJ, Ricardo Wang, on his show, What’s This Called?
Novelty Recordings
As a collector of Novelty Records, these show represent the times I do my Dr. Demento impersonation, and play all the weirdest and strangest recordings I have access to.
Science Fiction Shows
I am a huge fan of Science Fiction, and in particular the convergence of Sci-Fi and music. So, it’s no wonder that I regularly incorporate the two into the same show. These often include re-edited versions of old Sci-Fi broadcasts, UFO-centric music, movie soundtracks, and a host of other spacey things. This is the show for the Sci-Fi Geek in all of us.
Radio About Radio
Radio broadcasts reflecting on the nature of radio itself, touching the very seam that runs across the self-awareness threshold. Music has always been dimly aware of its own nature, and radio even more-so, but every so often I like to bring out the musical mirror and really get down to what it’s all about.
The Grump Punk Blasphuphmus Radio started as a sort of mutated punk show back in 1998, and while I regularly (and sometimes with conscious conviction) steer away from this subject, in the end that label identifies what could be considered my favorite music, period. So it is no wonder that the Grumpy Punk rears his ugly head fairly often, to add new items to the cannon, and ruminate over well-established classics.
Vinyl Solution
Occasionally the urge to carry heavy, plastic records great distances overwhelms me, and so I put together an all-vinyl show to accommodate this. Radio has changed so much over the years that it is easy to forget that all radio source material used to be pressed to black lacquered discs. While the majority of radio now is often reduced to plugging in a metaphoric iPod and hitting random, I like to remember what it was like to dig through crates, hand-writing playlists, and doing basic math to calculate how many songs you can fit into an hour. These, more than anything, are the most rewarding shows to do.
DJ JustanotherDJ
DJ JustanotherDJ runs the Blasphuphmus Radio affiliate in Southern California, and regularly takes over for me when I am running late, or need someone to cover for me for a week. This is just a small sampling of the kind of work he does on a weekly basis for his own station.
In addition to our presence in iTunes, you can also find us / contact us / etc. via the following social media networks, as it is apparently vital to your very existence to be present on them. I try to update each of these services as often as I can, given that I need to eat, sleep, breath, spend time with my family, and other extremely important things first. Nonetheless:
You’ll find that I update one more than the others. Investigate them all so you can find out which it is!
Blasphuphmus Radio On kpsu.org
Since 2004 (minus some time in 2008), kpsu.org has been syndicating our show on 98.1 FM (on the Portland State University Campus), and on their webstream at kpsu.org. In the past they have also provided podcasting and archived downloads. You can hear the show live (when it is live) from 1 PM – 3 PM on Saturday afternoons, right after What’s This Called? and before Hogwash, Hodgepodge, & Musical Detritus. Audience Participation happens at 503-725-5945. Your donations to kpsu.org help keep shows like mine on the air, so please help them out by clicking that link back there, and donating generously. Thank you.
I think that covers all the informational bases that I wanted to cover. Now, onto the fun stuff:
All the music from this show came from a wonderful website, Kogar’s Jungle Juice. I’ve mentioned him before, and his website is stellar, so I don’t need to rehash any of that. But if you like what you hear on this Mini-Cast, then you need to check out his website. There are hours of cool things to listen to, all available through him. Very worth your time and effort. For this show, all the selections are from his compilation, Kogar’s Jungle 45s.
That does it for this week. Thanks for listening, and thanks for all the new listeners, too. We appreciate every one of you. And now, the playlist.
See you in seven.
Mini-Cast #5
# Track * Artist * More Information.
01.) Tum Tiki * The Enchanters
02.) Safari * The Four Sharps
03.) Congo Pt. One * Twistin’ Kings
04.) Ungaua Pt. Two * The Kingpins
05.) Un-Gowa * The Rimfires
06.) Bi-Aza-Ku-Sasa * The Mogambos
07.) Wa-chi-bam-ba * The Watusi Warriors
08.) Mama Ubangi Bangi * The Four Sounds
09.) Jaguar Hunt * The Crew
10.) Jungle Call * The Gaynighters
11.) The Natives Are Restless Tonight * Ernie George Quartet
12.) Baia * Mickey Baker